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The stories all deal with the narrator (Bruno) and his family when Bruno was a child. Each story starts out with a beautiful description of the milieu, then moves into stranger grounds where psychological unease mixes with facts. Kafkaesque would be the word applicable to describe Schulz's work (as there even is a story about a man turning insect-like... in this case, the father, not the son) but as researchers surmised, there is no real evidence that Schulz was influenced by Kafka.
What makes Bruno Schulz's prose so heartbreaking is its ceaseless and painful yearning to remember the past; almost every description is a metaphor that is drenched in almost extrasensory feeling. In consequence, every object, every motion, and every emotion remembered by Schulz throbs with a realism that is hot-wired to our subconscious, to our collective and private myths.
If you like reading, you must read Schulz.
Bruno Schulz not only understood this concept but was one of its greatest practitioners. In his short but incredibly rich "The Street of Crocodiles," summer has a "senile intemperance...[a] lustful and belated spurt of vitality," rays of August heat form a "flaming broom," the moon acquires "milky reflexes, opaline shades, and the glaze of enamel," a cockroach's sudden emergence from a crevice is described as "a crazy black zigzag of lightning," and newly hatched baby birds are "lizards with frail, naked bodies of hunchbacks...[a] dragon brood." Every page of this magnificently odd little book is filled with such gems.
Not quite a novel, but more than just a collection of stories, "The Street of Crocodiles" is a set of loosely connected chapters about Schulz's boyhood in the small Polish town of Drogobych in the earliest years of the twentieth century. His use of figurative language instills his recollections with a dreamlike quality that hovers between reality and fantasy, such as in the chapter entitled "Cinnamon Shops," where the young Schulz's errand home to get money for his family waiting at the theater becomes an exotic journey into the intersection of his mind and the city. In "Nimrod," Schulz writes about the puppy he adopts and its delicate, meticulous process of learning about its environment. But the central episode would have to be "Tailors' Dummies," in which Schulz's eccentric father declaims eloquently on the relationships between God and Man, and Man and Mannequin.
Beautifully translated into English by Celina Wieniewska, this book belongs on every shelf of intelligent bizarre fiction next to the likes of Kafka, Borges, and Thomas Mann.
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As a property owner I have had many many situations where I have felt alone in the world. Now I realize that I am not alone. That from coast to coast we proeprty owners share the same experiences. Thanks Mark! Write another book.
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Michael Pastore, Reviewer
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This one took me by surprise by taking place at the very height of the Cold War in the 60's, when the art of submarine warfare was being written and re-written daily. The game of cat & mouse under the sea was as dramatic as ANY fictional story, and although this IS fiction, it reads almost like an on-sight account of what actually happened. America, while far superior in sub design and nuclear technology to the Russians, was behind in one crucial area: subs made out of titanium. It is SO expensive that the Navy never actually made use of it...but the Soviet's made many subs that could dive amazingly deep BECAUSE of their titanium hull-design. The undersea game of kill or be killed takes on a new dimension when a Russian sub is thought to have imploded after having gone too deep...but did she really go down...or did they 'fake it' by playing sound efx that only sounded like a sub breaking up at extreme depths--places that no U.S. sub could go...this is what we get to enjoy on this very exciting and realistic portrayal of naval life on a Skipjack class sub in the 60's. Mr. Joseph is to be commended by giving us a top-notch techno-thriller which succeeds on EVERY level. Simply wonderful. Highly Recommended.
This is truly the best of the techno-thrillers/military-thrillers I have ever read. Believeable, detailed (but not bogged down by details) and exciting. Great characters. If anything, this book is better than anything Clancy has written.
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