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Excellent as a text or a source for designing lesson plans or workshops.
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Thanks, Paula Brown
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The style of writing he provides us with is truly gripping. I reccomend this book to everyone with a taste for great litterature.
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Look for the tapes of Campbell's lectures instead!
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The plot of Women and Men is very much tied into the structure of Women and Men, and one can think of the structure as a vast net ballooning outward (think Big Bang) as the novel progresses. Facts, storylines, characters and themes accumulate and swell at an alarming rate, and by the novel's midway point the reader will no doubt feel overwhelmed. But McElroy's Universe appears to be a closed one, and, slowly, eventually, the facts start coming together, storylines mesh (to a degree), characters sort themselves out (mostly), and some resolutions occur (though not all). And if the structure of Women and Men is a ballooning/expanding mesh (it could be, yet is also so much more), and if the characters are the points where this mesh (or "field") crosses, then the connecting mesh between these points could be seen as representing one of the most distinctive aspects of this novel: the first person plural narrative, the "We" who sometimes refer to themselves as angels (during sections titled "Breathers"). Messengers yes, but also Medium. Of the sound (voices) and the light (images) that connect the characters, of how they know one another, of how they become part of each other's lives and are thus reincarnated in others. (Something like that; I'm fudging this, but I'm not far off: they also represent the ultimate "connectors," we the readers.)
Main plot points? Two lives: Jim Mayn, an estranged journalist who's mother committed suicide when he was fifteen, and Grace Kimball who lives in the same apartment building and runs a very '70s feminist Body-Self workshop. They never meet, but do influence one another's lives (through the web of characters). There is also woven into this some international conspiracy involving a possible planned assassination of Chilean President Allende (talk about a tangled web!) and a fascinating underlay of Native American myth and "real life" biography involving Mayn's grandmother and a Navaho "prince" who has fallen in love with her and follows her across late 19th century American). And much more, all minutely detailed and told in endless Faulknerian sentences (some over a 1000 words long) that actually speed the reader along. The last 50 pages are breathtaking (including a wonderful, and necessary, dreamstory), the last 10 are as affecting as anything I've ever read.
Either give this book up after 100 pages, or read it all the way through; it's a book that's only complete once it's completed, and you should find yourself vastly rewarded and awed as I was, and still am. Few writers put as much into a novel as, say, Beethoven would put into a symphony. Joseph McElroy does. But like all of his novels (excluding his The Letter Left to Me), it does ask a lot of you (this is "cool" media, not "hot"), and it is as good as you, the reader, are willing make it, and I think that is a good thing.
I also highly recommend Tom LeClair's The Art of Excess, which has an essay on Women and Men that puts this grasping review to shame. The Dalkey Archive Press's Joseph McElroy Number (Spring '90, Review of Contemporary Fiction) is invaluable too.
Joseph McElroy is currently at work on two novels, one of which should be published in the near future. I eagerly await them.
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If you need help with MLA documentation, you're better off to buy the original MLA Handbook. (It also includes APA format) Whatever you do . . . do not trust this book.
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A promotional quote on the book's dust cover states: "Kenneth Littauer... when asked what kind of researcher Harrington was, responded with `A demon!'" This seems like an odd comment until one reads his book. YANKEE SAMURAI reads more like an incoherent collection of notes from phone interviews than the fruits of exhaustive research. Harrington's attempts to demonize ADM Nimitz, the USN and the USMC are unsupported in his book.
Harrington claims to be a retired CPO (presumably from the USN), although he does not reveal when he served nor in what specialty. Based upon his acerbic opinions of the USN and USMC, one can conclude that his naval service was a bitter experience for him. His effort seems directed more toward demeaning the USN and USMC than to providing a credible history of service by AJAs.
Harrington's rambling sentence construction is frequently so tortured that the meaning is lost. This barely literate author is apparently inclined more toward histrionics than histriography. The AJAs who served their country deserve better, as do those who are drawn in by the hype on the cover.