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I especially enjoy how the author wove a consistent cosmology and theology into the novel. In many ways, his writing style resembles C.S. Lewis' or J.R.R. Tolkien's. You can read Mark E. Roger's novel at multiple levels from a purely escapist to a deeply philosophical. The author went beyond his past efforts in this novel and explained how magic works and some of the hierchy of the infernal realms.
Look for reprints of his past works too, especially: "the Dead," "Zorachus," "the Nightmare of God," and the Blood of the Lamb triology.
My one caution -- these tales are definitely not for the kids. Reader maturity is a must for these novels.
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Then I found myself buying all the Beatles CD so I could listen to the music that was described in the book...
I think the Beatles ARE BRILLIANT and I despair what to think my life would have been without the Beatles!! I just spent the whole day of New Year's Eve listening to various Beatle cds and other sources!! This is a great book! and it's not being published...! :(
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Barbara and Trudy do a great job of very simply outlining to us mere mortals how to talk to (and hear back from) angels. It's a nice little book, beautifully illustrated with angels and quotes about and by angels, and you could easily read it in one setting, one night perhaps when you're tucked into bed and need something light and uplifting to send you off to sleep. I found the book to be a bit too simple, as if the authors were talking down to me, and I plan to read another book on the same subject, called _Divine Guidance_, by Doreen Virtue, to hopefully glean a bit more information.
I recommend this book. Buy it for yourself, read it, and then pass it on to a good friend.
I now write to my angels every day and my life has taken a 180 degree turnaround. The angels love to be God's messengers and I find much comfort in talking to them daily. I thank this book and the authors for opening a new spiritual dimension to my life.
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The Decameron was written around 1350 during an outbreak of plague in Florence. It is the fictional account of ten young people who flee the city to a country manor house and, in an effort to keep themselves occupied and diverted, begin telling stories.
Ten days pass in the pages of the Decameron (hence its name), and each person tells one story per day, making a total of one hundred stories. These are stories that explore a surprisingly wide range of moral, social and political issues whose wit and candor will probably surprise most modern readers. The topics explored include: problems of corruption in high political office, sexual jealousy and the class differences between the rich and the poor.
The titles themselves are both imaginative and fun. One story is titled, "Masetto da Lamporecchio Pretends to be Deaf and Dumb in Order to Become a Gardener to a Convent of Nuns, Where All the Women Eagerly Lie With Him." And, although the title, itself, is a pretty good summary of the story, even a title such as this cannot adequately convey Boccaccio's humor and wit.
Another story that seems surprisingly modern is, "Two Men are Close Friends, and One Lies With the Other's Wife. The Husband Finds it Out and Makes the Wife Shut Her Lover in a Chest, and While He is Inside, the Husband Lies With the Lover's Own Wife on the Chest." A bit long for today's modern world, perhaps, where popular books are dominated by titles such as John Grisham's The Firm, but the outcome of this story is as socially-relevant today as anything that happened in fourteenth-century Florence.
The Decameron, however, goes far beyond plain, bawdy fun and takes a close look at a society that is unraveling due to the devastating effects of the plague. The people in Boccaccio's time suffered terribly and the book's opening pages show this. The clergy was, at best, inept and, more often than not, corrupt. Those who had the misfortune to fall ill (and this includes just about everyone) were summarily abandoned by both their friends and family.
Those looking for something representative of the social ills of Boccaccio's day will find more than enough interesting tidbits and asides in these stories. Serious students of literature will find the ancestors of several great works of fiction in these pages and readers in general cannot fail to be entertained by the one hundred stories spun by these ten refugees on their ten lonely nights.
Second-hand opinions can do a lot of harm. Most of us have been given the impression that The Decameron is a lightweight collection of bawdy tales which, though it may appeal to the salacious, sober readers would do well to avoid. The more literate will probably be aware that the book is made up of one hundred stories told on ten consecutive days in 1348 by ten charming young Florentines who have fled to an amply stocked country villa to take refuge from the plague which is ravaging Florence.
Idle tales of love and adventure, then, told merely to pass the time by a group of pampered aristocrats, and written by an author who was quite without the technical equipment of a modern story-teller such as Flannery O'Connor. But how, one wonders, could it have survived for over six hundred years if that's all there were to it? And why has it so often been censored? Why have there always been those who don't want us to read it?
A puritan has been described as someone who has an awful feeling that somebody somewhere may be enjoying themselves, and since The Decameron offers the reader many pleasures it becomes automatically suspect to such minds. In the first place it is a comic masterpiece, a collection of entertaining tales many of which are as genuinely funny as Chaucer's, and it offers us the pleasure of savoring the witty, ironic, and highly refined sensibility of a writer who was also a bit of a rogue. It also provides us with an engaging portrait of the Middle Ages, and one in which we are pleasantly surprised to find that the people of those days were every bit as human as we are, and in some ways considerably more delicate.
We are also given an ongoing hilarious and devastating portrayal of the corruption and hypocrisy of the medieval Church. Another target of Boccaccio's satire is human gullibility in matters religious, since, then as now, most folks could be trusted to believe whatever they were told by authority figures. And for those who have always found Dante to be a crushing bore, the sheer good fun of The Decameron, as Human Comedy, becomes, by implication (since Boccaccio was a personal friend of Dante), a powerful and compassionate counterblast to the solemn and cruel anti-life nonsense of The Divine Comedy.
There is a pagan exuberance to Boccaccio, a frank and wholesome celebration of the flesh; in contrast to medieval Christianity's loathing of woman we find in him what David Denby beautifully describes as "a tribute to the deep-down lovableness of women" (Denby, p.249). And today, when so many women are being taught by anti-sex radical feminists to deny their own bodies and feelings, Boccaccio's celebration of the sexual avidity of the natural woman should come as a very welcome antidote. For Denby, who has written a superb essay on The Decameron that can be strongly recommended, Boccaccio's is a scandalous book, a book that liberates, a book that returns us to "the paradise from which, long ago, we had been expelled" (Denby, p.248).
The present Penguin Classics edition, besides containing Boccaccio's complete text, also includes a 122-page Introduction, a Select Bibliography, 67 pages of Notes, four excellent Maps and two Indexes. McWilliam, who is a Boccaccio scholar, writes in a supple, refined, elegant and truly impressive English which successfully captures the highly sophisticated sensibility of Boccaccio himself. His translation reads not so much as a translation as an original work, though his Introduction (which seems to cover everything except what is most important) should definitely be supplemented by Denby's wonderfully insightful and stimulating essay, details of which follow:
Chapter 17 - 'Boccaccio,' in 'GREAT BOOKS - My Adventures with Homer, Rousseau, Woolf, and Other Indestructible Writers of the Western World'
by David Denby. pp.241-249. New York: Simon & Schuster, 1997. ISBN 0-684-83533-9 (Pbk).
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Along with the Bible, this book is the single most important literary resource you can own. The Merck Manual is broken up into sections categorized along types of afflictions and causes, followed by appropriate treatments. Sometimes the language is clinical and can be difficult to follow without an understanding of the terms but most laymen can grasp enough to administer correct emergency medical care when necessary.
The Merck manual also proves useful when confronting your doctor about your condition or that of a loved one, it enables you to understand the diagnosis and treatment sufficiently to determine if there may be a mistake or a possible side-effect your doctor might not be willing to admit to.
I also recommend "Where there is no Doctor" and "Where there is no Dentist" to accompany this great book.
Here in Brazil this books is used as a legal reference in cases of legal judgement of doctors by malpractice.The explanation for this : The Merck Manual has all of a good doctor must to know.
Merck Manual has chapters about every topic in medicine (except surgery).
I think this book very large and almost impossible to read until the end, word by word.But I think is a great book to read about a specific disease of a patient and so expand our compreention of that.
It is a great book to the resident doctor makes a first reading.
This book is very cheap too and I think it is a good acquisition to medical library of medical schools.
A final point : This book is easy to read and understand , a great feature for people of country where the official language is not the english.
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Who would you say is most believable concerning what is best for the Yanomamo People: a possibly biased, more "educated," but perhaps even less civilized anthropologist interpreting the Yanomamo, or the people themselves?
Jungleman, a former shaman, speaks for himself and his people and shows us the difference between the spirits of shamanism and the great spirit, the God of the Bible.
Of secondary importance, his verifiable exposure of the real nature of the anthropologists "studying" the Yanomamo for the past three decades should leave the "educated" world hanging its head in shame. To not see the dollar signs (plus much worse, that I'll leave the reader to discover) cloaked in their studies is to put our heads in the sand.
Jungleman has much to say that we should all listen to if we are to be intellectually honest in any study of the Yanomamo and other animistic groups. If you could only read one book on the Yanomamo, this would be it since it is direct from the source, and not an interpretation.
Mark Ritchie and translator/researcher Gary Dawson, should be commended for helping the Yanomamo tell their own story and, unlike others, to conduct their work gratuitously, with all royalties from the sale of this book going to the Yanomamo people.
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Nonetheless, it was so much fun to read. I kept quoting bits of the dialog to my significant other.
Some of BunRab's Standard Vampire Classification: -Series: if it is, it's the first one. -Significant genre it comes from: Fantasy/humor. -Does the vampire hold a job? Well sort of, although he loses it in the course of the book. -Do the vampires drink blood? Yes, though it can be animal instead of human. -Is drinking blood a metaphor for sex? No, although it can occur during sex. -Is there a lot of sex? Nope, and not much detail for what there is. -Are there other supernatural characters? Yup, and a few too many of them, if you ask me. Introducing umpteen different subspecies of elves was an unnecessary complication. -Is it deadly serious (pardon the pun)? Nope, I believe I've addressed that. I mean, we have vampires with library cards picking up girls at the research desk, for pete's sake. -Is it well written? Well, the dialogue is great, the plotting and resolution a little less great. But it's not hard to read, and it's acceptable for fantasy.
Incidentally, I worked for a department store credit department in a large city with lots of ethnic population, so I knew how to pronounce Csejthe right off the bat. The book finally does explain it after a bit.
The dialog in Blood + Pearls kept me riveted, the characters flowing in the pages became real, and the nightmare that is Khymir took life. Blood + Pearls is filled with intelligent characters, gruesome acts, erotic images, and more imagination than several authors put together. The illustrations provided by the author feed his vision directly to you. There's no quibbling about what he means.
This isn't new; he's written 5 books in this universe before, books I am delighted to have read (there are a couple I've even re-read). If you're not familiar with his books you only cheat yourself. I suggest you pick up a copy of Zorachus and start reading. You've got some catching up to do.