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Not as frightening as the blurb would suggest, and a little slow-moving in parts; but very atmospheric, and full of grotesque delights. Treats include the governess, the green parrot, Maud's cousins, and the pipe. Maud is a well-rounded, enterprising protagonist, and her relationship with the deeply weird Silas has great dramatic energy.
Recommended!!!
The titular Silas is the uncle of our heroine Maud Ruthyn, who becomes the ward of her mysterious uncle upon her father's death. Silas has an unsavory reputation, having once been accused of murdering a man to whom he owed a gambling debt, but he has, by the time Maud first meets him, apparently repented and found religion. She goes to his home willingly, quickly befriends his saucy daughter Milly and is, for the most part, happy in her new surroundings. The plot thickens from there, and without giving away important details, the reader should know that LeFanu lets loose with a ripping good story that ends most satisfactorily and with some wonderful twists.
LeFanu is a skilled writer at the apex of his powers and an astute observer of the human condition. Some of the more telling lines exhibiting his gifts include:
" . . . that lady has a certain spirit of opposition within her, and to disclose a small wish of any sort was generally, if it lay in her power, to prevent its accomplishment."
"Already I was sorry to lose him. So soon we begin to make a property of what pleases us."
"People grow to be friends by liking, Madame, and liking comes of itself, not by bargain."
"She had received a note from Papa. He had had the impudence to forgive HER for HIS impertinence."
"In very early youth, we do not appreciate the restraints which act upon malignity, or know how effectually fear protects us where conscience is wanting."
"One of the terrible dislocations of our habits of mind respecting the dead is that our earthly future is robbed of them, and we thrown exclusively upon retrospect."
" 'The world,' he resumed after a short pause, 'has no faith in any man's conversion; it never forgets what he was, it never believes him anything better, it is an inexorable and stupid judge.' "
" . . . I had felt, in the whirl and horror of my mind, on the very point of submitting, just as nervous people are said to throw themselves over precipices through sheer dread of falling."
Admirers of Wilkie Collins, Thomas Hardy and, to a lesser degree, of Charles Dickens will find much to please them in the classic "Uncle Silas."
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As a result, I feel I have to comment on the amount of contact with tropical vegetation as expressed within this book! We would have lost our aircraft commander orders with the blade strikes this pilot reveals! However, that said, I am glad to see my book, OUTLAWS IN VIETNAM, paired with Joe's book and I hope many readers know more about our Army Aviation experiences in RVN as a result.
Angel's Wing is an easy read and fascinating to children from 5th grade and older. The author has taken great care to tell the truth without straying from a PG rating.
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Being a true fan and knowing that the series wouldn't continue (at least not so soon), he carefully supplemented the information on screen with his own creations, such as the Articles of the Federation, flags and emblems of member worlds, a design for an orbital Starfleet Headquarters and his famous starships. This is where some sort of dispute is going on. Especially many older fans still regard the Star Fleet Technical Manual as canon, considering that Franz Joseph had Gene Roddenberry's support on it. Some time prior to TNG, they didn't get along with each other any longer, and it is said that Roddenberry intentionally laid out technical specs of TNG so as to devalue Franz Joseph's work - but this doesn't really belong here.
Well, while many of the ideas are very good, it is probably too late to regard this whole book as canon, because the speculation in it is already too detailed. Too much of it, such as the location of Starfleet Headquarters or the map of the galaxy, has been contradicted since. Some things, finally, are simply silly, like the electric circuit schematics or the emblem of the alien civilization of 61 Cygni that -what a coincidence- has a swan in it.
Anyway, The Star Fleet Technical Manual has more than only nostalgic merits. I was a bit skeptical and I waited a long time until I finally bought it only two years ago, but I wouldn't want to miss it.
Then came The Star Fleet Technical Manual and all that changed instantly. Around the same time, Franz Josef designs mass-marketed their Enterprise Blueprints, causing Lincoln (now Star Trek) Enterprises to begin selling spirit-duplicated versions of the original Paramount set blueprints, too!
What heady days! Back then, there were very few geeks as we know them today, and it was OK that every little detail did not match between the TV and the books. Hell, without video tape, let alone DVDs, who knew? Who cared?! Fans and their love of Star Trek were all that mattered and this book was the ne plus ultra, the Mother Lode of Trekker Trivia.
I am proud to say my original, first edition print, with plastic slip cover, is beat to the bones with dog ears, spilled turpentine, saw-dust and pencil notes from all the hours spent in the garage making phasers, communicators and more from plywood, elbow grease and imagination.
What glorious days! O to live them again!
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on Bayesian survival analysis. The authors have a very keen
sense of the important issues and models in this area, and they
do a wonderful job of presenting the various topics. The book
discusses state-of-the-art methods for fitting Bayesian survival
models. The content on the power prior and its uses in survival
analysis was very exciting. The motivating examples in Chapter 1
were novel and very appealing. The authors have a great deal
of experience in this area and in the applications they present.
I definitely recommend buying this book. It serves as an
exceptional reference or textbook.
a very comprehensive account of modern Bayesian methods in
survival analysis. The applications that are addressed in the
book are excellent and present major modeling and computational
challenges that would be impossible to implement in the
frequentist paradigm. The book has some outstanding chapters
on model selection, cure rate models, joint models for
longitudinal and survival data, and Bayesian methods for
clinical trials. This book would serve as a great textbook
for a Ph.D. level course in Bayesian survival analysis. The
book contains a number of useful and challenging exercises
and it contains a very exhaustive bibliography. I definitely
recommend this book.
The authors, who are true experts in the field, have written
a gem that covers modern Bayesian methods in survival analysis.
They have a nice blend between modeling, theory, and applications
that truly makes this book the first of its kind. It has some
very nicely written chapters on semiparametric models based on
prior processes and frailty models. The book is very extensive
in its coverage and has a very long bibliography. This book is
going to be a best seller for a long time.
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All in all, not a bad introduction to A.E. (In fact a damn good place to start discovering relativity). My grouse is that it does not cover all of A.E.'s works. The treatment of relativity touches the tip of the ice-berg only, so to speak.
Still, it really makes you want to read more about A.E.'s works, at least for this reader.
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Very well drafted for a beginner/intermediate level PL/SQL developer.
Highly recommend it.
Aside from this, the book is excellent reading for DBAs and developers and is crammed with information. It includes a history of Oracle and PL/SQL that some may not be aware of, as well as the major features of each version of PL/SQL, from version 1.0 through 8.1. For me it was a brief trip down memory lane, for I cut my teeth on version 1.0 of PL/SQL. The index could be improved a little for better cross referencing, but the coverage of Oracle topics is first rate.
As a DBA and developer, I found the book invaluable and it is one of the books that I recommend to clients and associates. (Here's a tip: Tell your associates to get their own copy.) The book is written in a near conversational tone and far from the dry, antiseptic tone of Oracle's own manuals. Maybe Oracle should get the TUSC guys to write their manuals. The books is nothing less than what I have come to expect from the people at TUSC.
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Unfortunately, the analysis is also my major complaint with the book. McBride seems to haphazardly pick pictures to analyse, while ignoring others. What possessed him to give devote more pages to 1941 than all the Indiana Jones movies combined? Further, he has a tendency to focus too much on the story of the movie - I submit that most people reading this book have seen these movies and can draw their own conclusions about the significance of the story. We'd rather hear about how they were made, etc. That is, more facts and less analysis would would make this a better book.
The first half of the book is very good, because the author takes his time explaining family connections, his amateur films, etc. It is a little repetitive (how often does McBride feel he has to tell us that Spielberg felt like an outsider growing up?), but the detail and narrative flow are very good, telling us a lot about the man behind the movies. Especially interesting is the information on S's TV work.
The second half of the book rapidly degenerates into a shallow overview of things we already know about Spielberg, and is very disappointing. It's almost like McBride had a page limit, and after spending so much time on S's childhood, he had to rush through the remaining material, save for sections on Schindler's List and Colour Purple (both deserving movies, of course). Even Jurassic Park is little more than a sideshow, wherein McBride denegrates Crichton's novel (a fate that Peter Benchley's Jaws seems to avoid, even though in my opinion JP is a work far superior to Jaws) and comments on how Spielberg worked on the effects in Poland while shooting Schindler's List. Even his fine analytical powers seem to break down. What else could possess him to comment that Raider of the Lost ark is racist and "a soulless and impersonal film", while praising Last Crusade as "a graceful piece of popular filmaking...gratifyingly free of racist overtones that blighted the two previous films." Huh? Has McBride actually watched these three movies together? Or does he really think it's okay to portray stereotyped Arabs, but not stereotyped Indians or Nepalese?
At any rate, this is an important work, recommended for anyone that wants to learn more about the early life and works of Spielberg. But I would suggest putting it down without reading the last 5 chapters.