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Joseph Dan's new anthology on Jewish mysticism is a gem. In its 50-page Introduction--which by itself is worth the price of the book--he carefully points out that there's more to mysticism than merely unitive experiences, carefully distinguishes the mystical from the religious (without implying that one is "better" than the other), and explores the relationship between mysticism and language.
More specifically, in regards to the Jewish mystical tradition, Dan points out that it's as foolish to identity Kabbalah with Jewish mysticism (a near-ubiquitous confusion) as it is to identify Sufism with Islamic mystical experience. Different historical periods and different temperaments have given rise to a variety of Jewish mystical approaches. The virtue of this excellent anthology is to allow these different voices to speak. Dan offers selections in chronological order, ranging from the earliest Temple writings through the medieval Zohar to modern Hasidism to contemporary Israeli poetry-mysticism. A beautiful, revelatory book, both for those who know nothing about the Jewish mystical tradition and for those looking for a convenient compendium. Enthusiastically recommended.
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Conrad succeeds in generalizing these characters' development to humanity at large, not just in an imperialist context of Africa, but in the heart of civilization of the time, London, in his later novel "The Secret Agent". Again, the themes of futility and disillusionment loom large in this work, but are made much more immediate and absurd in the context of the urban environment. Verloc, his wife Winnie, and the characters surrounding them all live their lives without discernible meaning, which end without meaning as well.
Both these novels draw from historical events--Conrad's trip to the Congo where he compromised his health and the 1894 Greenwich Observatory bombing outrage--and show Conrad's skill in weaving narratives of beautiful prose in a language that was his third. These stories are a great introduction to Conrad, and represent the turning point for the novel following the Victorian age into the Modern.
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Jay Hanson