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The intent was to trace the development of myth throughout history and throughout the world. The first volume (The Way of the Animal Powers) covers the most ancient themes of the Paleolithic Great Hunt and its survival into modern (mostly native) cultures which still live by their agreement with the animals they hunt. Volume 2 (The Way of the Seeded Earth) was to deal with planting cultures and the myths of agriculture an the plant world. Of the three main centers of agricultural development (the New World, the Far East, and the Middle and Near East), Campbell completed work only on the first and most recent.
Volume 3 was to cover the myth systems based on astronomical and astrological insight. Volume 4 would have dealt with systems recognizing the microcosm of the human soul as a reflection of the macrocosm of the Universe. A summary of his thoughts on these topics can be found in his classic "Masks of God" series.
The portions of the Atlas which were completed are beautiful books, brilliantly presented, with insights and storytelling worthy of Campbell's genius.
The intent was to trace the development of myth throughout history and throughout the world. The first volume (The Way of the Animal Powers) covers the most ancient themes of the Paleolithic Great Hunt and its survival into modern (mostly native) cultures which still live by their agreement with the animals they hunt. Volume 2 (The Way of the Seeded Earth) was to deal with planting cultures and the myths of agriculture and the plant world. Of the three main centers of agricultural development, Campbell completed work only on the most recent (the New World; the two earlier centers were the Far East, and the Middle and Near East).
Volume 3 was to cover the myth systems based on astronomical and astrological insight. Volume 4 would have dealt with systems recognizing the microcosm of the human soul as a reflection of the macrocosm of the Universe. A summary of his thoughts on these topics can be found in his classic "Masks of God" series.
The portions of the Atlas which were completed are beautiful books, brilliantly presented, with insights and storytelling worthy of Campbell's genius.
Used price: $35.00
In this book Margolis' main interest is in the ontology of the cultural world. According to him analytic philosophers have never understood the complexity of this world. Margolis calls the characteristic properties of cultural entities Intentional, which cannot be reduced to physical properties. Cultural entities lack a definitive nature; therefore he considers them as "careers", whose nature is defined by their history. The existence of Intentional properties is always based on a cultural context or a conceptual scheme, but because these contexts change also the properties of cultural entities change. And there you have Margolis' relativism in a nutshell. It's very simple but I find it ingenious.
I have heard that Margolis is considered to be the only contemporary philosopher, who masters both the analytic and continental traditions of philosophy. This is very evident in this book and he explicitly says that his aim is to combine the best parts of both traditions. He considers and criticizes many analytic philosophers, especially Davidson, Dummett and Quine. Clearly from the continental tradition he has inherited most from Gadamer and from his ideas of the historical nature of thinking.
Although I find Margolis a great philosopher I disagree with him on many matters. First of all he neglects the relevance of the context where the artwork emerged. If this is conceded I think it is wrong to say that cultural entities lack a definite nature, because this context in part determines its nature. I think you could argue against Margolis that it is possible to separate ontology from epistemology. In doing so we could show that there is nothing in the nature of an artwork that prohibits the giving of a correct interpretation, but we just don't know it. Interpretations can be endless but not because cultural entities lack a definitive nature but because we don't have the relevant information for determining what that nature is.
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Description: Two volumes, hard-bound with title stamped in gold. 1,758 pages, hundreds of illustrations, Jewett genealogical data concentrating on period 1908-1995, with newly assigned JFA numbers of family members. The alphabetically arranged INDEX covers every name found in BOTH volumes. There is some detail on the Norman origins of the Jewett name and some history of the Jewett Coat-of-Arms, including derivation, French roots in Jouatte, Jouett, Jowitt, etc. Also contains a copy of the orignal Charter of the Jewett Family of America from the Commonwealth of Massachusetts 1910.
Size 6-1/2 x 9-3/4" emulating the size and style of the first two volumes I and II by Dr. Frederick Clarke Jewett, printed in 1908. Endpaper illustrations include a map of the original Ezekiel Rogers plantation established at Rowley, MA in 1639; a Civil War political cartoon; pen and ink wash drawing by William Samuel Lyon Jewett of New York Harbor in 1871 entitled "Sail and Steam"; and a reproduction of original sheet music written for the first National JFA (Jewett Family of America) Reunion in 1855.
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