Everyone will have their favorite quote from Shaw after reading this book. Mine is a long, affectionately comic poem on Mahler's Eighth Symphony, which concludes, "So, grieve not, Gus! Our new Apollo! // Where you lead us, we will wallow!" Indeed, the many quotes from Shaw as he speaks and writes to his choruses are the principal glories of this book.
But always, always the music. You can feel the march of performances as they are roll-called before your eyes. This may not be the most authoritative, most definitive book on Shaw possible, but it is the one I wanted most to read. A real five star recommendation, and no apologies to the cognoscenti!
I came by my appreciation of Shaw relatively late in life, and by a somewhat unusual means. When he founded his Collegiate Chorale in 1941, I was all of two years old. I was still way too young to latch on to him seven years later, when he had disbanded the Collegiate Chorale and founded the Robert Shaw Chorale. For three decades after that, I had a somewhat different musical agenda, and he was a musical "ship passing in the night" for too many years.
The signal event which brought Shaw to the forefront of my musical consciousness was the launching of Telarc's digitally-mastered LP's by Bob Woods and Jack Renner, in 1977. The second of these LP's was a performance of Stravinsky's Firebird Suite and Borodin's Polovtsian Dances by Shaw and the Atlanta Symphony Orchestra and Chorus. Shaw had earlier assumed the directorship of the ASO in 1968, and Woods and Renner had been associated with Shaw during the period when he was assistant conductor and choral director for George Szell and the Cleveland Orchestra. In a very real sense, Woods and Renner were, by bringing this new technology to Shaw, thanking him for past friendships and associations. And the history of his role in leading the ASO, and bringing it to prominence with its recorded repertoire, was dramatically changed by this event. But much of this later history, and what followed Shaw's "retirement" as active music director of the ASO, has unfortunately been compressed into the all-too-brief Foreword, and the last three years of his life are not documented at all.
It is fair to say that the Telarc "gift" which Woods and Renner presented to Shaw made the difference between a career which would have been insufficiently documented by recordings (except for a handful of earlier RCA Victor recordings of the Robert Shaw Chorale) and one which will now stand the test of time. The ASO, good as it became under Shaw's leadership, served as much during his tenure as the recording instrument which would provide support for the "ultimate" Robert Shaw Chorale, the remarkable, and totally amateur (in the best sense) Atlanta Symphony Orchestra Chorus, as it would as the civic orchestra for the greater Atlanta area.
I could wax eloquent about the dozens of recordings this orchestra and chorus produced over a 20-year period of Telarc support. But there is one recording which stands out above all, of a work which was the closest thing to a cornerstone for Shaw's career: Bach's B Minor Mass. His professional life with this work is well-documented in Joe Mussulman's book. There is a wealth of anecdotes about how his performances of this work could reduce folks to tears, from Alaskan Aleuts to college kids everywhere to Soviet apparatchiks at the height of the Cold War.
One anecdote stands out above all others regarding his mastery, as well as his unassuming modesty in the face of it all, regarding the B Minor Mass. It occurred after a performance that must have really come together in a very special way. Following the concluding "Dona Nobis Pacem" of the Mass, Shaw left the podium and darted behind the curtain, awaiting the applause. He waited, and waited some more. Finally, not understanding why it was that the applause never arrived, he poked his head out from behind the curtain, only to find both the audience and the musicians facing each other and bawling their eyes out from what must have been a rendering of the final "Dona Nobis Pacem" of the Mass for the ages. Those who were at that performance carry a very special event around in their memories.
This single, simple paragraph of an anecdote says volumes about Shaw's largely underrated mastery. When you read this book, you too will cry. And you will laugh. And you will likely do both simultaneously. For all the right reasons.
Now, if only someone would fill in the final missing 20 years or so of "Dear People," we'd have it all.
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This commentary is also an improvement upon other books, since its focus is primarily upon doctrine, and not on archaeology or culture. I think someone once referred this at to "likening the scriptures unto ourselves."
The books contain both the text of the Book of Mormon, followed by the specific commentary. It is, therefore, similar to Elder Bruce R. McConkie's "Doctrinal New Testament Commentary."
This book has a good spirit about it, and I feel myself smarter and more spiritual as I have read it. I have read a lot of books, and each book has a degree of light, and this book is rather bright.
It is great for Sunday School teachers and quorum instructors, or just for personal edification.
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magic layed out in turn-of-the-century style. It
almost feels like your browsing through an old
Sears & Roebuck catalog.
Several of the tricks require lots of preparation.
I enjoyed the ones with on hand items.
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Motor control occupies a very short section at the end of this book, and it is badly out of date. Look elsewhere if you are interested in recent technological advances.
I have been in the electrical industry for almost twenty five years and in all that time there have been several aspects of electrical theory which I have never really fully understood.
This book has made some of the mathematical problems seem so simple and easily understood that I now feel that I have just come out of my apprenticeship.
Anyone who wishes to understand the logic behind electrical theory needs to read this book.
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It was so hard to find, I pleased that it has been reissued.
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Because "gay research" was so stigmatized, Carrier has never had an academic job. He obviously has not followed developments in the field of research he helped create. Other than data (and ignoring the probale difficulty of publishing about homosexuality then!), this book could be from the 1970s. One might think that being outside academia might be an advantage for immediacy and freshness, but Carrier's ponderous writing is "academic" in the worst sense. Although his writing is not obscured by "queer theory," it is dry and often awkward. So much academic talking and writing about gender and homosexuality lacks systematic data that it is very unfortunate that someone who actually has lots of data that he has gathered over a long duration of time has not been able to do more to make sense of changes or continuities in how young Mexican males live their desires for other males or to use the data to address contemporary concerns.
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The biggest problem is with keeping current. (The authors allude to this issue in their preface.) This book was based on 1999 material and published in 2001. There's a lot of material that has very limited shelf-life, such as a list of government officials in Italy. They publish a list of national holidays for each country, listing both date and day of the week. (Where was their editor?) Obviously that information is only good for one particular year.
Treatment is superficial in many aspects. Under "currency" they only state the name of the currency, with no reference to pegging or exchange rate volatility. Under "Intellectual Property Rights" they discuss the treaties the country has signed. You would never learn there is an intellectual property issue in China from reading this book, because China has signed all pertinent treaties.
Their treatment of cultural issues is not structured. They list five cultural tips per country. These tend to focus on manners issues such as being (or not being) on time. I'm more attune to the method that Geert Hofstede uses in his books where he defines a cultural trait, discusses its implications, and then states how strong that cultural trait is in the country. For example, Hofstede introduces "power distance" as a measure of hierarchy and respect for authority. He then discusses implications for the decision making and negotiation processes. Finally, he gives the scores for each country, leaving the reader to draw conclusions. The authors of this book do discuss one cultural trait for all countries, defined as "Time." To them it means attitudes toward promptness. There is no discussion of the inverse relationship between attention to promptness and flexibility in scheduling, which is a hugely important issue in buying or selling.
Finally, and this is a personal issue because I am a purchasing consultant and educator, there is a heavy emphasis on selling in other countries but almost no attention to buying there. They could have given GSP-status for imports into the US, for example.
I recommend spending your money elswhere. Buy "Kiss, Bow" to learn about manners issues. Get "Culturegrams" to get annually updated information on history and geography. If you really want to study a country it will take more depth and more current material than this book carries.
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Four times during Reagan's presidency, hostilities erupted between American and Libyan forces; therefore, Stanik devotes considerable space to operational planning, descriptions of military equipment and tactics, and accounts of combat action. He provides thrilling accounts of two dogfights between U.S. Navy and Libyan fighters, naval surface action in the Gulf of Sidra, and tension inside the cockpits of U.S. Air Force F-111Fs as the planes bore down on Qaddafi's compound in downtown Tripoli. Stanik also takes readers through the Lockerbie affair and relates our current war against global terrorism to Reagan's controversial pledge to strike terrorists with 'swift and effective retribution.'