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However, buyers should be aware of a few problems. The first is the popularity of the Lonely Planet guides...since they're so popular, following the guides too closely steers you entirely to the same well-recommended hostels, restaurants, and so forth, that every other LP reader goes to. These institutions start specifically aiming themselves at the LP crowd. Definitely loses some of the cultural experience, and well-reviewed hostels are something like an American/Australian frat party. I'd view the Lonely Planet guide as a necessary evil. It's very convenient, but their recommendations are self-defeating, especially in the more heavily-touristed areas.
Secondly, most people visiting Europe seem to be doing massive every-big-city-in-three-week tours. This guide is suited for that, but for those spending more time in the indivisual countries, definitely buy the single-country guide.
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These shipwrecks are known as "O-fune-sama". To say that these villagers are destitute is, if anything, an understatement. Every springtime sees more and more of the villagers having to sell themselves into indentured servitude to support their family. Fathers are usually the first to go.
Everyone left behind in the village hopes... indeed, BASES their entire continued existence on the good fortune of an O-fune-sama wrecking itself on their reefs, thus providing their village with a life-giving bounty of rice, utensils, wine, and unheard-of delicacies.
Yoshimura's story-telling lense focuses on the plight of nine year old Isaku and his family. His father has already left for indentured service, and Isaku, as the eldest male, is left to provide food for his mother and siblings. He develops his craft as a fisherman. Isaku, as a character, is by far, the strongest point in this novel. Well done. Yoshimura did well in providing a glimpse into the struggle of Isaku's forced initiation into the realm of responsible manhood.
Isaku soon learns the mysterious origin of the salt cauldrons that burn on the beach all night long, when he is asked to tend to these fires.
The fires are meant to lure floundering cargo-laden ships in the night... to coax them onto the treacherous shoals... to run them aground. These ships are subsequently plundered for all the goods on board, and the crew is slaughtered.
Isaku becomes a witness and recipient of one of these bounties. He, along with the rest of the village, longs for a similar occurence the following year. After all, Isaku's father is about due to return. Wouldn't it be nice to be able to present him with prosperity, however ill-gotten it may be?
Well, what the heedless waves bring these villagers next... is not quite what was expected, nor desired.
Yoshimura has written a good story, but I am of the opinion that a bit may have been lost on the English translation. (Do medieval Japanese really say "I reckon" as Mark Ealey suggests they do in chapter 8)?
I found "Shipwrecks" to be poignant in a few respects... but overall unmemorable in most.
After Isaku's father has been removed from the home in just such an arrangement, the boy continues to live with his mother and younger brother and sister, Isokichi and Kane. The story is, in some ways, the tale of Isaku's loss of innocence as he attempts to fulfill the duties of head of the household--fishing for saury and sardines and octopus and squid, and, most importantly, tending the salt cauldrons. For Isaku, this represents a confirmation of his own maturation, for the salt cauldrons are of prime importance to the town and its people.
A naïve boy, Isaku comes to learn that, in addition to boiling the salt out of sea water to sell, the fires on shore serve another, more sinister, purpose--that of luring unsuspecting trading ships onto the reef. The village calls it O-fune-sama and sees it--the destruction of those ships and the subsequent murder of their sailors, as a gift from the gods, no different from any other harvest, such as rice and pottery, cloth and utensils. Far from being a crime, what the villagers are now engaged in nourishes the small town and keeps it from dying.
Even as Isaku learns about the inherent risks--specifically those of luring clan ships to ruin instead of trading ships--O-fune-sama is never questioned: it is a necessity and a customary part of the yearly cycle; there is no moral question to be answered...other than the town's quiet acknowledgment that no one beyond the village must know.
In this small book, time unfolds at a leisurly, but disquieting, pace. There is a quiet passing of the seasons in which normalcy seems to prevail: couples wed, children are born, elderly persons die. As Isaku's father is not due to return for years, a routine finally settles in and it is time to fish for saury, then squid, then octopus. And, when the trade ships are running again, it is time for O-fune-sama.
One year, however, the inevitable happens and there is retribution for the town's crimes.
Shipwrecks is a horrifying and tragic book that unfolds slowly and deliberately. Because the village situation is grim and its needs are clear, Isaku's grasp of the situation is understandable; the reader can definitely sympathize...and empathize. And this is what makes the inevitable punishment so personally tragic and sad, yet so very morally justified.
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The main characters in the book "The Crossing" are Manny Bustos, Robert S. Locke, and Maria. Manny is a young red head Mexican boy who roams the streets of Juarez scavenging for food. Robert is a Sergeant in the American ARMY. His whole life consists of being a good officer during the day and surviving his haunted nightlife by drinking himself to almost "brain dead." Robert is haunted by dead friends, who were killed during a war. Maria is a woman who worked at the Two-by-Four bar and cafe. She would sneak Manny food and also supported Manny when he decided he was going to cross the border.
Gary Paulsen tries to show the truth of what life is like for some Mexican people. He tries to show Mexican poverty and street life, of those who are faced with "the crossing." Paulsen tells us in his book about men who are out to capture young men like Manny. These men will do damage to anybody, just how they did to Robert toward the end of the book. Paulson also shows how life can be rough when trying to trick tourists by having them throw money.
"The Crossing" is a book which I enjoyed reading. I would suggest this book to other teenage readers but would not recommend this book to anyone who is a sophisticated reader. Like the relationship between Robert and Manny, this book is brief and brutal but ends on a note of hope. This book is very short in length and has a simple writing style which should give high-school students with slow reading abilities a special appeal for this book.
"The Crossing" is a spectacular book, which will make a person realize how spectacular their life is. A complete review to the book has been given with information about the characters, Paulson's purpose, and a personal reaction to the book. If you are a high school student wanting to learn about the Mexican culture along the borders, read this book.
"The Crossing," like most Gary Paulsen books, is a good story. It's about struggling and how to overcome the struggle and survive. It doesn't ever get boring and you'll want to read on the whole time until you finish the book. I recommend anybody to read "The Crossing."
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What escapes most observers of the Vietnam War is the distinction between winning the war and ending the war, something that Woodruff clarifies. He points out that while Westmoreland submitted plans for winning the conflict (the invasion of North Vietnam), this was totally unacceptable for political reasons, leaving only the ending of the war in the best available circumstances as the most realistic option.
In cataloging the allied victories, Woodruff draws into sharp relief just how ill-served the world's public was by the western press corps. A group of people who were in the main (and there were some notable exceptions), a self serving, self appointed tribe of freeloaders interested only in getting a good story, rather than telling the truth. Aiding the western press corps was the propaganda machinery of North Vietnam who must have viewed the western journalists as the best free advertising on the planet.
Unheralded Victory draws no specific conclusions as the right or wrong of supporting the government of South Vietnam. Many antiwar commentators gleefully point out that the Saigon regime was despostic, cruel, repressive, corrupt and undemocratic, while failing to acknowledge that the North Vietnam government was essentially the same. Additionally, the Saigon government's stated position was to be left alone to mismanage its own affairs, while North Vietnam's stated position was to invade the south by force of arms and mismanage the whole country - something it continuously denied during the conflict, claiming that the war in the south was due to local action.
The book itself relies exclusively on facts, documenting both the sacrifice and valour of the individual soldiers and the overall conduct of the war. It dispells the myths of fragging, combat refusals, drug abuse and most other icons of the antiwar factions. In place of these it demonstrates the war could not have been concluded in the sense of a clear cut victory, but that up until the last combat troops left the country, there was no question that the allied forces won every decisive engagement. This is what makes the book so readable - the bald statements of victory all speak for themselves. There is no 'stab in the back' concepts, no political rantings, no finger pointing, no revisionist history, just plain good old 'political theory' destroying facts.
It doesn't matter which side of the political fence you want to sit on, Unheralded Victory shows that something went on in Vietnam that was missed at the time (for whatever reason) and it is opportune to revisit the scene - not to rewrite history, but to try to understand why the glaringly obvious victory by the allies, and patent military failure of the North, was so badly misunderstood both then and now. Woodruff has done us a great service in presenting the truth as it was and in doing so highlights the price paid by those who fought and didn't come home.
A first class read.
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"The Sith War" focuses on the evil machinations of a corrupt Jedi named Exar Kun (who will play a major role in the "Jedi Academy Trilogy" books) who has become poisoned by the seductive dark side power of the Sith. Kun used his influence to corrupt a number of good Jedi with this power. One of these Jedi, named Ulic Qel-Droma, was so perverted by Kun's influence that he turned on his family, friends, and the entire Republic and was responsible for actions that thrust the galaxy into a devastating war. Qel-Droma is not an evil man, just a vulnerable man corrupted by the pure evil of Exar Kun. He comes to realize, to his horror, the consequences of his actions and tries to fight back at against Kun at great consequence to himself.
"The Sith War" provides a continuation of earlier "Tales of the Jedi" stories and answers many questions that readers may have from reading the current Star Wars novels. "The Sith War" is notable for showing the culmination of this bloody conflict, while also explaining what happened to Exar Kun. In addition, the warrior who was the inspiration for Boba Fett and the armor he wore is introduced here. A brilliant military strategist named Mandalore (the inspiration of Fett's Mandalorian Armor) allied himself with Kun and Qel-Droma in this war and fought valiantly. This graphic novel is one that the reader will go back to time and time again to read about the events of that war and to try and pick up on additional details they may have missed the first time around. It is definitely worth getting.
In this second book of the series, Mr. Anthony continues some themes and introduces others. Once again, he focuses on a specific stone of power (this time it's the stone of fire). Our heroes work to prevent the misuse of the stone and the destruction of Earth and Eldh. We get more information about what it's like to live in medieval times. Child Samanda makes a brief appearance. The main characters finally have to face their inner demons. And so on. In addition, we get the character development that is typical of the second book of a trilogy, including the homosexual knight mentioned in other reviews.
In general I like Keep of Fire and the series. It may be a ripoff from other epic fantasies (Tolkien, Eddings, Donaldson, Hambly), but there is a lot of new stuff as well. Mr. Anthony has given us a rich world and some interesting characters.
His plot is simple, yet enthralling. Gone is the complex plot and multitude of indecipherable subplots. I would take this book to school, and amidst the cackling children and ranting teachers, I found nothing but pure ecstacy, or sorrow, or horror. It is the kind of book that will keep you pensive all night long, pondering over who is the epitome of this vile undertaking, or who Tira really is.
His character development is commendable. One moment a character's ignorance almost gets him/her killed, and the next, he/she is the savior of the party.
For a budding author, Mark Anthony has displayed a skill in authoring which surpasses that of any other author, either self-promoted or reputably commended. If you are a reader who enjoys a captivating mystery/action book, then I recommend The Keep of Fire and Beyond the Pale. If Mark Anthony lives up to his well earned reputation, then The Dark Remains should par, if not surpass, the entertainment that The Keep of Fire has served me.
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This book is not only a must-read for anyone who owns options, but it is invaluable to me in my financial planning practice. The concept of "Critical Capital" is the most common sense way to look at the timing of cashing in options that I have seen. My clients benefit by having a rational way to look at how options can best be used to reach their financial goals.
Throw in the tools available on the website, and you have a complete resource for guiding yourself or your clients through the complicated maze of stock options. I highly recommend this valuable book.
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In the realm of alternative reading this provides a look into a world of a society of people who are unduly ridiculed, persecuted and misunderstood...even by their gay constituents.
For zoophiles, this book is a an epiphany and should be a must read.
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The idea that Gojiro not only actually exists, but is also a deep and cynical thinker at the center of a quasi-religious cult is very creative. Unfortunately, there are two problems that prevent it from being the book it could have been.
The first problem is the story, or lack of one. Nothing really happens in the book. In it's 300 plus pages there is so little action and character growth that it's easy to find yourself dozing off if you read it at night.
The second and biggest problem is the over-pretentious, forced writing style. Jacobson tries so hard to be hip and trendy that the story (what little there is of one) becomes difficult to follow and the book just becomes painful to read.
"Gojiro" has some great philosophical ideas regarding God and Man, and Nature and Science, but it lacked the cohesion to pull any of those ideas together. Instead we're left with a rambling story with no focus written in a heavy-handed, fake ultra-cool narrative. It's clear that the author had something to say. I just wish he would have said it in English.
I'm aware it's not for everyone, as I can see by the other reviews posted here. And, to tell the truth, it's not really a genre sf novel, so people looking for long-winded physiological descriptions of Godzilla, leave now.
Frankly, this is NOT a Godzilla book. It is NOT an action-packed thriller or a pretentious hard sf novel filled with technobabble. This is a deeply philosophical work that uses the image of Godzilla, a mistake of human technology becoming the defender of humanity, as a symbol of evolution; mutation becoming adaptation becoming progress. The author freely edits scientific and historical details for the purposes of the story, which is more like an epic poem or painting than a straight narrative; characters, while on one level being very real people, also serve as symbolic archetypes, and the many seemingly-impossible events, while reinforcing the otherworldly atmosphere of the story, also all have a point behind them, once you look. (For example, the creation and growth of Radioactive Island through seemingly haphazard chance serves as a strong metaphor for evolution throughout the story.) The premise, a Godzilla-like creature developing a sort of religious cult philosophy that becomes inadvertently broadcast in a series of movies, seems silly at first, but the thing is, it works. More than that, it works so well that it strongly colored my perceptions of the real-life Godzilla; I'd been aware that he was a symbol of the Nuclear Age before, but this really brought it home to me.
The contrived slang, the "hip" lingo, the monster's cynicism... While some might be turned off by it, it worked for me. If you can start to accept the novel on its own terms, try to understand the beautiful alternate world and belief system it depicts rather than judging it, then before long the internal logic of Gojiro becomes clear, and concepts and events that initially seem silly become poignant and touching. The novel purposely uses unfamiliar, strange-sounding language to get us to see difficult issues in a new light, and get us to think from the monster's perspective. Somehow it all works, it all comes together, and it does make its own mutant kind of sense. Which is really what the novel is about, at heart, evolution and change, misfits from the old order becoming the seed of the new one, mutants making their own mutant kind of sense, and prospering.
The novel's ultimate message was uplifting and optimistic while at the same time remaining realistic and consistent with the cynical points it made earlier; it seems corny and weird, but, in the end, I believed it. It brought the whole novel together masterfully, and the touching epilogue left tears in my eyes. This novel made a huge impression on me, and I'd recommend it to anyone willing to keep an open mind and experience serious ideas from a different point of view.
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But then if I find even a few tidbits that make my life easier when supporting MS products (which can be a royal pain), I consider the book to be well worth it.
If you are looking at supporting XP, don't assume that its the same as 2000. Get this book, read it over, and find out what new goodies they put into this release.
Ninety six pages of full color screenshots marks the beginning of the book - all before you even start Chapter one. The full basics of the OS are covered, along with most of the standard Windows XP bundled software, such as Media Player, Internet Explorer 6, Outlook Express, CD Burning and more. So much more than just the how-to of the interface is detailed - providing just enough technical information to make it interesting and to let you "get it", without turning into a dry textbook. Hardware installations and troubleshooting, Internet connections and ICS/NAT, LAN/WAN connectivity with TCP/IP and IPX/SPX, performance monitoring and MMC/System Policies are just a few of the area that this title covers that many others gloss over or miss altogether.
A well mapped out Table of Contents and a 54 page index assist in making this not only a start-to finish read, but an easy find what you need reference. Although I can't recommend this title for anyone looking for a study guide towards certification, this is certainly a great choice for user who want to know Windows XP Pro inside and out as well as for desktop administrators who want a reference for their user's interface.