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It's definitely not beginner material - but in my opinion this book deserves its reputed 'cult status' as an exceptional study of the growth of Irish national identity.
I discovered during a long-ago stint reading US history in a Norwegian gymnasium that there's nothing quite like a friendly outsider to shed new light on where one's national myths and streeotypes might have originated. This thorough and loving examination of Ireland's many representations does exactly that in a fully documented, carefully woven, full-meal of a book.
Dr. Leerson, a Dutch citizen,is Professor of European Studies at the University of Amsterdam.
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Most importantly, one of the articles used the mathematics associated with these social experiments and asked "Do these numbers really show you what you think they do?" In all of my exhaustive reading about this subject, this book is the first that I have read that specifically addresses that point.
While lots of people have dismissed the proponents of genetic inferiority as an explanation for the "failure" of blacks in the USA, the rebuttals have invariably failed to contront the reasoning of the authors, preferring to dismiss them out of hand as "racist."
One thing that was lacking in this book is a more detailed analysis of the disparity between ethnic groups of the same race-- and yes, they do exist, contrary to what you would believe from reading the newspapers. For this, one of two Thomas Sowell books is a good read. The first: "Race and Culture." The second: "Knowledge and Decisions."
Unfortunately, the use of lots of technical jargon is going to put this fine piece of literature out of the reach of the vast majority of the hoi polloi.
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Throughout the novel, it is Goebbels himself I picture in Michael's place; when he and Hertha exchange their first kiss, as the two talk repeatedly about politics & philosophy...and their powerful love for each other, as he watches a seeming prototype of Hitler speak, when he meets & befriends young Gustav Adolf on an island vacation, as he debates with his friend Ivan Vienurovsky & best friend Richard, when he flies into a rage & destroys a play he's written after Hertha leaves him, and as he toils away in a worker's pit. The last 1/3 of the novel is absent Hertha Holk (a character who's inspiration was Goebbels' real-life true love, Anka Stalherm), and I found myself wishing her return. The only downside of this book is the anti-Semitism in some diary entries, which I'd much rather read in Goebbels' WWII essays. The polemics stick out like sore thumbs perhaps because the book was completed before Goebbels joined the NSDAP and it later saw many revisions to include the Nazi philosophy as well as Hertha Holk's minor emotional turmoil, before actually being picked up by a publisher and mass-produced.
All in all, it's a surprisingly good read (written mostly in a diary form--it is said to be taken largely from Goebbels' own personal diaries of 1919 & 1920, which no longer exist), perhaps because it bears many similarities to Goethe's "The Sorrows of Young Werther," with fairly well developed characters, and an ending that sounds cliched if you're told it before-hand, but pulls at your gut once you've read it for yourself. An excellent addition to any WWII history class, and highly recommended to those interested in what was truly the 'roaring 20s'--the 20s in Germany.
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