
List price: $15.95 (that's 30% off!)
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Mixed bag
saved my marriage
A remarkable collection of essays - a must read!

I was dissappointed
Horses Forever
GREAT GIFT IDEA!
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A tedious disappointmentLook out, VI fans - I'm about to commit sacrilege.
I found Burn Marks in my bookshelf while hunting for some bedside reading. After the first chapter I got the impression that I'd read the book before, but never finished it.
I soon realized why.
So long-winded, so verbose, frankly - so BORING!
Ms Warshawski is alternately dead tired, sick, throwing up, having headaches, being injured or detailing the condition of every last burn blister in minute detail; her old Chevy is "groaning" on virtually every page, sometimes even in consecutive paragraphs, until it predictably dies; the plot barely gets going only in the last couple of chapters.
OK, I'm exaggerating a bit, but not much.
Doesn't Ms. Paretsky have an editor who could weed her story down by some 50 percent?
By sheer dogged persistence I managed to arrive at the final chapters, where the tension picks up a bit.
But unless you're looking for a sleeping pill, stay away.
Excellent read
My Favorite Paretsky
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Thanks for a great dinner!
What a great book!
Great recipes and a great read!
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Salem
Salem the talk cat
Salem the talking cat?
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"Why would the Earth just start killing people?"The main storyline in the book is the "Earth Inferno" storyline from issues 17 to 20 of the ongoing series. Issues 17 and 18 were by writer Mark Millar and artist Chris Weston and issues 19 and 20 were by Millar and artist Frank Quitely. The story begins with the team's investigation of strange and devestating natural disasters worldwide. It turns out the Earth itself is wreaking havoc on its human population and the team must align themselves with a notorious super villian to stop the destruction. This story doesn't have the same type of frenzied outrageousness of the prior storylines and the writing is muddled at times. Still the appeal of the individual characters along with an intriguing evacuation plan for the Earth's population help turn the tale into one worth checking out. Quitely's work in particular is something to be admired.
The other three stories are weak in comparison. "Devil's Night" from the 2000 Annual by writer Joe Casey and Artist Cully Hamner is a mess. It's just page after page of explosions and people punching each other with nothing of substance to bind everything together. "Isolation" by writer Paul Jenkins and artist Georges Jeanty and "Orbital" by writer Warren Ellis and artist Cully Hamner from the 2001 Wildstorm Summer Special fare better as character studies of the Engineer and Jack Hawksmoor respectively. "Isolation" is noteworthy in a wickedly fun way due to its exploration of a side of super heroines that you don't see much in mainstream comics. Yet, both stories feel like filler material. All in all, volume 3 is a mixed bag. Not as good as the prior two volumes but still an ok way to pass to time due to the strength of the "Earth Inferno" storyline.
With superheros like these, who needs villians?Nice moments of enjoyable reading. But don't be shocked for what you see. Reality is way worse.
Truth In Advertising...They Are "The Authority"I think that the story and art are excellent, the fight scenes are among the best in comic-book history and that the characters are great(especially Apollo and The Midnighter).
I definitely recommend this book for anyone who is a fan of comic books.

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Interesting background, average art
Like an episode of B5 that you missed... very well done
If you missed the comics, pick this up!
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Please try again Mr.Rozenweig
Great Introductory Text
good end of the second millenium
Collectible price: $98.00

Loise Tate the second cashes in with this garbage
Delightful
No Kitchen Witch Should Be Without This Book
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A major disappointment
The closer you look, the better it is
A Must Have for Serious Photography CollectorsWhat I loved the most about this book was not the models, or the settings, though both are beautiful and interesting, but the most intriguing element for me was that Roberts' work seems to have captured an innocence of a "time," a time which will never be again. So many photographers today are trying to photograph that "retro" look, and failing miserably at it. Mel Roberts has done it because he was there doing it, capturing the essence of the 1960s, in the 1960s. Besides, the whole thing is very erotic, a must have for serious collectors. I've already bought 3 prints from the book and plan to buy more! Bravo! to Mel Roberts and whomever (FotoFactory Press) had the inspiration and intelligence to bring this man's work out of the woodwork!