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The author's description of Juan Peron is comprehensive and complex, and may therefore be best suited for someone already very familiar with Peron and contemporary Argentine history. If you are looking for a more brief and succinct historical rendering of Peron's career, you may want to look elsewhere, perhaps to JUAN AND EVA PERON by Clive Foss. My favorite biography of Juan Peron is PERON AND ENIGMAS OF ARGENTINA by Robert D. Crassweller. Crassweller explains in PERON AND THE ENIGMAS OF ARGENTINA that Peron was a product of the "Hispanic Creole" tradition, and that all his successes and failures can be seen within the context of that culture, and in many ways were *shaped* by that culture. In fact, Crassweller argues that Peron's real talent was his keen insight into the culture, his keen intuition in understanding how to reach out to and unify as many different segments of Argentina as possible. While Joseph Page does attempt to provide cultural insight, he does not succeed to the extent that Crassweller does.
Joseph Page comes to a conclusion that may surprise many: that Juan Peron was a pacifist at heart; "He steadfastly rejected violence as an open instrument of policy." Page also points out the irony that Peron, once considered by some as a "South American Hitler," would have never plunged or plundered his country into war, and that it was the men who ousted Peron who went on to kill thousands of people.
(The "score" rating is an ineradicable feature of the page. This reviewer does not "score" books.)
This is a book that helped me realize a lot of the life and feelings that go further my phisical sensitivity, but things that my mind senses are true and real though beyond my fingers to touch and my eyes to see.
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"Perspectives on Early Modern and Modern Intellectual History" brings together several disciplines and historical periods, and three generations of scholars to celebrate the pedagogical and scholarly career of Nancy Struever, who taught in the Humanities Center and Department of History at The Johns Hopkins University. Twenty-three essays reflect the breadth of disciplinary competence and the standards of scholarly rigor that Struever instilled in her students and demonstrates in her scholarship. The book is organized around three divisional areas of inquiry: Renaissance Humanism, Histories of Art, and Rhetorics, Philosophies, and Histories. The first part includes studies on Shakespeare and Ariosto; essays on Machiavelli, Caterina da Siena, and Lorenzo Valla; and Manetti on the library of Nicolas V. The section on histories of art contains contributions on L.B. Alberti, on early modern spectacle and the performance of images, and on rhetoric and art. The third section continues with discussions of rhetoric, history, and literature from a more theoretical viewpoint. The book concludes with a bibliography of Struever's works. Authors include: Marvin Becker, Marjorie O'Rourke Boyle, Salvatore Camporeale, F. Edward Cranz, Elizabeth Cropper, Marc Fumaroli, Thomas M. Greene, Michael Ann Holly, J.G.A. Pocock, Charles Trinkaus, and Hayden White.
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