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It's a great gift for yourself or mother/daughter. It's an enjoyable and sometimes tear-jerking read and sometimes a mirror of a relationship you have/had or would like to have.
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Brevity would have greatly improved this book. The real insights (primarily regarding the importance of using space in effective soccer) were covered fully in the first chapter or two; the details in the later part are covered more eloquently and carefully in other works (see "Coaching Soccer Successfully," by Roy Rees et al ...
For an intermediate coach or player this book could be quite helpful, but I suggest skimming rather than reading it.
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Mark Harrison does not "put the cart before the horse" (as he explains himself) and as such brings clarity.
Even though there is some repetition to bring home important points, overall there is a delightful brevity.
Don't even think of skipping any.
The appendices contain a very useful set of triads in all keys.
Highly recommended. I can't wait to order volume II.
This book teaches music theory and it is what you will get. It is very clear and moves in a slow steady pace. If you pay attention you will never lose yourself. It is ideal for someone learning alone because it has exercises at the end of each chapter you can use to brush up on what you just learned. Just like chemistry (which is what I always read!) theory isn't going to take you anywhere. You need to use it too. This is almost prequisite reading for the "pop piano book" unless you already have a good grasp of music theory. I use it in conjunction with my keyboard playing. If you just read and go through the exercises, you will learn but you will forget too! So it is recommended you actually use what is learned in conjuction. This will not tell you how to "use" the theory. That is up to you. Play your instrument frequently!
So if you always wanted to know the background about music get this. Stop memorizing chords having no idea why they are what they are. The print is clear, large, easy to read. But I don't like the binding on the book. kind of weak.
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Author Mark Richard has definitely stirred the literary soup in FISHBOY, his debut novel. There's a quote on the back cover from a review in ESQUIRE: "An eloquent fever dream, a tale told headlong in the language of incantation" -- and that 'fever dream' description fits this work to a 't'.
As I read my way through this ghost story, a fable replete with inner fables, I felt like I had been dunked into a boiling pot of Herman Melville and William S. Burroughs, illustrated by S. Clay Wilson (those of you who remember his 'perverted pirates' underground comix of the 60s will cringe at this reference), with the film directed by David Lynch. Richard's story bubbles and seethes -- he evidently relishes giving the reader the feeling of being unstuck in both time and place, for there are characters and images in this novel that are plucked from sundry eras and locations, stirred up into an intelligent, interesting, albeit not always appetizing stew. This is a world turned topsy-turvy, reflecting 'reality' like a cracked mirror.
Richard's metaphors are sometimes staggeringly beautiful and captivating -- the sea turned to shorebound landscape with mountains of waves, the land turned to ocean by the rolling tide of subterranean upheavals. Consider this short sample from p.163: 'A loose timber from the sun's sunken wreckage floated up and was dawn on the water. In its cool red light you could see how the waters around us were disturbed from beneath. Globes of old air rose to the surface and shattered, spritzing blooms of kicked-up mud. Mobs of waves rushed crowded swells, slapping faces and knocking caps off to the wind.' Whew.
The narrator of the story -- we know him only as Fishboy -- starts his tale by telling us (from p.1): 'I began as a boy, as a human-being boy, a boy who fled to sea, a boy with a whistling lisp and the silken-tipped fingers of another class. A boy with put-away memories of bedclothes bound tight about the head, knocked by a hammering fist; the smell of cigar and show leather and the weighted burlap bag, thrown from a car into a side-road swamp.' The odyssey he undertakes is a fantastic, circular one -- and he views it with an extremely limited perspective, realting the events that occur with both sheltered naivitee and blinding insight.
The novel is sub-titled 'a ghost story' -- and that it is, although it is unlike any ghost story you are likely to have come across. Richard has imbued this work with a 'graspable' surreality -- and I'm not sure if it's the reader or the story who is doing the grasping. This is an unusual, highly unsettling read.
It took me about two months of casual reading to get through this short (227 pages) book but it was worth it. Getting lost in this book is part of the journey, as you'll soon discover. Eloquent chaos and heart wrenching beauty. But not for linear readers!
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I still stand by Dr. Breiner's assertion that "silver/mercury" amalgam is bad for you. Not only is the mercury frequently toxic to many people, but amalgams are not bonded to the tooth like composites or ceramics. This requires the dentist to drill out more tooth structure to make the amalgam hold, thus leaving the tooth even weaker. Additionally, since the amalgam is not bonded, amalgam offers less physical support to the tooth (than bonded materials) and the tiny gap between the amalgam and the tooth can sometimes (but not always) lead to secondary tooth decay. (All of which lead to more tooth problems down the road).
The issue on both root canals and fluoride is still up in the air (IMO), but something that we should all pay attention to. From what I've read, topical fluoride is okay, but fluoridated water may not be so great for you. If you require a root canal, ask around about BioCalex as an alternate form of root canal therapy.
As for Electro-dermal screening a.k.a Electo-accupuncture According to Voll (EAV): Voll was a German scientist who did his research in the 50's (if I recall correctly). From my understanding, his research has never been verified or validated. I have many German friends who are medical doctors and they have never heard of this device or methodology of testing. As far as I can tell, EAV is a total scam that is frequently used by naturopaths and homeopaths to drain money out of people's wallets. Outside of that, EAV is completely useless.
In a nutshell, the chapters about amalgam, fluoride, and root canal issue are a good introduction. IMHO, the rest is either completely false, dubious, or a waste of time/money.
Personally, I would skip this book. There are better and more up-to-date sources on the amalgam, fluoride, and root canal issues. Though if you don't know anything about these 3 topics, this book might be a decent primer for you.
This well-written book highlights the relationship between "whole-body health" and dentistry. It's a must-read for anyone seeking hidden causes of some serious ailments.
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be the most useful. Although the SAX examples are fairly simple, I was able to successfully convert some of my own
code from XML tree-based to XML event-based parsing which provided a significant performance improvment.
The only downside I found with the book is that it needs another round of editing, information is repeated, sometimes
the repeated information is within one or two pages of each other, which I found annoying.
I would recommend this book to anyone who is new to working with XML and Perl.
Things I like most about this book :
the content is structured and clear to follow
the didactic style provides 'real-world' examples with explanations, which can easily be modified and extended
It is so succinct it can be read in a weekend. Both highly readable and informative.
I hate to admit it, but I have not felt the need to buy the O'Reilly Perl & XML book yet.
(Keep up the good work New Riders)
available for Perl. It is aimed at the intermediate-level Perl
developer who has little exposure to XML and wants to know what the
fuss is all about, or who just needs a roadmap to find his/her way
amongst the hundred-odd Perl modules available on CPAN.
I found the book generally acceptable as computer books go. The
layout of the book is useful and visually pleasing, the section
headers are descriptive rather than cutesy or humorous, and the
authors write seriously and stick to the topic. The program examples
are to the point, and the authors have made a clear effort to come
up with plausible problems to solve rather than using completely
contrived examples. The example XML documents all have DTDs and
Schemas to define their format, which is good practice and refreshing
to see.
The range of topics is good, covering less obvious topics like SOAP
and web delivery of XML documents with AxKit, as well as the expected
discussions of parsing via SAX and DOM.
The faults of the book are twofold. The first problem is the need
for another round of editing. The program listings are almost all fine
(but beware the typo in p. 166, line 24 in the listing) yet the text
is sometimes repetitive and could use another round of tightening up.
Yes, this is true of almost every computer book, but hope springs eternal....
More disappointing to me was the second problem, which is inconsistent
focus. It's in the nature of a survey book to prefer breadth to
depth, but still I found the authors choices on what to discuss and
what to ignore were sometimes curious. I learned that there are SAX1
and SAX2 standards, but not what the difference is between them, nor
when I should prefer one to the other, nor what improvement they offer
over XML::Parser. There is a three-page discussion (p.155-158) of the
entirely-obvious production of XML documents with "print"
statements but no mention at all of XML encoding schemes and how they can
bite you in Perl 5.6.
My spot check of the index was an unhappy experience (the index won't
tell you that the document validation features of XML::Xerces are
mentioned on p.100) and the URL for the book's errata (p.xviii) gives
a 404 error as of this writing.
I'm an experienced Perl programmer with a little XML already under my
belt, so the book was helpful to me in giving me an overview of my
options for my next Perl/XML app. It's not in the Camel book's class,
but it is useful for the intended audience.
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This book is a MUST for all designers at all levels!!
Enjoy
While there are examples of real creative work, the book focuses more on process than one product. If you're constantly living on mental post-it notes and flying by the seat of your pants when coming up with new ideas, this book might just be the ticket for you to get the creative process more organized. I have seen a few reviews that cited a problem with the size of the font used in the book... I held the pages of the book up to my computer monitor and find that the font used on this webpage is actually smaller than that used in the book... so if you can read this page, you can read the book. :-)