Used price: $4.24
Buy one from zShops for: $24.99
List price: $24.99 (that's 75% off!)
Used price: $10.33
Buy one from zShops for: $12.38
List price: $39.95 (that's 50% off!)
Used price: $10.00
It covered a lot of important things that are left out of the other books, at least important things to beginners. Most important he has a section on AppleTalk. Other books don't even give hints on this. This is important if you work in publishing, advertising, graphics etc... and need to get a server up in a hurry. What this book does is teach you to get the basic services up and running and then points you to where you need to go to get the real info. I recommend it.
Used price: $1.99
Collectible price: $2.38
Buy one from zShops for: $4.50
you can email me if you have any questions
expat.muller@t-online.de
cheers
List price: $17.95 (that's 30% off!)
Used price: $8.00
Buy one from zShops for: $10.50
Additionally, I feel that the middle stories were basically interesting and well-drawn. The characters were unique enough and infused with just enough mystery to keep me reading.
It was the final chapter of the book I found most disappointing. Mike Zeck's artwork was simply awful (a shame considering some of the work he turned in back in the '80s). And the story seemed to simply lose steam. I think Mark Waid got trapped by the "trying to accomplish too much" bug. Not to mention that this story effectively cancels out the entire Crisis on Infinite Earths storyline (which happens to be one of my favorite comic book stories ever).
Note that as mentioned previously, Alex Ross has nothing to do with this graphic novel. Don't expect to see any of his artwork contained within.
List price: $59.99 (that's 30% off!)
Used price: $11.09
Buy one from zShops for: $11.60
Be ready to learn some new tech jargon and to memorize and decipher a plethora of acronyms (SOAP, UDDI, XML, etc.) but Web Services are very likely the future of distributed programming, so the knowledge is very valuable no matter how long it takes you to figure it all out.
The only other possible downer about this book is that some of the specifications the authors detail are not full recommendations by the W3C and are subject to change...but my take is that after you learn the technology once, the changes you will see with final drafts are not drastic enough to require further learning.
Used price: $12.95
Buy one from zShops for: $16.99
Buy one from zShops for: $40.00
Now, this book is aimed at the beginner, and anyone with a few months experience at WinRunner should overlook this one. BUT for the NEW WinRunner scripter, it seems to have all the right stuff.
One thing someone buying this book should understand, it that the book is clearly self-published. Don't expect the same glossy pages you'd find with an IDG or Sam's Books kind of publication. You don't get that with this book. Enough said about that. On to the review.
Chapter's 1 and 2 do not say much.
Chapter 3 starts you off with installing the product. I've seen a few people have trouble installing software, so, this would be of use to some beginners. It is funny. It reminds me of the instructions for the installation of Windows 95 in the "Windows 95 For Dummies" book. Same wacky sense of humor.
Chapter 4 is a tutorial that assumes you know NOTHING about WinRunner. It has you recording scripts for MS Notepad, MS Paint, and MS Calculator. It explains what each line in the recorded script does.
Chapter 5 is a second tutorial aimed at introducing and teaching about the "GUI map." It points out some of the pitfalls that even I had trouble with early on. It explains how to capture an application's screens into the GUI map. It walks you through capturing all the screens in MS Notepad.
One interesting note is that it seems like these guys have been around the Mercury tools a while.
Chapter 6 is a list of some 8 GUI map pitfalls and work-arounds for them.
Chapter 7 is the next tutorial. Here they have you recording scripts for the testing of a web site. They start by walking you through nine steps for automating such a site: Web Browsers, Sizing up the Project, Breaking it down into Related Areas, Recording, Debugging, Running the script, Finding and Reporting Bugs, Updating the scripts, and Updating the Scripts for each Build.
Each subject is taken up in detail and they even have you put together a simplistic automated test plan. As with the other tutorials, each WinRunner script line is explained. This is the biggest chapter and since most software these days is web-based, that is a good thing.
Chapter 8 explains how to debug a WinRunner script. Just a short three pages, but it explains some of the "gotcha's" and how to avoid them.
Chapter 9 is another "Pitfalls" chapter. This time you get the problems and solutions for 15 different web testing issues.
Chapter 10 is just a "Why and when do you automate" kind of chapter. It is short.
Chapter 11 has 5 pages of hints and tips. Again, not much new here for the WinRunner Pro, but a lot of info to keep the beginner going.
Chapter 12 is an overview of software testing techniques. It contains the basic info that a tester should know.
There is an excellent SOFTWARE TESTING GLOSSARY with some 200+ testing terms defined. Someone new to test automation or general software testing would find this to be one of the most valuable parts of the entire book. I would even buy it if it were available by itself for a few bucks.
To sum it up, this book has a LOT to offer the WinRunner beginner. It gets him/her started, it teaches him/her "the ropes" and there is not much else out there in third party WinRunner books.
Used price: $4.98
Collectible price: $4.99
This book is dry and uninspirational. Its exercises do their best to be 'writing' exercises, whereas they have to be exercises for 'hearing' .
Positive Points: Its expansions on Piston's first edition do some logical revisions, altering the ordering of chapters, and making the book more -systematic-; some of the exercises look a lot like the exercises in the initial chapters of Piston's 'Counterpoint', so that's also an indication that the latest DeVoto edition tries to be careful about the contrapuntal dimension of music that you simply cannot ignore if you're asking the student to write exercises other than block-chord progressions.
I'm pretty much a novice in 'Harmony' and 'Counterpoint', but I have to say that among all those books that I have examined, the best one by far was Sessions' book. ***You have to evaluate a harmony text by the types of exercises it has, because a harmony text is nothing other than a simple guide to have you discover certain things for yourself, preferably with the assistance and critical evaluation of an experienced tutor.*** I've tried to benefit from the first and fifth editions of Piston's "Harmony", Gauldin's "Harmonic Practice in Tonal Music", Rimsky-Korsakov's little known "Harmony", Schoenberg's Harmonielehre (A work of genius, which really should by evaluated on a different plane than what we're discussing at the moment.), Hindemith's "Traditional Harmony", and Sessions' "Harmonic Practice". Gauldin's book is a confused appempt to reconcile Schenkerian pedagogy with the general frame of mind that you see in Piston. The result is only un-inspirational, and 'dry'. What are we aiming to do in 'harmony' study? Are we not trying to acquaint ourselves with ears as unprejudiced as possible, with the materials and technicalities of a certain system, which has not just descended from the skies, but has evolved, -as a very efficient and easily comprehensible way of organizing the thought-in-tones? How can we do that? Not by memorizing formulae, or individual 'functions' for sure: You can't learn a language by memorizing sentence-forms. 'Detailed' as the Piston-DeVoto-Gauldin approach may be, it lacks the fundamental element that the student must feel himself free with his exercises, from beginning to end, so that he later has the ability to 'talk', and perhaps, much later, to express himself with/in that language.
Sessions incorporates the figured bass-melody harmonization-figured soprano scheme of Hindemith with the Schoenbergian idea of having the student listen and discover for himself the meaning of harmonic usages by concocting his own structures from the beginning. That's a very interesting synthesis (remember how Schoenberg hated melody-harmonization!), and I must add that he also takes the relevant aspects of Schenkerian theory. From the beginning, he makes you think in contrapuntal terms: You can't do that if your 'book' forces you to think in terms of roman numerals, and in terms of roman-numeral-restrictions that seem to belong not to a liberated understanding of tonality, but to a very curious 'style' within functional-harmony. That's why people have accused the Piston-DeVoto book of having nothing but note-drawing exercises: I concur with them!
BTW, I taught myself harmony from this book when I was in high school (with the guidance of a teacher reviewing my exercises) and tested out of all theory at a prestigious university. Basically I got the equivalent of an undergrad theory background from studying this text.