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The writers have done a fine job of expanding seamlessly on the brief paragraphs describing Melnibone of Michael Moorcock's Elric books. This books provide an entertaining read for fans of the Elric series even if you don't actually rolegame since the book is light on game rules and heavy on descriptions. The only (minor) issues are the lack of detailed maps of the Dreaming City of Imrryr and some of the illustrations are not particularly inspired.
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Melody for Nora uses a strong, well-told story to bring alive the often-confusing complexities of Civil War Ireland in a manner rarely seen. The book is very much about people, and the people are interesting and lifelike. But at the same time the book shows the ironies and tragedies inherent in any civil war, with conflicting loyalties and the ghosts of past actions haunting the participants.
Mark O'Sullivan has gone on to write further good books, and his reputation continues to grow, but Melody for Nora remains one of his strongest works. Few first novels are as professionally done, and even fewer as readable. The book, set during a terrible time in Ireland's history, will be one for the history books itself, since it marked the emergence of a major irish writer.
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fortably close to the Holy Text" (page 27)... to Delitsch who argued that ancient Israelite civilization was in fact derived from Babylonia.
Chavalas' essay is followed by two essays on methodology. S Holloway writes of three sometimes overlapping Assyrias: biblical Assyria, classical Assyria, and historical Assyria. Averbeck writes that some of the problems of comparing historiography may be resolved if attention is paid to S Talmon's principle of noting the integral relationship between a text and its society before comparing that text with another text from another society; the two may not have similar uses by their respective societies.
Among the following essays, M Chavalas surveys archaeological digs in Syria and some of the results from them. R Veenker provides an overview of the Old Babylonian period and includes Mari, Syria, Hammurabi's Babylon, and the advent of the Kassites. And perhaps the most thought-provoking essay is D Fleming's wherein he finds a *cultural link* between ancient Israel and Emar by comparing biblical religious practice with the zukru ritual of Emar.
W Pitard points out some of the similarities and differences between biblical Israel and Ugarit/the Ugarit texts. In particular Pitard argues that the comparisons between concepts of life and death at Ugarit and Israel have been overrated. Pitard points out that one really would not expect a custom to remain the same over a thousand miles or a thousand years ... or even less, of course.
W Schniedewind writes that the Arameans were not an ethnic group but a social class from the same geographic region. This he derives from the earliest texts which mention Aram. It is a locale and the people who inhabited it were Arameans. They were diverse peoples from across the Euphrates who had pastoral nomadism as a cultural bond. One is quickly reminded of Deut 26.5.
Coeditor L Younger continues his studies of Assyria and the fall of Samaria. This essay includes information on the rations apportioned to Samarian deportees by the Assyrians.
Most of the essays in this volume are very informative. The essays are written by leading scholars and usually the topic is one upon which they have spent a great deal of study. However the reader would be well advised to know that more than one essay is poorly written. Though the writers are experts in their fields, they write by shifting through lateral thoughts with no central thesis in focus.
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The book is fun and interesting, focusing on Mickey's humble beginnings and his baseball accomplishments. It is very readable and manageable for a young reader. Most importantly, the book is quite appropriate for its intended younger audience. It focuses on Mickey's baseball career while avoiding other elements of Mickey's life that younger children do not need to know. A child can enjoy the book and story, while adults do not have to fear its subject.