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That being said, the best part about this book are the recipes! Hagman covers everything from soup to nuts. The ingredients are, for the most part, readily available at your grocery or health food store. There is a large section on breads, both rice-based and rice-free. She includes directions for making bread by hand or using several sizes of breadmakers. There are also some which omit eggs and dairy, a nice plus for those with additional sensitivities.
All in all this is a terrfic book, one which can liberate those dealing with wheat and gluten allergies, allowing us to "eat like the rest of the world." Don't hesitate!
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Instructions on how to interface and program a Motorola 68hc11 microcontroller are provided, as well as infrared sensors, sonar ranging modules, optical motor encoders, and other sensors.
GET THIS BOOK!
http://www.eng.ua.edu/~mdowney
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The Fireworks 3 Bible is the only serious work out there on Fireworks. Luckily it's a good tech manual. I have hardly any background in graphic design, so I sat down and read this book cover to cover (if you know Photoshop/Illustrator you should be able to skim and pick up just the details you need). It was great to get an overview of vector graphic and image editing-- I feel as if I could pick up other Macromedia/Adobe products and fudge my way through basic designs.
I would recommend this book to any web developer. My approach to web development has been completely altered.
Ok, I wanted to create my own personal web site featuring my college work in the field of engineering. I had heard of Photoshop, but a friend told me of FireWorks from Macromedia. I downloaded the trial version and followed the small tutorial that comes with the program. After a few hours of using FireWorks I could not believe how easy it was to use. I figured the program had to be more powerful, that is when I said hello to Fireworks Bible 3. The book takes you step by step and it is extremely easy to create killer web-ready images! The book also teaches you how to use Fireworks with your scanner. The book, and the software are extremely powerful and extremely affordable. I highly recommend this book if you are thinking, thought, or will think about creating a web page. Five Stars without question.
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"The American" is a wonderful love story that ends as a real life love story might end. Do not expect roses and happily ever after, it is as much a story of an ancient social system as it is of the life of "our hero." And the thing that seems to get missed is that Henry James actually wrote this as a mystery, not a love story.
This is a novel to contemplate and read between the lines. Good verses Evil, Noveau vs Old Money, Right and Wrong, can literature get any better than that?
I couldnt recommend this more for a good read. The only caution I have is for readers who have never been to France. They may get an extremely negative impression of French people from many of the characters in this book. Go to Paris and you will find the city is wonderful, and so are the French people. These characters are not typical!! They belong to a certain class, and the book does take place 150 years ago. If this book doesnt get you hooked on James, I dont know what will. Try Washington Square and dont miss that movie, with Jennifer Jason Leigh, Albert Finney and Maggie Smith.
He becomes entangled in what he thinks is a simple plan for matrimony, but is really truly a great deal larger and more treacherous and terrible than that.
We spend a lot of time in Newman's mind, paragraphs of character analaysis are sprung upon us, but nothing seems plodding or slow, nothing feels useless. By the end of the book we find that we think like the character and can only agree with what he does. We react to seemingly big plot twists and events as he does, without reaction, and a logical, common sense train of thought.
But don't misunderstand that. For a book that is so polite and the essence of "slow-reaction", it is heartwrenching and tragic. You will cry, you will wonder, and you will ask yourself questions. Colorful, lifelike, and exuberant characters fight for your attention and your emotions, and we are intensely endeared to them. Emotional scenes speckle the book and are just enough. And the fact that something terrible and evil exists in this story hangs over your head from the beginning. It's hard to guess what happens because James doesn't give us many clues, and the ending may come as a surprise to some people. And without us knowing it, James is comparing American culture to European culture (of the day), and this in of itself is fulfilling.
Indeed, James uses every page he has, without wasting any on detailed landscapes and useless banter. 2 pages from the end you have a wrenching heartache, but the last paragraph and page is utterly and supremely satisfying, and you walk away the way Newman walks away, at peace.
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First, however, I shall focus on the positve aspects of the work. Campbell begins his book with a story about the conflict between a myth (in this case the story of Adam and Eve) and the facts discovered by science. The little anecdote serves to present the key thesis of the book: that our old religious idea that myths are literally true is no longer servicable, and that we must now, in an age where the world is coming together in ways unprecendented, seek the pattern that underlies all myths and discover our oneness as a species. Campbell explains why myth and ritual are neccesary in concrete, psycholgical terms. If there are no myths, individuals will become alienated from their society, since myths contain affect images that speak to not the rational mind, but the psyche. His argument is essensially Jungian in tone. Through a comparitive look at the worlds "major" religions, he shows how all myths are variations on the theme of self discovery and rebirth as a person engaged with the Universe and society.
All that is wonderful. What is not wonderful, however, is the vaugley reactionary tone underlying some of the books passages. Campbell seems to share the imperialist view that all of human history naturally culminates in modern, technological, Western Civilization. He dismisses the youth movement of the time he wrote this book (the sixties to early seventies) as folly. The cultural contribution of "Beat" poets such as Ginsberg an Kerouak is completley ignored. In fact, the "Beats" are never even mentioned when Campbell throws out an all encompassing statement like "we have no artists...of such power today".
Equally troubling is the statement that "all life is suffering, all societies are opressive, and we just have to learn to live with it". Now, while it may be true that life is sorrowful and that social orders have, throughout history, tended to be unjust, it does not follow that we have to accept the latter fact with the same passivity as the former. As Campbell points out, we make the choices that determine the direction of our society. If everyone, or a strong majority at least, were able to come to the understanding of universal Myth and Divinity, the opression that exists today would decrease, if not dissapear. The book comes to a climax with an expose of the mythic dimensions of the first moon walk. The chapter illustrates how we are indeed one planet and one species. Juxtoposed with "all societies are opressive, and we just have to live with it" however, the chapter's beauty becomes terror. In this light, the chapter is a prophecy of slavery, not oneness.
Still, this is a very important book, marred as all great works are by the author's prejudices. When reading this book, remember Buddha's finger pointing at the moon, and which one was more important.
At the time he wrote these essays, Campbell was a professor on a campus, surrounded by young people whom he found hard to understand at times. For example, in his essay "The Moon Walk--the Outward Journey" he relates his own feelings of awe on viewing the Apollo moon landing and contrasts them with the reaction of a student who wrote "So What" on a photo of the moon landing posted on a campus bulletin board. In another essay "Schizophrenia--the Inward Journey" he contrasts the use of mind-altering drugs by shamans and psychotics (including the LSD induced version) as the difference between divers and non-swimmers in "the waters of the unviersal archetypes of mythology."
I find Campbell's essays are very relevant, 30 years later. The most obvious example is "Mythologies of War and Peace" which addresses the underlying belief systems of participants in the Mideast crises. Campbell says the cruel fact is that "killing is the precondition of all living whatsoever: life lives on life, eats life, and would not otherwise exist...it is the nations, tribes, and peoples bred to mythologies of war that have survived to communicate their life-supporting mythic lore to descendents." He suggests that "we" in the West "have been bred to one of the most brutal war mythologies of all time." He then goes on to cite Deuteronomy and Isaiah and follows with excerpts from the Koran such as Sura 2, verse 216.."Fighting is prescribed for you."
Campbell does not condemn myths nor does he say myths are not literally true. He suggests creation myths and myths about love and war and peace contain the essence of the truth. Myths are to humans what kangaroo pouches are to baby kangaroos, they provide a "womb with a view." Being born simply isn't enough. We need myths to help us organize and guide our lives. However, our current myths arose in another era and were shaped by tribal mentalities that sustain the notion of GROUP differences. We need new myths for the journey of life.
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Joseph Glass (a nom de plume for an otherwise bestselling author who I wish I could uncover) writes an excellent thriller with "Blood," though it does hinge on having read "Eyes" first (many of the characters and plot devices wouldn't make as much sense without the first book). The villainous serial killer in this book drains his victims of blood. When the police are left with nothing more than the exsanguination to go upon, once again Susan is brought in with her psychicatric - and psychic - expertise.
Far more gorey than "Eyes," (to the point at which I was somewhat nauseated once or twice), "Blood" nevertheless jacks up the tension a notch, and once more challenges both reader and the characters within the book. Susan's intelligence, wit, and training, as well as her gift, are all put to task in this thriller. The supporting characters of David Gold (Susan's police friend) and Susan's son Michael also get valuable time at the forefront, and are developing into very rich characters.
If you enjoy thrillers of any kind, or if, in specific, you enjoy thrillers or mysteries with a psychic touch, "Blood" is phenomenal. Just be prepared for more than average amounts of gore, and try to catch a copy of "Eyes," first.
'Nathan
This time we have two despicable killers, one that Shader thinks she's helped put away (early in the book), and then a serial killer called The Undertaker, who is as sick and bloody as they get.
The book has several unsettling scenes, and you're never quite sure who the Undertaker is. The characters of Wendy Breckinridge and Tony Garza, as well as Scott Carpenter, are also great ones, although the fate of one of them is truly sad, and one has to wonder why Shader allowed it to happen...but it's realistic enough, and brings the book to a hair-raising close.
A brilliant read.
HIGHLY RECOMMENDED.