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Luis Cantu
Luis C.
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These parables do not seem as faithful to the Bible nor as universal as the stories he has previously written about Joshua. The parables more clearly reflect Mr. Girzone's distinct political and religious views. While I agree with some of these opinions and disagree with others, I really am uncomfortable reading these as the teachings of Joshua who is supposed to be a modern reflection of Jesus.
I am most disturbed by the characterization of the people who will be admitted into heaven. In "The Parable of the Faithful Nonbeliever," a person who has had a good life, but did not have faith in God will, nevertheless, receive a heavenly reward. In "The Parable of the Two Brothers," a man who lived a selfish life that was of little value to God goes to heaven because of his brother's earnest prayers. This theology of going to heaven without faith is not Biblical, contrary to what Jesus taught, and dangerously wrong. We do not go to heaven by our good works or by others' prayers. According to the Bible, Christ died for our sins on the cross. As he rose from the dead to have eternal life, so will those who repent of their sins, accept God's forgiveness, and live faithfully in Christ.
Not all of these parables are so erroneous and controversial. Some are true to the teachings of Jesus. For example, "The Parable of the Coal and the Diamond" illustrates how God can transform suffering. In several parables, people who seem unworthy are valued highly by God.
It is very unfortunate that all the parables in this book were not written in the spirit of Christ.
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Simply put, I learned things from this book that I have not found in other places. One warning: I agree with another reviewer that this book is not for people who are not very familiar with the Civil War. The original course was taught to Senior Army leaders (Colonels) and civilians, so it was geared towards students who understand strategy and tactics. Having said that, I highly recommend this book to any Civil War student, of "Buff" who is interested in learning more about the key leaders who shaped the events of the war, and helped determine its outcome. If you do read it, take a look at the notes and bibliography section. In it, the author gives his recommendations for other books to use for additional info.
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You might call him the John Lautner of Florida, creating a lifestyle as much as an architecture. You could see Travis McGee laying back in one of these houses, drinking a beer as he waits for the elusive flash of green. Rudolph really captured the spirit of Florida in the 40's and 50's. Simple, well-thought out designs that are as relavent today as they were then.
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I agree with the other review that the part on Hong Kong is truely out of date, and really, since the topic of the chapter is on weddings of different cultures, it is plain funny the chapter features no pictures about the Chinese Wedding Banquet: essentially one of the most important event in weddings here in Hong Kong. The shots taken at Repulse Bay Hong Kong is probably really older than 15years...seriously.
I can hardly agree with one of the writers about the benefits of using a 28mm-200mm zoom at weddings, or really, any time at all. But that's just a matter of taste: personally on my 35mm system I use prime lenses exclusively.
The other miss is the lack of mention of filters used. Some shots are clearly taken with say, a softar, but no detail is given. But in general the details sections I believe are good and helpful.
I quite like the way the book is structured: you learn from the pros on some of the very best examples. And seeing the way pros do, like using delta 3200, spicing up otherwise tame shots with photoshop, or using daylight film inside a church hand held with apperture fully open and no flash, encourages me to explore and experiment on my own.
It has lots of excellent, modern, and inspiring photos with short description of techniques and equipments used for each photo.
I rated this book only 4 stars because it still has rooms for improvment:
1, A small section on general techniques/equipments would be helpful for begineers and semi-pros
2, The style in a few photos in the cultural section (Hong Kong) are quite out-dated (I would believe if they were taken 15 years ago) and should be taken out. My experience (from looking at friends' wedding photos) is that the Taiwanese wedding photographers have mastered the business of wedding photography and their style and techniques may have surpassed those of North American and European wedding photographers... (As an example, they very often include an excellent cross-processed photo of the couple) I would love to know their technique... (Cathy, go to Taiwan, HongKong, or even Toronto/LA to check out the wedding businesses operated by Chinese/Taiwanese, I am sure you will be surprised).
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Interdependence does indeed fill in gaps in the realist/neo-realist theory. I believe the best way to use this book is as a tool to analyze events that don't fit neatly into the realist model. After all, you can't use genetics to explain why s=v0t + (1/2) at (squared), right?
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What struck me significantly in the read was the obvious priority given to philosophical analysis. Ratzinger even acknowledges this in the included address given in honor of Cardinal Volk: "If theology has to do primarily with God, if its ultimate and proper theme is not salvation history or Church or community but simply God,then it must think in philosophical terms."
Although philosophy to be sure has its place in the world of theology (apologetics and evangelism) it certainly is not to be central to theological formulation. Church history is replete with the trainwrecks of faith that have flowed out of theologians majoring in philosophy.
The section where he debates the apolostolic church was one in this work which was rare in that it focused primarily on Scripture arguments rather than philosophical spins.
He certainly demonstrates an active and precise mind and writing style. At times it is difficult to follow, given our differences in theological circles. However, it must be said that his critiques of Luther are partial illumination of what the Reformer said, e.g. on church and where it could be found. He does not clearly state Luther's central tenet that church is where the pure gospel is preached and the Sacraments administered according to the gospel.
His constant insistence upon tradition and succession becomes mute when only the persistent philosophical bents are offered as primary assurance.
Thanks to Haifa reviewer, I will persist since I share the same view with the the author. Opera can be deadly boring without the hope and fear of 'will he win?' 'will he fail?' of drama. Deadly.
Da Ponte spent a lot of time on Cherubino popping in and out of that chair. The other guys cannot just stand around and sing about different things with him lurking back there.
Even if the roulette wheel may be fixed, it is the only wheel in town. This is all there is out there on opera as drama.
The author may often be obscure but once you penetrate the foliage, he is dramatic.