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The book is about a kid named Josh who moves from a white neighborhood in California to a black neighborhood in NYC and has to adjust. He meets a bunch of kids who like basketball as much as he does and they play pickup games together. Lots of interesting relationships develop. When Josh is not allowed to try out for the school basketball team by the coach because of his appearance, he and several other kids form a team to challenge the school team. They are coached by the school janitor, an ex basketball star who is out to prove the school coach's win -at- all costs approach is not the best one.
The book has a great ending and lots of great basketball action, with colorful players nicknamed Dish, Death and Weatherman. The book also teaches some valuable lessons to kids- getting along regardless of appearance, teamwork and sportsmanship matter in addition to winning, and importance of putting basketball in perspective along with other interests in life. Anyone 10 years or older who likes basketball will really like this book.
Great gift for coaches to give their teams. Enjoy!
HE HAS TAKEN THE TIME TO DEVELOP THE CHARACTERS INVOLVED AND PRESENTED THE STORY FROM A POINT OF VIEW THAT SHOULD BE INSPIRATIONAL TO READERS OF ALL AGES.
I BELIEVE EVERY TEENAGER COULD IDENTIFY WITH THE PRESURES THAT SURROUNDS THE MAIN CHARACTER IN "SLOW DEATH".
MY ONLY CONCERN IS THE TITLE OF THE BOOK. I DO NOT THINK IT REFLECTS THE REAL MEANING AND INTENTION OF THE WRITER.
I HAVE RATED THIS A 5 ON THE SCALE (...) BECAUSE I TOTALY ENJOYED THE STORY AND THE ART OF THE STORY-TELLING
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It is certainly the best Bisexual one.
It is a story of obsession, as sensitive, married, impoverished writer Whit Miller goes off the deep end for his down-canyon neighbor, a seldom-available ne'er-do-well with "stud" written all over him.
Whit's wife Dell makes ends meet, simultaneously emasculating him and supporting him in his writing. He mustn't do physical labor around their dilapidated house, she warns; he must protect his hands so he can type.
So he types, sometimes, but no one cares; very few people, anyway. Whit knows he'd spend his days better patching the roof, but Dell insists he come down; so he does.
She eventually runs off with a "real" man Whit envies and despises, then a second tragedy strikes: Whit sells a book. Not only does it sell, it's a huge hit. He gets totally disoriented. Success makes it even harder for him to connect with another person. A sudden bigshot, he gets involved with a bunch of hippies, has a heterosexual tryst under a pier, but the only creature who really cares for him is his cat.
What makes this a great novel? That's a lot to claim, and I don't tout books lightly. This is art, in my opinion, because Mr. Hansen has captured the quintessence of Gay men: we are lovers. More than dickhounds or drag queens, we want to be husbands. To my knowledge, this is the first book to point that out. As throbbing and insistent as the sexual impulse is, our need and ability to love is stronger than sex. Whit is often foolish; he is never insincere. He thinks constantly of the best interests of others, and wears his heart on his sleeve, knowing it will be broken repeatedly. He's not a masochist, he just wants someone to belong to.
You can't help thinking, he deserves that.
He succeeds in his work, but wanders clueless in life. Sometimes success is worse than failure, especially in California. Have you ever known a happy movie star?
I've read "Smile" half a dozen times; my most recent reaction was more critical than before, as I finally got tired of all the anti-Gay epithets the author uses. But then, internalized homophobia is the Gay man's biggest problem, and Mr. Hansen seems to recognize that, without solving it. What would Whit's life have been if he hadn't gotten married, but found an emotionally open, available Gay guy to love? Maybe he'd have constantly lusted after the elusive rough trade; or maybe he'd have discovered something masculine in his lover, the decorator.
Stereotypes aside, love is a tricky and tragic business; for all Whit's talent, he succumbs like the rest of us. His heart not only gets broken, it stays that way. At least he's always got his cat--until a storm blows up...
Read this book with your highlighter pen nearby, as Hansen's phrase-making will put you in awe. He is a stylist of the first magnitude, who has never received the recognition he deserves from Gay readers. He puts the Lavender Quill crowd to shame; they yammer endlessly about pecs and pricey merchandise, obscure opera stars and viruses, while Whit Miller falls in love impossibly, stirring his coffee "little boy-style" with lots of cream and sugar to mask its bitterness. Maybe it's better to have loved and lost, than never to have loved at all; or maybe the most we can hope for is a loyal housepet.++
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The theory of social choice is concerned with the logical problem of defining what it would mean to say that 'society prefers x to y'. More concretely, given a set of abstract individuals, each with their own set of values, how can we put these individual values together to determine what "society" wants. In particular, this theory clearly has relevance to voting, but it is abstract and has wider relevance as well. Arrow shows in this work that a few very reasonable assumptions about how these social values should behave in relation to the individual values are in fact contradictory(provided one has more than three people in the population-with two good old democracy works perfectly), forcing one to conclude that perhaps the concept of social choice is meaningless.
So he proves that an informal concept of social choice is contradictory, but that doesn't mean that if one takes weaker axioms, you can't get a consistent concept, and he studies this question, a topic of much further research, in the later chapters.
One thing to note is that Arrow's original proof was in fact fallacious, but in this book he provides a fix.
So, it can be tempting to read this work as being opposed to the idea that a society itself can have values, and thus individualism is all, but this was not at all the spirit in which the book was written, which is the spirit of mathematics(though no mathematics is used) and of welfare economics(which is not about welfare in the sense of a government giving money to the poor).
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He has several excellent and well-explained real life examples of how real people have been shaped to further simplify his excellent points.
These examples remind me of how Dale Carnegie wrote about people in different situation and how that affected them.
The book is also filled with useful hints (gems) one can use in real life.
After reading this book I got a new way to look at criticism making it possible to use twice as much feedback!
Who do you think will tell you of your most important weakness?
The one who loves you or the one who does not like you?
Does it hurt to listen to the person that does not like you if he has the most valued point?
John Powell explains how to take care of criticism much better than I do.
Welcome to enlightening reading you will not regret you have laid your eyes on!
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McConkies begins each chapter with an incident from his mission that illustrates the doctrinal points contained in each chapter, such as the loss of God's body, "figurative or literal," and so forth. Then the light of the Restoration is cast upon the subject.
This book is another touchdown for McConkie and is great for any recent convert who wants a deeper understanding of the "so-what" of the Apostasy.
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