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The stories are great - I bought it for the rock stuff and did not think I'd read the rap sections - but I have to admit that I found the whole book intriguing.
Mark Rodgers did a great job of capturing Andre's life and career in the music business.
The whole book is great - and all the color photos - WOW. I felt like I was right there in the stories.
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Getting these valuable first-hand accounts gives us a very balanced view of Jimi's personality, and both sides of the coin are shown. You get the expected admiration for his talent, and the good sides of his personality. You also get the not-so-good parts, such as Jimi's paranoia, insecurities, and appallingly poor business sense. This book is not afraid to give bad reviews of Hendrix's poor live performances with the Experience when they were on the verge of splintering, or with the undeveloped Band of Gypsys. Also, his pathetic death (choking on his own vomit) is not dwelled upon and is treated as the senseless mistake it really was, rather than the noble, romanticized exit from this world (or even suicide) that you'll hear about in other accounts.
The excessive details about Hendrix's sloppy business arrangements provide valuable information, even though these passages get very long-winded and detract from the focus of the book - which is the man and his music. Also, be suspicious of character descriptions of people who are not around to give their side of the story. This doesn't apply to Hendrix himself, as described above, but to late manager Michael Jeffery. This man surely left plenty of evidence that he was paranoid and power-hungry, but the descriptions of his personality by the people in the book, most of whom didn't like him, should be treated with suspicion, as he's not around to have his say. To a lesser extent, the same applies to Jimi's sexy but dangerous girlfriend Devon Wilson.
The coverage of the posthumous Hendrix musical catalog is getting outdated (fortunately). Certainly after his death, the managers and record companies flooded the market with inferior material, most of which was either impromptu jam sessions or sub-par live performances which were never meant for release. Until the mid-90's this avalanche of so-called "lost" material blurred the brilliance of the smaller amount of official records that Jimi really tailored for the public. This situation has been mostly resolved since 1994 when the Hendrix family finally gained control of the musical copyrights. They've given us great reissues of the official albums, as well as the incredible "First Rays of the New Rising Sun" which consolidates the album Hendrix was creating at the time of his death. But with things like "South Saturn Delta" and "Live at the Fillmore East" the Hendrix family is almost as guilty of barrel-scraping as the bad guys were in the 70's.
He deserved to be treated better by people who called themselves "His Friends." Jimi was a incredible man and amazing guitar player as well, but he was also very human. He had a very vulnerable side to him as well. He had enough problems without people wanting him to be everything to them. He couldn't do that.
He needed someone to love him and someone to respect him and take him at face value instead of having him always be Mr. Rock guitar god. he wanted people to listen to his music and be taken seriously. He was sick and tired of doing the same theatrical tricks that he had done with the guitar night after night, and now he just wanted people to listen to him, and not look at what he was doing with his guitar. he didn't need to prove anything anymore. he'd already done it. it was time for him to move into a new direction. Unfortunately, that new direction was never fully realized during hendrix's lifetime. Only now, after his death do we fully know just exactly what he was trying to achieve. Some things we'll never know. That was the genius of Hendrix. To keep people guessing. He'll never know how much of an impact he has had and continues to have on people's lives even to this day. God Bless You, Jimi. We Love You, Man!!!
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Besides the task of proving the innocence of his pal, Mark must also contend with Thad's impending departure for college.
Boy, is life tough!
So that the uninitiated reader can become acquainted with the book's "personnel", Craft introduces each in a way that does not distract from the story-at-hand.
Craft's attention to detail of set and character is what makes him of major appeal to his readership. Occasionally, Craft "speaks" through his protagonist Manning with a few narrative lapses on political and religious issues, the latter especially in regards to Manning's sexuality.
It works for him!
Although not quite up to par with the other five entries, "Hot Spot" is still a relaxing way to spend a hot, summer day or a crisp autumn afternoon.
For his fans, Craft pays homage to his own series in a "cutesy" paragraph that begins at the base of page 271 and concludes at the top of the subsequent one.
It'll bring a smile!
Knowing Roxanne from the past books in the series, you'd expect the wedding to be a major disaster. But other than the actual joining of Rox and Carl, it takes place without a hitch. (Joke) Unfortunately, it is the reception that becomes a disaster when an elderly and wealthy Dumont matron is electrocuted in a freak accident. But was it an accident? It begins to look like homicide and the new bride is the prime suspect
As I've said before, the author keeps getting better with each book in the series, and this one is the best yet. The plot is littered with possible suspects and red herrings that keep you guessing to the very end. And other than "obfuscation" I loved ever word in it. (Another joke) Unfortunately, I can't say the same for the dust jacket illustration. The Bride of Frankenstein photo will probably attract consumer attention but it demeans the text inside.
This story is set in the same timeframe as that of Desert Autumn, the first book in the new Claire Gray series. In that book the noted stage director, Claire Gray is preparing for the opening semester of the Desert Arts College in California, which just happens to be the college where Thad is heading. (Insider information - Mark will be making a guest appearance in the second book of the series scheduled for a February release.)
The final transition has Mark and Neil alone in the big house in Dumont. Sounds pretty tame, but you know that something is going to come up soon. And it's sure to be a dozey! So far, you can't go wrong with this series and HOT SPOT will keep you up late turning the pages.
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He achieves this goal. What I really enjoy and use is the first section, 40 pages of menus using recipes from the book. This is unique and very well done. This section gives one not only ideas for complete meals from the book, but just plain ideas on how to combine dishes for wonderful meals.
The recipes themselves show great variety, and care to do just what he setted out: elegance for reasonable health. As an example, this menu is entitled: The light side of Classic Cuisine: Grilled Swordfish with Spicy Yogurt Sauce, Poached Turkey in Vegetable Consomme' Salad, Creamy Rice Pudding with Fruit Sauce. Calories per serving: 758.
There are many sidelights to this cookbook: sidebars on foods and techniques, and nice photos.
Perfect cookbook for someone looking for lighter, gourmet quality food.
...It is a true indulgence tobe able to make and eat delicious food. This book permits bothpleasures without the guilt of unknown excesses of fat, cholesterol,sodium and the like. -- Eat what you like, but please...know what youare eating!
I have made nearly every beef, poultry and fish dish inthis volume with terrific and consistent results. -- The greatestthing is that the book teaches you how to spend your money wisely andget the most bang for your buck, usually with little more than a someminor attention to detail, which is free.
My mother-in-law who is avery well travelled, difficult to impress foodie consistently lavishesme with compliments when I whip up dinner with recipes culled fromthis book. She was so impressed with the stuffed chicken breast dish'Chicken Kiev Style' that she asked to watch me make it so that shecan serve it at her dinner parties! Very economical and easy for suchhigh praise!
The side dishes are exquisite, flavorful, andeasy. They are great to bring along when visiting, compliment avariety of meals, are generally inexpensive, and are a bit morespecial than other run of the mill recipes you might tend to fall backon. The simple recipe for potatoes persillade (pan fried potatoes withgarlic and parsely) is such a favorite in our house that is worth theprice of the book all by itself.
I cannot stress enough that when Ibegan cooking I was almost completely inept, and now I am a force tobe reckoned with in the kitchen. (Thanks in large part to this book.)With the help of Mr. Pepin's flawlessly executable recipes, I evenmake my own bread from scratch -- without owning a foodprocessor.
For me eating and entertaining well has become a part ofliving a good life. You can go out and pay someone else to cook foryou for the rest of your life or you can learn to make a few thingsand take tremendous satisfaction in it.The money you save on dinnersout will more than pay for this book and the inspiration andinformation it provides are priceless.
If you want to learn how tocook, there will never be a more qualified or humble teacher thanJacques Pepin. -- So often the quality of the result is dependent onsomething small like knowing how to thicken a sauce, the order to chopyour ingredients, or when during the cooking process to add aparticular seasoning. A lot of that extra know-how gleened during alifetime of hands-on effort is conveyed here.
Lastly, but worthnoting: all of the recipes in the book are made with readily availableingredients and without a huge investment in equipment.
Go on, getthe book. You're worth it, and your dinner companions will thank you.
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In Mirage, the author does a very good job capturing the sense of mystery Asimov used in his own novels. He also shows a good grasp of Asimov's ideas and universe.
What is surprising to me is the fact that no history is mentioned about the main characters who spent 6 novels together in the Robot City chronicles. Nor is any indication given as to when this story fits into the Asimov timeline - while the reader can certainly guess, the author could have thrown the reader some sort of lifeline from the original Asimov books to let us know what else was going on.
At any rate, its an interesting read. Very nice to see that the spirit of Asimov is well remembered and appreciated.
MIRAGE is an espionage thriller that toys with a frankenstein idea. When the climax comes, teh possibility of a really cliche ending is avoided by following logic--like Asimov would have done!--and sticking to the possibilities in the characters themselves.
Great characters (he even made Derec Avery and Ariel Burgess more interesting!) and a great plot, with impressive speculation to boot. What more can you want from a science fiction novel?
Tiedemann's "original" novels are better, but MIRAGE turned out to be a really good introduction to a fine writer. FIVE STARS!
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