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Winter of the Holy Iron describes the affects of the "white man" and the new technologies used by the "white man" on Native American culture. Rather than being a simple comparitive novel, Marshall weaves a tale of conflict, understanding, and uncertainty from the perspective of a Native American but does not come to conclusions. According to the story, these types of change face us all -- across time and across cultures. This universal treatment makes Marshall's novel interesting reading and a compelling analysis of Native American and White cultures.
Marshall portrays the Native American as far more than a passive character in history or the blood-thirsty savage. Marshall's works define the Native American as an active participant in history. This refreshing perspective, along with his oral-storytelling-tradition-on-paper writing style, define the the Native American as active and not necessarily reactionary. Even today, Marshall's tale still accurately describes the issues between acceptance of foreign ideas and goods (assimilation) and the rejection of such ideas.
I have read Marshall's two other works in book form (I found his works by chance). Winter of the Holy Iron is different from his essays but embodies the best of his short essay narratives and descriptions (like those from Dance House : Stories from Rosebud). The novel is very well written and allows Marshall to develop characters that are unforgettable -- something he also masters in his short essays. This book is a true 5 star work.
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Hearts on Fire is one of the first books I pull out when I want a reflection that will get to the heart of each weekday and one of the last that I will read at night to calm and prepare for slumber.
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"The Partner" is a grim tale of human weakness spiralling down to a predictable horror; whereas his humorously baroque "The Inn of the Two Witches" reminds me in its tone of Washington Irving in LEGENDS OF THE ALHAMBRA, though set in a later time period.
What happens when you fall so deeply in love so fast that you can't act to save your life? Conrad gives his answer in "The Planter of Malata," in which a successful loner named Renouard confronts the yawning vastness of an empty life. Felicia Moorsom is a bit two-dimensional and a prim and proper Victorian to the nth degree. This tale is a psychological thriller that does not let you breathe until the last line.
The final tale -- "Because of the Dollars" -- is my favorite. It reminds me of ALMAYER'S FOLLY and OUTPOST OF THE ISLANDS with its shallow-draft vessels penetrating into the heart of remote islands. Captain Davidson is a classic Conrad hero caught in a trap: How he manages to escape it at the cost of a wife who doesn't love him and, by the way, his ability to smile is one of the author's most perfectly taut stories.
It is amusing to read Conrad's preface to the stories: He seems to be wincing excessively in response to early criticism after circulating the stories to his friends. Needless to say, his friends were over-critical: WITHIN THE TIDES struck me as a treasure that I had somehow overlooked all these years.
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Complete with black and white illustrations, the book is comprised of magazine and publication prints from sources such as the Harper's Monthly, Peterson's Magazine, Harper's Bazar, Ladies' Indepensable Assistant, Der Bazar, Ladie's Home Journal, Happy Hours, Sears, Roebuck & Co., and Godey's Lady's Book And Magazine.
If you are in research for a period costume, whether it be for theatrical or educational purpose, you will get a great sense of the historical significance of the changes in women's wears as well as find good sources in design and construction of the dresses and accessories.