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But I didn't know this as a young man. All I knew was that my father had told me terrifying banshee tales - that his grandfather had told him in Ireland during the forties - and that by chance I discovered 'Madam Crowl's Ghost' in a wet school library one dismal dark afternoon. I read 'Sherry' (if the James afficiandos can refer to MRJ as 'Monty' then .... you get the picture) that afternoon and my life imploded ...... overnight, or rather, over afternoon, I became a devout depressive, marked by a strangely aloof and artistic air. I quoted Wilde, went to Cure concerts before they left London, and wore black eyeliner to compliment my drear Gothic clothing.
Enough about me. The tales of LeFanu are stunning. Everyone loves something because of a basically selfish reason, steeped in sentiment or posture. LeFanu was sublime. He deliberately plotted where Stoker stumbled. Only Aickmann and Machen took up the mantle of provacateur ambiguer as competently as he did. (Joyce doesn't count, though 'The Dead' from 'The Dubliners' comes close.)
I write, and if I could pen a story half as brilliant as 'Carmilla', then I would die ..... now.
Read LeFanu. Trust M.R.James. Ghost stories are not Stephen King gross horror hell raiser tasteless gore fests, they are dream haunted poems, visions of ambigious insight. Close your eyes. Picture a moonlit garden with an avenue of silver trees. At the end, a blue grey statue, a stretching saint reaching for the glitter above. You walk down the avenue, soft grey grass underfoot, running cool fingers through the mossy leaves. Somewhere a stream is gurgling. The moon washes your tired face. Then you look up, and to your horror, the statue has changed! It is facing you. The saint has shifted from his stance, and is slowly clambering down. You look up to his face .... no, you cannot! It is too horrible! His grey lifeless eyes are now emblazoned with volcano hate, boring their way into your very soul ......
And there the story should stop.
Which is why, dear reader, you should always read books by dead people.
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The vocabulary is not difficult and the printing is large and double-spaced throughout the book. While this is an older publication of "Scholastic Book Services," the many, many black-ink drawings will be inspiring to the learning child.
The book is organized around these questions, which are excellent for the young mind: How do people use magnets in their work? What things will stick to magnets? Can a magnet work through things? What part of the magnet is strongest? Why do we make horseshoe magnets?
This book is a great value as an early, FIRST way to handle this subject for a child.
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