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H.W.B. Joseph was one of Oxford's leading philosophical lights in the late nineteenth and early twentieth centuries. This book, originally published in 1906 and republished in a revised second edition in 1916, is a classic exposition of the entire subject of logic. It's got everything you look for in a philosophy text: clarity and accuracy of exposition, breadth of scope, and a keen sense of the philosophical importance of every topic under discussion. I've had a battered copy of the second edition for many years now and I still refer to it fairly often.
The range of subjects will probably seem remarkable to the modern reader, who expects logic to have something to do with mathematics and set theory. There's not a truth table in sight; in fact, there's no discussion of formal, propositional logic at all. Instead there's discussion of e.g. the existence and nature of universals, the principles of the syllogism, the nature of the propositional judgment, the nature of causation (and whether it's reciprocating -- i.e., whether effects determine their causes too), the meaning of "explanation," and the nature of reasoning in mathematics and science.
Joseph's logic is a branch, not of mathematics, but of metaphysics. And one thing the reader will notice right away is that Joseph engages the metaphysicians of his day -- especially the neo-Hegelian idealists, like Bradley, Bosanquet, and Joachim. His criticisms are cogent and invariably well-taken. But in fact Joseph, a Platonist himself, is far closer to the "spirit" of the British idealists than he is to that of modern more or less analytic philosophy; my own view, at least, is that idealism could easily have taken up his criticisms and moved on.
At any rate, this is a fine, fine text, and when I noticed it was in print, I couldn't resist reviewing it. If you're interested in this subject, do yourself a favor and buy a copy.
Down from Dunharrow in the dim morning
With thane and captain rode Thengel's son.
It's difficult to imagine that anyone will improve on Bliss's Introduction to the topic, where, Old English being a dead language, there can be no question of his statistics becoming obsolete, unless more Old English verses are discovered, which is at this point highly unlikely. His account of the only apparently anomalous hypermetric line/s, which he found to be metrically consistent with the rest of the poetical Old English corpus, is somewhat in apposition to commentaries which have sought to limit the hypermetric line to a five-stave maximum, because Bliss confirmed the survival of six-stave Old English hypermetric lines. Not that Bliss sought to explain the apparently random locations of these lines, which explanation must by now be also regarded as highly unlikely: so far from doing so, he stated categorically that we do not understand why hypermetric lines appear where they do.
I would recommend four supplementary sources: the Princeton Encyclopedia of Poetry and Poetics for context on Bliss's contribution to the field (start with the article on alliteration and follow the cross-references); the Mitchell/Robinson Guide's diagram of Sievers-scansion mechanics; the 10-unit syllabic-verse-weight system presented in Tolkien's "On Translating Beowulf," which I found crucial for understanding this meter's relatively obscure refinements, i.e. anacrusis and particularly resolved stress (partially definitive for the Sievers D and E verses); and the responsible source on the Old English verse-combination rules which I have not yet discovered--my only negative criticism of Bliss's Introduction is its having omitted to include an account of those rules.
Notwithstanding which objection, this book is an exemplarily economical and straightforward summation of what we know about an ancient meter which has remained influential-most prominently in Bob Dylan's "It's a Hard Rain's a-Gonna Fall" and "Sad-Eyed Lady of the Lowlands." Even Bruce Mitchell might agree that Alan Bliss has been Tolkien's very best pupil.
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The Introduction to the Study of Changes is one of two written by this great Sung Confucian philosopher on the subject of the I-ching. It was intended as a primer for both study and divination. Its four chapters include Chu's explanations of ways in which yin and yang generate the individual hexagrams, a discussion of the most important charts that presented the hexagrams, and instructions on how to undertake divination with the I-ching. This is the first translation of the work into a Western language.
This is the inaugural publication of the Consortium for Bilingual Texts, which has the goal of producing scholarly, annotated, and reasonably priced translations of Chinese texts in a bilingual format.