It is otherwise a versatile instrument for reference and revision
There is no access to the authors for feedback comments etc.
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The first half of the book was quite enjoyable actually, if not a little slow. I easily began to sympathize with Tom when he faced hate and disdain at every turn. Zubro often managed to turn these confrontations into a display of quick wit and strength of character by Tom. His strength and resolve during this time really made it easier to place myself on his side throughout the story.
However, at one point I had to put the book down because I became physically ill. Usually, violence (whether it be a western gunfight, aftermath of a war, or a SciFi alien gobbling humans a piece at a time) doesn't affect me. But the sequence describing the torture of one of Tom's friends was just too much. I didn't see any point of that gruesome scene at all. It added nothing, and caused me to drop several stars in this review.
By the end I did manage to repress that aspect and get back to the main point of the story - Tom redeeming himself. And I did enjoy the low-key transformation of Tom's when he realized that he had prejudices as well. The South wasn't all toothless hillbillies in overalls and bigots out to kill him. Whether or not that's true, at least he began to reflect on himself as well - which made me like him even better.
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In the first of the series we meet highschool teacher Tom Mason and his celebrity ball player lover Scott Carpenter. When these two gorgeous hunks are not working out or having sex, they are solving mysteries--call them The Thin Men. Now I give Zubro this, he can construct a decent, fast-paced mystery. In fact, he is better at plotting a mystery than, for example, the much-revered Michael Nava (whose Henry Rios mysteries wouldn't challenge an eleven-year old Nancy Drew fan). But the writing is awkward, often stiff, and Tom and Scott are as lifeless as the mannequins they so resemble. And that's odd, seeing that Zubro is reasonably deft at sketching minor characters.
A SIMPLE SUBURBAN MURDER is for me one of the strongest entries in the Tom and Scott franchise. The mystery is tightly written, the Chicago local realistically drawn, and it's an appealing premise: gay lovers and partners in crime-solving. A sort of Nick and Nick Charles. If we are grading on the Pass/Fail system, than Zubro easily passes
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The Ospery series is one of the best available, and well worth looking up. This book though doesn't cover the aces well enough.
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I highly recommend this book.
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- Single handshake
- Double handshake
- Peel method
- Agent method
- Signal method
The book gives more useful advice on confronting situations when you are late, or when you want to upgrade to a better room or a better seat.
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Instead he clangs a lot on the rhetorical bells with a message that essentially comes down to, "pull your head out of cyberspace and live in the real world!" coupled with some vague paranoia about the "digerati's" plans for us. While that might grab the attention briefly, the realities of these issues come out as far more complex -- not every cyberspace junkie spends their time in MUUDs and in some cases cyberspace provides as much competition as encouragement for television watching. I know plenty of cybernauts who never watch any television at all. He did make some vague attempts at the end to tie this all down to some philosophy of essentialism, though he didn't elaborate much except to throw the words around rhetorically.
I take Slouka's concerns seriously and share them. I recommend his book to the extent that he talks about things we all should talk about and also because the book reads quickly and easily without coming across like Mickey Mouse. But I find myself still waiting for the thoughtful alternative vision to unmitigated technophilia and outright luddism. The read seemed great while it lasted but left me ultimately unsatisfied and pretty much back where I started. Maybe it will inspire someone to do a more thoughtful analysis of these issues.