Used price: $10.00
Used price: $11.00
Collectible price: $25.41
Buy one from zShops for: $16.21
Used price: $19.84
Collectible price: $21.18
Buy one from zShops for: $19.99
Used price: $1.50
Buy one from zShops for: $10.02
Used price: $20.00
Collectible price: $28.75
I found the introductions and comments by someone named Wrzos fairly annoying. Because he doesn't write in complete sentences. Like this. Makes the reader breathless. You know?
This final Derlethian netful of pre-Golden-Age science fiction certainly merited publication and I read it in one sitting.
Used price: $4.49
Buy one from zShops for: $8.92
If you are a great enthusiast of NLP and stuck for ideas for a gift, this book could serve the purpose for friends who don't read much. Otherwise there are many better introductions.
Used price: $46.50
Buy one from zShops for: $52.83
Approximately a decade has passed since I used the Fourth Edition Norton Anthology during my undergraduate studies. At that time I sensed that there were two types of English professor: the traditionalist, who was committed to teaching the traditionally accepted great American writers; and, the revisionist, whose mission was to infuse female and minority writers at whatever cost. It seemed to me that the revisionist had been behind the Fourth Edition, given that there were many apparent changes to the American literary canon for what I believed to be for the purposes of political correctness and social change. My suspicions were later confirmed when a visiting Berkley professor, my American Lit professor's friend, admitted that this in fact was not only the goal but "a great responsiblility".
Of course, there is nothing wrong in introducing new writers, who during the preceding decades, because of there gender, race or ethnic background, had been overlooked and not read or studied. However, because there is finite number of pages in a given work, when a new writer is introduced it is at the expense of the older, traditional writer who ends up giving away his pages. In fact, in that course, entitled American Literature, which was a required course for all English Lit majors, we did not read any Twain, no Fennimore Cooper, and no Poe. Instead we were assigned Native American chants, slave writings, and various female authors. Just to reiterate, there is nothing wrong with studying Native American chants, slave writings, and female writers, but we must ask ourselves is it worth pushing some of the traditionally accepted fathers of American literature aside?
Since then I have looked over the Fifth and now Sixth editions and have seen the revisionist's grip tighten. It seems that with every edition there are more decisions made based on politics rather than merit. The canon is being revised and the good folks at Norton believe that it is their duty to do so.
Nevertheless, although it is clear that I am not a disciple of the revisionist, I nevertheless recommend the Norton Anthologies because although they contain plenty of mediocre works, they are nevertheless interwoven among the works of American masters, and it is difficult not to see who is who, regardless of what Professor Stillahippy says.
List price: $5.95 (that's 50% off!)
Used price: $0.23
Collectible price: $5.29
Buy one from zShops for: $2.35
Used price: $17.95
Buy one from zShops for: $15.48
With these reservations considered, Champoux does provide a useful service for the reader. A few examples will serve to demonstrate the value of his work.
In Chapter 3 of the Organizational Behavior text Champoux reviews the 1970 Jack Nicholson film, "Five Easy Pieces." The category for this film is Quality Management and the scene Champoux uses to illustrate a breakdown in customer service is the now famous roadside restaurant confrontation where Nicholson attempts to customize his order with a waitress who advises him that he can't make any substitutions for any items on the menu. At first Nicholson attempts to use reason with the waitress in order to get the food he wants to eat, but when reason fails, his anger and savage wit combine in one of the most memorable putdowns ever filmed.
Champoux makes it convenient for the viewer to find the scene with fairly accurate tape start and stop times listed prominently before his accurate description of what the viewer will see. He then asks three open ended questions which seem obvious at first, but in reality are difficult to answer. Teachers will find it easy to add their own questions such as: Is the customer always right? Our conditioned response is yes, but the scene Champoux gives us requires us to think more deeply about this question. More than this, Nicholson is a difficult customer. How does a person in the service industry work effectively with such people? Students will be eager to discuss such questions and instructors will discover many teachable moments stimulated by the interest generated by the film clip.
As mentioned, this guide has been formatted into a workbook and always after the questions for discussion is a page for analysis of concepts or examples and then a place to write personal reactions to the film clip. All the content mentioned could easily have been formatted on one page and students can use their own notebooks or learning logs, which they are likely to do anyway, to record their observations.
With these reservations noted, I am still able to recommend this book. Prof. Champoux shares with us his years of experience watching popular films. The eighty-two films cited in the text are divided into twenty-five chapters that correspond to topics that students will find in the typical organizational behavior text like perception, motivation, and leadership. As in the Five Easy Pieces example mentioned, his selections are appropriate, entertaining, and thought provoking. Students and teachers will discover in Champoux's book many good reasons to bring a thoughtful attention to their next film viewing.
Used price: $15.00
Brenner's novel excels, however, similar creations (e.g. Leivick's "Shop") on a number of counts: it was fortunate to find a top-class tranlator (Webber Prize 1989), and in itself it employs an interesting variety of literary techniques (journal, stream of consciousness, a certain drama-like quality when the narrator disappears for long spells, and some powerful albeit feverish storytelling when he checks back in). The novel goes beyond the usual socio-economic agit-prop of the time: Brenner, something of a celebrity in the Hebrew literature of the day, is more focused on ethical issues, with his compelling insistence on heroic responsibility for one's actions and compassion for others.
With its decent plot-weaving and some good comical sketches, this is a thoroughly readable book.