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This book has the precious 1832 autograph history which has the second earliest version of the First Vision ever recorded, the earliest being D&C 20:5. It also has transcripts from his official journals. It is wonderful to have this book of the real words of Joseph Smith. The most surprising thing is to see that there was no monkey business going on with Joseph Smith's official history.
This edition is by Signature Books, which is a publishing house not friendly to the Church of Jesus Christ of Latter-day Saints, which makes this book even more interesting. The problem comes with the silent editing (p. xvii) that occurs with the book, especially with the disputed texts, such as the 27 July 1838 entry (see footnote p. 198), or the 26 September 1843 entry associated with the temple endowment, where the silent editing becomes rather loud.
The font is somewhat small, but it is quite readable, and this edition contains the manuscript strikeouts and misspellings, which impede reading a bit. This book has great biographies on people mentioned in the journals, and has a superb index, and a chronological overview of Smith's life. On the down side, there are no illustrations, except for the RLDS portrait of Joseph Smith.
This is a good one-volume alternative to the two-volume "Papers of Joseph Smith" published by Deseret Book, since it covers his entire life, stopping days before his assassination on 27 June 1844.
It's more opaque than that. Although there are flashes of personal insight-- particularly religious insight-- these journals are more the record of Mormonism and the issues about it that concerned Smith as he moved across the country. From lists of payments and donations, to intra-faith quarrels, to visions of Nauvoo, to complaints about lawsuits, it gives a clear day-to-day picture of the man and his movement.
The diaries and journals were written by a mix of Joseph Smith and various secretaries acting in his name. In the introduction, the editor comments that he was trying for ease of reading rather than faithful photostatic reproduction-- and I have to say that I would have hated to see what happened if he'd tried for faithful, because the major problem I had with the book was that I found it very difficult to read-- all shorthand, omitted words, crossed out words, and misspellings were noted as they occurred in the text and while I'm sure that it's more valuable as a scholarly text because of the inclusion, it was very distracting. Also, some annotations about historical events wouldn't be amiss rather than the reader always being forced to refer to the (very sketchy) timeline at the beginning. I suppose that most people who will read this would be scholars of Mormon history rather than people with a more casual interest, but it would have illuminated parts of this book much more clearly for readers like myself.
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I originally read a library copy, but am going to buy my own!
A previous reviewer seemed to take issue with Dan's description of Sefer Yetzirah as a primarily philosophical, rather than a mystical text. I have worked as a professional philosopher for many years now, and I have to say I agree with Dan! As respect for Greek philosophy declined among Jewish intellectuals, they paid less and less attention to the main philosophical themes in Sefer Yetzirah, and more to the hints of mysticism it offers.
The mystical literature of this era ranges from the pseudo-biblical apocalypse (such as the Book of Zerubabbel), to the magical (parts of Hekhalot writings), to short treatises whose purpose is not yet entirely known, despite their vast influence (Sefer Yetzirah, Shi'ur Qomah). Several of these writings are really heretical/heterodox when compared to the Talmud, and Dan makes note of this.
It is interesting to note that Dan views Sefer Yetzirah as being primarily a philosophical text that was supposed to fill in the gaps in the biblical account of creation, NOT as a magical or meditative text.
As great as the content of this book may be, however, this is absolutely the worst print job i have ever seen in any book in my whole entire life. Each page looks like it was copied on bad, bad copy machine. Perhaps in the future they can correct this.
Nonetheless, I still recommend this book to those interested in the history and development of Jewish mysticism, as well as its later manifestations in the medieval Kabbalah.
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I bought this book becuse it was the only delphi c/s book i could find.. (another written by Ken Henderson for delphi 3 was out of stock)
I can say you can either try out this book or buy a specific book for your target platform (oracle etc.) and when you finish it find some other source to learn about delphi's components. and you become a c/s hero :)
he's very objective when talking about database servers.
the only thing i didn't like is that it is based on delphi 2, so he misses to explain some components like decision cubes.
other than that he covers quite well the rest (and more used)of the components, describing every single property and method.
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In 1914 Franz Ferdinand Trotta is a young man with no real goals, other than pleasure. When the Emperor declares war, he becomes a soldier on the Eastern front and, very quickly, a prisoner of war sent to Siberia. Upon his eventual release and return to Vienna after the war, he finds the monarchy gone, the financial system in disarray, and his personal life in tatters. What remains--and never changes--is Trotta's lack of direction, his lack of purpose, and, most distressingly, his lack of motivation regarding his future.
Trotta's refusal to recognize that he can and must now assume power over his own life leaves the reader with a character for whom there can be no epiphany and no real climax. Trotta is a throw-back, insisting even twenty years after the war, "I still belong to a palpably vanished world, a world in which it seem[s] plain that a people exists to be ruled and that, therefore, if it wishes to continue being a people it cannot rule itself." Though the political situation in post-war Vienna, leading to the rise of Hitler, could have led to a chilling, dramatic story, Roth steers clear of this, choosing instead to memorialize the vanished past by giving us a character whose failure to adapt to change reflects some of the very characteristics which destroyed the empire he mourns....
It is quite a bleak book in many ways - and reminds me of the world Beckett creates in Waiting for Godot. There is an inevitability in the fall and no action could have prevented it.
The language used (at least in this translation) is minimal and strips to the bone images - making those that remain quite haunting. One which has remained with me for several days is the image of violets blooming from the bones of dead men.
Certainly a great, if troubling, book.
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