As for the construction of the warehouse itself, it does provide some good generalized schemas that you can use for ideas, but nothing that you couldn't dream up yourself with a few days on a project.
A good overview, but no substitute for on-the-job learning.
For those who are looking for "better practice" I offer recommendations that are admittedly outside of their area of expertise. The total approach -- staffing, activities, etc. -- is reflective of the 'typical' IT environment. Web deployment, however is not 'typical IT'. A single box on their team org chart, labeled 'webmaster' should be, in reality an entire collective of specialists who design and develop commercial Web sites (refer to the roles noted at [URL]). It would be roles such at these who would work to establish the requirements, with techniques not covered in this book.
Two other significant considerations not covered by their exhaustive detail are: establishing benchmarks to base metrics against and determining additional feedback loops (to be added to the Web designs) to enhance the data.
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'Purgatory' has fewer of these delights. Here, it is impossible to avoid the doctrine. Every vast visual set-piece (the Angel fighting off the snake in the Valley of the Princes; the Holy Pageant that stuns the Pilgrim in Eden, complete with griffin-drawn chariot; the masque involving violence to said chariot by eagles, foxes, seven-headed monsters and giants) are all so allegorically pre-determined, each feature a religious symbol, that they lack the dramatic force that would have made their images truly poetic.
The plan of Purgatory - the AntePurgatory where those who left repentance to the last moment must wait; the mountain itself, where seven terraces represent the Deadly Sins to be purged; the crowning Earthly Paradise, or Eden, the gateway to Heaven - bears no real comparison, for the reader, to Hell: one's sympathy naturally inclines towards the eternally damned, and one almost resents the complaints of the saved complaining of their discomforture. The stories told the Pilgrim are also of a lesser order - perhaps proving pure evil to be more (aesthetically) attractive than contrition.
There are some moments when genuine terror intrudes - the visions of violation and tempting lust dreamt by the Pilgrim; the baptism of fire he must pass before entering Eden; the show-trial with Beatrice; while tortuous similes and evocations of nature are framed in poetry of intricate beauty (see Borges remarkable essay on the infinite metaphor in Canto 1).
Mark Musa, like most American annotators, has not heeded the lessons of Charles Kinbote, and his commentary to 'Purgatory' is almost loopily overwritten. He is an amiable, enthusiastic and informative guide, and if his translating choices are sometimes questionable, he has the grace to offer other alternatives. His explanation of the purpose of each image or scene makes it easier to follow the poem with greater understanding (if not necessarily enjoyment). But because he concentrates on every line with such minute detail, he frequently misses the wider design, and so, when he is puzzled by lines that don't fit his view of the Comedy, he has a tendency to blame Dante rather than himself.
This translation was wonderful. Each of the 33 Cantos (Chapters) is set up in this sequence: 1) a short summation by the translator, 2) the poem, and 3) notes on names, characters, and items referenced by Dante. The translator, Mark Musa, even explains in his notes when he has a differing interpretation of a word or phrase than other translators' have had.
Dante used so many references to Greek mythology and events that were common knowledge to educated people of the 13th-14th Century that this poem, without notes, is entirely esoteric and fully appreciated only by the most erudite modern-day readers. Mark Musa brings every reader up to par with his thorough, easily-read notes; thereby making this classic poem a very entertaining and profound experience.
Musa's translation makes all the difference. The language is accessible, but not irreverent or vulgar. A routine I found helpful was to read the introduction to each canto, read the canto, then read all the notes, checking back to reinforce meanings or double check a name or place.
The Pilgrim's journey through this volume is heavily illustrative of God's grace, and yet the idea of each person's responsibilities to God are clear.
Don't stop reading after Inferno. These stirring translations by Musa make it possible to read, understand and love the whole Divine Comedy.
Who knew the guy would come calling the dues?
Easily the most popular story in Waid's run on the Flash, the Return of Barry Allen is a fan's dream, with meticulously researched info and an accessible story. Unfortunately, the biggest surprise isn't, and Barry's big secret is pretty easy to see coming. The final chapter also trips the line between drama and melodrama, though the opening to the final fight scene is astounding and poetic.
Published in the midst of the "Kill/revamp/screw around with your hero" craze that started with the Death of Superman, when Barry Allen showed up in the Flash comic book, a lot of us didn't know what to make of it. Barry, alias Flash II, had died the ultimate heroic death in "Crisis on Infinite Earths" and had become the Official Martyr of the DC Universe. His nephew, Wally West, took on the Flash mantle but had always struggled, trapped under Barry's shadow.
The best way to sum up this story is with the old chestnut, "Be careful what you wish for." When Barry returns, it seems like the greatest thing that could happen. As it turns out, this isn't the case. The twist doesn't come as too big a surprise to anyone familiar with Flash history, but this story wasn't really about the twist -- it was about the legacy of the Flash, one of Earth's heroes, created by Jay Garrick and immortalized by Barry Allen, and it was about the efforts of the heir to that legacy to rise to the challenge and become not only a hero, but a man. It's a marvelous, touching story, and it's something every Flash fan should read.
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stories include with Roger Maris, Joe Montana, Michael Jordan, John Elway, and Mickey Mantle to name a few.
great book for anyone who loves sports.
this book will not only make you feel good about yourself, but also give you a greater appreciation for the game.
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This is a CHICKEN SOUP book, for God's sake. It has true stories. They spend a lot of time and energy finding really good ones, stories where people contend with life's difficulties and attempt to make sense of them. And they offer inspiration and hope to countless people. I read recently that there are over 84 million in print, in 51 languages around the world. So the nay-sayers can just buzz off. I LOVED this book!
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Authors Levinson, Smith and Wilson have been working together for some time now promoting the "Guerrilla" books, seminars, tapes, etc. and have been quite successful, commercially. Although this is my first "Guerilla" book, I know of their successes and common acceptance within many business circles. However, I don't judge a book or theory based on the opinions of others so, of course, I had to buy this book to determine if it had the content described in the hype.
The easy answer is that yes, indeed, this book contains the basics of negotiation theory and time-tested schemes and strategies. The problem I had with GUERRILLA NEGOTIATING was its complete lack of fluidity and cogence. Its almost as though the authors "bulleted" the book and a ghost writer took their words verbatim without the benefit of explanatory offsets. This book does very little to describe complex situations with offered solutions and options. Remember, when reading a non-fiction book AND if one is a serious reader of non-fiction, the reader will be looking for that ONE gem within the book to add to his/her repretoire. This book is basic in nature and lacked the ability to truly explain the negotiating process. Without an explanation of the framework and processes, a new negotiatior will be totally lost. And, if one is attempting to put to work the Guerrilla tactics, they will most likely present their case in a staggered, illogical, and perhaps, unprofessional manner as the authors failed to bring together the process of "beginning-to-end." This is my main gripe about the book.
To say that the book is not "Guerrilla" in nature would be a dramatic misstatement. The authors present a variety of tactics to move negotiations along including, well, a water gun. Yep, a water gun. The authors posit that if negotiations are bogged down or if you are having a difficult time moving a decisionmaker, bring a water gun to the table and threaten (or begin) to shoot him. Now, in a sales setting and depending on the sophistication of the other party, this "might" work. In a professional setting, this is tantamount to death. Lack of common sense given the facts and circumstances of a particular situation can be the death knell of a pending transaction.
Nevertheless, I cannot say this is a bad book. The book presents the materials necessary for the new negotiatior and, even some level of information for the seasoned negotiator. It is interesting that once a negotiator establishes a style, he/she just looks for ways to enhance that style. This book could fill that role.
Bottom line....if you're new to negotiating, this book will provide "glimpse-level" insight into the process. Don't look for the proverbial outline, its not there. The book doesn't present the reader with a process toward successful negotiations or even negotiation theory for that matter. On the other hand, the book does present the reader with a trove of summarized negotiating nuggets that will most likely be beneficial to many initiates. Further, the book provides summary resource materials.
CONTENT = great; READABILITY = poor.
The guerrilla improves proficiency in the areas of word association, using an active voice,qualifiers, amplifiers, softeners, minimizers, directors, authority builders, trace words and phrases, imagination triggers, option degenerators, spotlight phrases, emotive directors, responsibility directors, presuppositions, comparitives, and linkages. The author emphasize the importance of good communication skills and how power words can change mental understanding of concept and context. The author differs communication into two styles: One for the internal listener and one for the external listener.
Probably the best part of the book was a chapter titled, "How to win on price". Guerrillas know how their customer feels about their prices. Guerrillas know happy customers know what value they receive for a price. For instance, buyers don't stay up all night worrying how much they paid, instead, they worry what they bought won't do the job. Buyers want performance and Sellers want profit. Guerrillas know that this cycle must be maintained for their business to survive. Guerrilas try to avoid negotiating on price. I think price negotiating is a lossing game because often times the seller does know when to walk away and often they get caught in continual price battles and in some cases forced to accept lower prices.
So back to communication, the author suggest 10 ways to improve your presentation: 1. Discuss specific benefits your counterpart gains 2. Show exclusive superior features and don't waste your time on the basics. 3. Project that you are reliability and dependable. 4. Position what you have to offer as the right price 5. Demostrate the time is right to decide no you now. 6. Use proof statements to support your position 7. Support your case with visual aid (visuals and discussion increase memory retention) 8. Present and emotional appeal. 9. Dramatize your stories 10. Include a demostration.