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Herculaneum (and its neighbor Pompeii) are archaeological godsends, the rarest of time capsules showing the complete range of life at one particular instant in the Ancient world. The spectacular history, deep burial and rediscovery of Herculaneum is excitingly covered in the first five chapters, including eyewitness accounts of the fatal eruption of Vesuvius as lunches were being prepared on August 24, A.D. 79. In the next six chapters Deiss systematically tours you through Roman housing there, from top to bottom of the social hierarchy (including the astounding copy of a Roman villa Paul Getty built for himself in Malibu CA). Five more chapters take you through the public spaces and functions of the town revealed in tunnels and exposures. The book concludes with a summary of the skeletons and plans for site conservation and exploration. Yes, a few pages deal with earthy topics, just as the Romans frankly did. (I think the Getty Museum has since put out a separate book for parents of American kiddies.)
Excellent b/w photographs are found throughout. An absolutely vital aerial photograph and map is provided on p. 34 which you will want to bookmark. It's really too bad they are so tiny that a magnifying glass is needed to read the labels in order to locate the houses when their plans and ruins are discussed individually later in the text. Some locations are never identified. Larger foldout versions would be a real help in the next edition (excavations began in 1709 and new things are constantly found).
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For those who have watched "The Power of Myth" videos, and read several JC books, this collection of dialogues is no disappointment.
No intimate details are given of Campbell's life; when asked for juicy details during one session, he responds (more or less):
"That's biography, and I don't do biography."
I was impressed with the quickness of Campbell's replies and answers.
JC relays several anecdotes of his friends Robinson and Zimmer, and gives honorable mention to the Bollingen Press and Sarah Lawrence College for crucial assistance in his career development. Particularly of interest are the frequent remarks concerning, and discussions with, his wife (and former student) Jean Erdman.
While many of the remarks are verbatim replies heard in "The Power of Myth" videos, some are unreleased gems: there are two kinds of people in this world - those who know their myth is a fact (the orthodox religious) and those who know their myth is a lie (the atheists)- both KNOW that their myth is most certainly NOT a metaphor!
I enjoyed it.
Note that this is a collection and is not as comprehensive a biography as 'A Fire In The Mind.' But what it misses in magnitude and detail, it makes up for in presentation. The book lends itself to both the page-through and in-depth readers. It is full of photographs (some full page)and highlights many of Campbell's memorable quotes.
In a beautifully written introduction, Phil Cousineau refers to Campbell as the "ecstatic scholar", an "animateur" who was capable of evoking "the telling shiver of truth about your own life." This book re-animates Campbell's work and he is capable as ever, through the interviews on these pages, of speaking to the heart of his listeners and reawakening the mysteries of life with enthusiasm and awe.
(I do also recommend 'A Fire In The Mind,' which contains details of Campbell's life and excerpts from his personal journals that are not included in this work.)
The downside is that one section of the book will often (of necessity) refer to principles described in another section of the book, but the only reference is to a name and number of the principle (e.g. "Backward Compatibilty Inhibits Radical Change (III.7)"). To find more detail about the principle requires searching the appendix (section III.7 for the example) that is somewhere towards the end of the book for a page reference where the principle is defined. It would be better if the inside cover listed the titles of the principles and the pages where they are defined, and if the appendix or index could list the pages where the principle is used.
The book has taken a different approach by explaning concepts and providing key difference which you will not find in RFC's are specifications.
The book does not talk about any protocol detail rather it provides a concepts and problems behind the protocol and is really a nice thing to read and covers from physical layer, network components, host and end-to-end issues.
I gave this 5 star - useful references , tips and quotes to remember the principles are really good. Thank God! not much of mathematics while explaining some concepts.
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The first part of the book describes structuring. I was skeptical about this section in particular since I've seen some great screenwriting books devoted to this. And, the author doesn't really go much into structure but scratch the surface, relying on quotes to guide the novice screenwriter.
But Mr. Joseph does at least cover what the screenwriting contests consider standard formatting for screenplays. So I'd say his advice on formatting was effective and helpful.
As for the screenwriting contests themselves, Mr. Joseph provides a one page overview of 42 screenwriting competitions. This section could definitely have been condensed. I think about every screenwriting journal out there lists these contests frequently in their respective publications ("Creative Screenwriting," by the way, is my personal favorite of those publications).
Further along in the book are a few interviews. I always like interviews in screenwriting books, and I will sometimes buy a screenwriting book just for the interviews. However, these are very short and terse and could have been more effective (I guess not everyone can interview like Barbara Walters, so I'll cut the author SOME slack).
An excellent chapter (only two pages though) is entitled "Good Examples of Bad Screenwriting." It contains actual samples of bad writing in submitted entries. Examining those atrocities was very helpful. However, I thought the author could have expanded on these a little more or explained why he chose specific ones for inclusion (are these frequent mistakes? how can one best avoid them? what are good sources for further refinement of grammar?)
Overall, I will give "How to Enter Screenplay Contests & Win!" four stars because it is effective in its discussion of screenwriting contests. However, I would have liked more advice and a longer book (it's 170 pages; but a lot of the pages are partially blank). And the cover of the book was not up to par due to the advertising blurbs on it that were entirely superfluous ("over $3 million in guaranteed cash!" on the front cover; and "win millions of dollars with your movie idea!" on the back cover).
In short, I'd like to see a second edition of this book that is expanded upon. However, I do think the product as it stands now is effective in accurately describing screenwriting contests and motivating aspiring writers to enter them.
List price: $16.00 (that's 30% off!)