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Joe tells what he endured during and after the initial crash, the injuries he received (which included a broken neck), and how he dealt with the emotions that followed the accident. Co-founder of the Chicago support group for the survivors of flight 232 in the Chicagoland area, Joe describes the meetings that were held in detail, covering everything from what was discussed to what was eaten (an Italian-American, Joe is very fond of food!). I have had the great honour of meeting Joe Trombello on two occassions in recent years, and consider him a personal friend.
I recommend this book to anyone who is interested in reading true stories that touch the heart. This book really touched my heart - let it touch yours as well.
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Aside from this, what Green essentially provides here is a portrait of a number of desperate young African American Stanford students and their sometimes shadowy worlds. There isn't much plot here, but the character portrayals are interesting enough to make the book worth reading.
There is Steve, the politician with the white wife and the dark secret; Frankie who drives a mercedes, and supports a crippling cocaine habit; Daze, who is beautiful, and terribly selfish. Then there is Karyn. There was a time when she had everything. But she killed her father.
And Gina. Poor Gina. She loved the world too much and it didn't love her back. So she let it destory her. For all of them there was champagne and strawberries. And the fear of looking back...This story is one wild and exciting read!
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But note: 1. A clearer and crisper job at the same task is done by Sharon Armstrong in her book, For Any Latter-day Saint: One Investigator's Unanswered Questions. 2. Though Smith is a valiant LDS contradiction illuminator, he does not in fairness point his light at any of dozens of equally glaring inconsistencies and contradictions in (a) the Bible itself, and (b) between the Bible and many accepted current non-Mormon Christian teachings. So his principled argument against contradictions is inconsistently applied and, therefore to that extent, ironically unprincipled. A much better job than Smith's at applying facts and principle consistently is done by Burke (a professor of ancient Christian history) in Who Wrote the New Testament?
All that said, Smith's book is still a valuable introduction to the depth of contradiction in Mormonism.
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If you are looking for information on how to explore and tap into your psychic sense, then this book is not for you. If you are interested in hearing about one man's stories of the supernatural, then this is it.
In PSYCHIC SECRETS, Joseph B. Mullen shares his personal and poignant account of growing up in a psychic family as he takes the reader on a journey that leads to the development of his own psychic abilities.
While Mr. Mullen's PSYCHIC SECRETS documents his path to achieving his personal spirituality, it is also a wonderful introduction to the psychic realms of the universe - a jumping off point for those who wish to learn more and explore their own psychic sides. Because it is through this inspiring account of Mr. Mullen's search to find himself as he learns to strike a balance between everyday living and the paranormal, that he reveals the psychic secrets and life lessons that form the backbone of this wonderful work.
If you enjoy real-life stories and sensible advice that you won't find anywhere else, then I highly recommend that you read PSYCHIC SECRETS.
And, whether you're a believer or not, you'll be entertained by Mr. Mullen's tales of the paranormal. Skeptics will find themselves wondering about things that have happened in their own lives, and believers will find themselves wanting to hone their own psychic talents.
I particularly liked Mr. Mullen's psychic instructions and concise tips for tapping into the reader's own psychic abilities. His unique approach to "retrospective dream analysis" quotes at length from his own personal dream journal, and the examples Mr. Mullen has chosen make for fascinating reading.
It is an entertaining way for the average person to learn how to make sense of his or her own "crazy" dreams. And, as Mr. Mullen points out, it is often our craziest dreams that are trying to tell us something about the future!
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This book appeals to individuals with a desire to believe uncritically. It sounds good, and I expect he has been on Oprah many times. If you like a description of our potential for mental spoon-bending mixed with bad neuroanatomy, spiced with some small common sense regarding some actual problems in our society, this book is for you. If you want well-reasoned guidance, look elsewhere.
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Anyway, I was talking to Joe Queenan the other day and ventured the opinion that he is the undisputed king of snide remarks and deprecating asides. He responded, "I am the king," a line he stole from a mattress retailer out of L.A. He repeats that line to himself aloud every once in a while because he likes the way it sounds. "I am the king." There is a certain quick tempo to the "am" as though he is realizing as he says it that he is indeed the king.
Queenan is actually an entertainment biz critic who came up the hard way, a man who has mastered the fine art of the gratuitous put down and the non sequitur character assassination. He is a kind of like a low rent George Sanders from All About Eve (1950)--a film I know he saw as a kid because I can see his unconscious self still striving to emulate the Sanders character because, after all, the guy's girl of the evening was Marilyn Monroe in her cinematic debut. Ah, how the unrealized dreams of our youth do so guide our wayward path! Although he tries to keep hidden which babes he really likes in the movies, usually insulting one and all, especially the young and fetching ones (slyly kissing it up to his nonexistent female readership), it can be seen that he goes for those blond bombshells, but apparently doesn't want somebody, perhaps his wife, to know.
Our hero, for all that, does have a certain brassy felicity with words that commands attention, the same way a loud highschool band outside your bedroom window might. And the indefatigable choir boy from the mean streets of Philly really has seen more movies, especially bad ones, than I could ever sit through, and so has picked up a little bit of the art of cinema, enough anyway to qualify as a couch potato afficionado. Reading his rude lectures to semi-admired directors and his haranguing of actors he doesn't approve of (that appears to be ALL actors with the exception of David Bowie (yes!)and perhaps John Gielgud on a good day, and certainly NOT, e.g., Olivier, whom he refers to as "Lord Larry"), reminds me of a beer league basketballer critiquing the state college coach's substitution patterns. You have to sort carefully through all the snide remarks and deprecating asides to sift out a kernel of evidence that Queenan actually liked something he saw. My lord, what a life, to spend a significant part of your waking hours watching films you hate. But apparently somebody has to do it. Occasionally in a campy aside on a very bad film, Queenan will pretend to like something. He's like the tough kid who can't allow that he likes anything other than blood and guts for fear of losing face and looking like a wuss.
Anyway, this collection of his work ("essays" is what he calls them) from mostly Movieline Magazine and Rolling Stone in the early nineties will afford one a few chuckles and some real delight if he is lambasting one of your bêtes noires. Otherwise you might find that our boy grates rather annoyingly on the nerves. But, hey, that was the idea.
That's not to say there aren't hilarious articles dealing with the categorization of movies by various odds and ends included in them (such as the opening essay, which deals with older men falling love and having sexual relations with jailbait in the movies). Some of the funniest articles I've read from Queenan are in this book, such as his attempt to "be Mickey Rourke for a day." In this article, he details how he went four days without bathing, dressed up all in black, and determined to travel throughout New York acting like Mickey Rourke, doing and saying things that he has said in his movies or in interviews. This includes trying to find a prostitute who will fondle a blond woman like the prostitute Rourke makes do this to Kim Basinger in 9 ½ Weeks, smoking tons of cigarettes, and repeatedly telling complete strangers that "sometimes, you just gotta roll the potato." He also swears a lot.
The funniest article in the book has to be his list of 25 of the most senseless movies ever made. These are not movies that are just plain stupid, because usually even stupid movies are easy to follow. No, these are movies that make no sense whatsoever. Included in this list is Joe vs the Volcano, The Night Porter, The Two Jakes, and King David. He goes on to describe just why these movies have made the list. In this essay, he reaches the heights of vicious humour and commentary as he savages these films. Even if you disagree with him (as my wife does on a couple of them), you will still find this article worth reading and laughing at.
Other categorization essays include bad clerics in movies, musicians in movies (and why they usually are terrible), the first installment of "Don't Try This at Home" (where he tries various things that happen in movies and see if they are even remotely realistic), and a complete castigation of the use of bad accents in movies. These articles vary between wonderful and passable, with most being toward the former. "Don't Try This at Home" is the only one that is a letdown. Queenan's at his funniest when he lists movies by category and shows why it is a bad thing that they are in this category.
I was quite surprised, however, to find some truly introspective articles in this book as well. No, Queenan doesn't let his trademark wit leave him, but these articles are tempered by some true compliments and compassion. These articles were written before most of Hollywood started avoiding him, so there are some articles with actual interviews. Queenan uses these interviews as starting points to analyze the careers of the actor or actress in question, and he does a surprisingly fair job of it. The article on Sean Young is very fair to her, even though it does tend to emphasize the fact that she was taking high school algebra lessons right before the interview. Even so, he sounds quite impressed that she'd be willing to do this. Other interviews with Keanu Reeves and Jessica Lange, while perhaps showing them in not the best light, are extremely complimentary of their work, even in bad films. I found these articles very interesting and I'm glad I read them. They showed me a side of the stars that you normally don't see (and that is probably why nobody will talk to him anymore).
He is a bit less compassionate when he is analyzing a career without the input of the celebrity in question, such as when he questions Barbra Streisand's move away from light comedies to the pretentious and disastrous movies she's made since. He also has a brilliant analysis of Alfred Hitchcock movies (or at least brilliant-sounding, since I have never seen one of his movies) and how they represent some of Hitchcock's true feelings about things. It's very insightful, and will take the reader past the surface of his films and dig deep into how these movies reflected his own neuroses. I found it fascinating. Even in these articles, though, he finds some good things to say about the subjects, and that's what made them even more interesting.
The only real misses in this book are the shorter articles. I don't know if it's because Queenan needs time to really delve into his subject to make it interesting, or if he just needs time to get himself going, but the shorter articles inevitably fall flat. Thankfully, that shortness makes them easy to digest before moving on to the meatier, far better essays.
The book is still sprinkled with vulgar language and some of the articles are on the sharp side, so if you don't like biting humour and quite a few f-words, this book probably isn't for you. But if you don't mind that stuff and you like movies, this book is definitely worth reading. You may not always agree with Joe Queenan, but you will definitely enjoy the ride.
But this just ain't so.
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I was disappointed in this book for more reasons than the readability problem. Chapters 3 through 7 cover the basics of starting a business. First of all these chapters don't belong in this book. As it is chapters 3 through 7 skim over topics that each belong in their own separate and adequately detailed book. Even if this book had been titled, "The Complete Guide to Starting a Business" it would have failed miserably because the level of detail is so totally inadequate.
This book is supposed to be about Venture Capital and that's all it should have discussed from beginning to end. This book is 160 pages long and yet the author only starts to get into venture capital at page 80. Again readability suffers, the detail isn't there, the line of thought is disjointed and the layman would be lost in the technical terms.
I think this book needs to be completely rewritten and revised. I have no doubt the author knows what he's talking about and that he has valuable knowledge to share. However, in it's current form, I wouldn't recommend this book to anyone. There's little in this book for either the layman or the seasoned professional.
A book that I would recommend to advanced readers is "Structuring Venture Capital, Private Equity, and Entrepreneurial Transactions : 2001" -- by Jack S. Levin. It covers tax and accounting issues in great detail and the readability is superb.
I encounted the book through a senior capstone course at a local MBA program. I was lecturing on a topic and saw the book on the syllabus.
The entrepreneur will find the book particularly useful when Bartlett describes the basic corporate structure; the types of securities and their legal implications, and the important considerations when drafting a business plan or prospectus. The book succeeds best when Bartlett draws upon his experience as a partner of the law firm Morrison Forster to outline the motivations of the venture capital firm, the startup and other participants in negotiations. The chapter on valuation is cursory, but there are other books to which the entrepreneur or practitioner can turn for fuller discussion. Thus Fundamentals of Venture Capital might not be the last book that you pick up to learn about venture capital, but especially if you want to learn about the legal issues, it is not a bad place to start.
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Topics are not well organized as there are often references to areas that will be covered later in the lesson or indeed later in the book. The lack of a section covering macros is a definite drawback for those preparing for the MOUS exam and I agree with one of the previous reviewers complaints about the CD files being read-only.
Fine as a general reference and "How To", but as an exam prep I would pass.