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Enright implicitly criticizes the Egyptian stupid nationalism which gives them the right to rule their own country without any British claiming that they are lacking or even devoid of ' strength of character, independence, governing capacity, discipline, self control and even sense of responsibility.
The 'bloody' riots that take place in Egypt are a point of interest for Enright to describe although he did not mention the real motives behind such demonstrations. Violence seems in his opinion, to give vent to their suppressed, perverted feelings and innate ruthlessness as if they enjoy disasters and blood.
Meanwhile, he ridicules the educational system in Egypt embodied in the feverish rituals of the final examinations, the force of oral examinations, the process of duplicating and marking the papers. He contents that such a 'great' literature as the English literature should be taught to a race whose literature is next to nothing, and alludes to the great part which England has performed in the work of 'enlightening modern Egypt'- a legacy of the common occidental mission to the orient.
His hostility to the Islam and the Muslims is very clear in the novel. He paints a picture which shows how Muslims are incapable of telling the truth or even of seeing it; they are fanatic and fatalistic, they are swayed by passions, instincts and unreflecting hatred of Christians and Jews. His hostility is clear from the titles of each chapter which are lines of verse from the holy Quran using them in an ironic way or as an ironic commentary on the content of each chapter.
Enright's tone has the vein of the high-handed attitude of nineteenth-century and early twentieth-century European orientalism. His selection of incidents, language in narration, omission of certain details suggest attitudes and assumptions stemming from the cleverly-concealed prejudice and help to dramatize a contrast in the perceived characteristics of the race. He deliberately omits the good aspects of the Egyptian society. He fashions a technique allowing the reader only a single-faceted response towards the Egyptians. He leaves no space for the reader to comment but is commenting all through the novel. Though the novel is narrated in the third person singular, his voice is very clear in the novel.
Being a member in the Movement, Enright uses many of the aesthetics of the Movement in his novels. His attitude to the political realities of modern Egypt seems typical of the Movement, an attitude of disgust that one lives in barbarous bloody times. It is an anti-romantic novel depicting reality as it is. His disbelief in allusion and myth represents a important current of feeling within the Movement. His treatment of Egypt is concerned not with metaphysical absolutes or mythical assumptions but with hard-bitten realities and human relations. The Movement's ideology is reflected in Enright's debunking familiarizing treatment of nature; he condemns any appearance of nature-worship. The language he uses for describing landscape is extremely conventional. However, towards the middle of the novel he gets enchanted with the seascape embodied in the Mediterranean Sea.
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Unfortunately, parts of the book are a bit dated. There are some racial characterizations which will make the modern reader cringe, and the author's practice of always describing the appearance of an individual the first time he appears in the story gets a bit tiresome.
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Alfred I, the subject of this book, was the "working" cousin among the three (A.I., Pierre, and T. Coleman) who audaciously bought control of the company from their uncles at the turn of the Twentieth Century. A.I. ran the operations that made DuPont gunpowder the powder of choice for the country. T.C. ran the executive offices while Pierre was the financial brains of the operation. Together they took a reasonably prosperous family gunpowder company and built it into one of the behemoths of industrial America. They were a resounding success.
This book provides and interesting portrait of the entreprenurial spark it took to make that transformation. A.I. and his cousins were outstanding businessmen. Wall also writes of A.I.'s difficult relationship with his family and Wilmington society (often one and the same), his scandelous marriage, the construction of his fortress home (with a broken glass topped wall that legend holds A.I. had constructed to keep his family out) that is now the DuPont Children's Hospital.
I found the book less interesting when it followed A.I. out of the DuPont company to Florida where he established wealth anew, including the St. Jones Paper company. The writing was dry and pedantic in parts, but overall an interesting story of a fascinating business leader.
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Even though the authors grasped the idea of African American equality, they remark that "The creation of a more favorable public perception of efforts to alter the status of women is perhaps impede by the fact that the National Organization for Women (NOW) is regarded by many as being outside the American mainstream and dominated by extremists"(371)The authors then try and backpeddle by assuring readers that "In general, most major women's organizations do not take a negative stance against men"(372)The idea that the two verbatim quotes can actually be included in a professional allegedly netural work is beoynd disbelief.
Furthermore, the subsection on Disability is prefaced as victims. It fails to acknowllege that each of these subgroups (like women and African Americans) also had a role in their own respective struggles.
Key legislation and court cases concerning disabled children's right to a free appropriate public education is omitted, and the authors snidely reference "claims of learning disabilities"(378) Considering that the authors are teaching at public institutions, one must wonder what planet they have been living on for the past 20 years.
Gone completely is a discussion of the Asian American and Chicano rights movement. Native Americans and GLBT rights are squeezed in as an afterthought, which is particularly ironic given the current very visible presence of that movement.
I sympathize deeply with any student who has to read this textbook and urge you to do further research when you get to Chapter 10. I urge professors and faculty (if they have not do so already) to look for another book. While my public policy class turned out fairly well in spite of this book, others shouldn't have to repeat the same path if possible.
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