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...Are the mortal sins imported from Egypt? Or shall adultery be punishable in the eyes of God? Well, in the eyes of the church, yes. And we know this is control. I have never accepted the idea that God could give us tools only so he could forbid us to use them. It's like putting candies in the hand of your own child and telling him that he may not -ever- eat them. What is this? Love and care, or torture?
At least Eugene E. Whitworth had the courage to expose his ideas.
If you don't like the idea that this is another 'truth' about the life of Jesus, why not simply accept it as a daring novel?
Eugene E. Whitworth is offering you HIS truth. This deserves respect.
I'm not knowledgeable enough in theology to give any opinion on how truthful the book may be. But then I'm back to quoting the author: what is the difference between reality and actuality?
...
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I can not recommend this book.
The book also has a lot of beautiful photos illustrating the tips and techniques discussed.
I highly recommend this book.
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Speaking to a group of Jews, Arabs, and Christians, he tells them that they all have the same heavenly Father and that they will share the same eternal reward because of their faith in the Father. I have some real problems with this - it's not consistent with Christian (Biblical) doctrine which teaches that through faith in Jesus Christ we are saved. While Christians and Jews do share the same Father God, from what I've studied of the Moslem faith, the attributes of allah are not the same as our GOD of the Christian faith.
So while the intent seems good, the former Catholic priest Joseph Girzone should better understand the teachings of the Bible before writing more modern day parables about Jesus that are inconsistent with His teachings in the Bible.
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The focus in this volume is on the French city of Troyes in 1250. This allows the authors to be particular, and to make life come alive for that time and place. As Troyes was the site of two large annual fairs, drawing merchants from all over Europe, aspects of the fairs are described in regards to the economic life within the city. In some cases, such as in describing medieval doctors, schools, or cathedrals for example, the discussion becomes very general, and not focused on Troyes. This is obviously appropriate. The chapter on books and authors has little emphasis on cities at all, but it still is mostly in keeping with the style and content overall. On the whole, this is probably the Gies's best and liveliest Life in a Medieval (whatever) book that I've read, and I would recommend it to anyone with an interest in the subject.
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It was a day like any other, just before getting a divorce and starting a new novel (which became "God Knows"). But Joseph Heller found that his food tasted funny, his body felt abnormally heavy, and he was having problems putting on and removing clothing. He checked into a hotel, and sure enough -- he had had a problem. What's more, he had a nerve disease called Guillain-Barre, which could cause permanent paralysis.
While his mind remained sharp and unusually witty, Heller's body became paralyzed. His pals Speed Vogel, Mario Puzo (of "Godfather" fame), Dustin Hoffman and Mel Brooks all clustered around to help their friend as he began to regain control of his life.
The account is funny and kooky, full of eccentric people like Puzo and Brooks. But there are deeper undercurrents in "No Laughing Matter," in which the friends help keep Heller from sinking into a frenzy of displeasure and cabin fever. There are no gooey monologues about the power of love and friendship -- it would probably have made the authors gag, even if it didn't make the readers. But the accounts of an admittedly difficult-to-deal-with famous author being helped out, despite his eccentricity, is very touching.
There is a lot of serious content, with Heller's decline in health and the details of his time in the hospital. (Constantly lying in a hospital bed, mostly paralyzed, unable to grip a pen and with a tube in his nose) But he manages to give a funny spin to almost everything in the book, including his encounters with Valerie Humphrey, a beautiful nurse who became his second wife, and media-shy Mario Puzo telling him how lucky he was to be sick and paralyzed, since he wouldn't be require do interviews. Half the book is Speed Vogel's voice; he offers an alternate, somewhat humbler viewpoint. He also gives more entertaining anecdotes such as Mel Brooks painting his "SNORE! SNORE! SNORE!" message on the wall, or the lobster dinner, or just arguing with Joe about the thirty-person dinner.
Funnier and more heartwarming than most "disease diaries," this gives us two different viewpoints: The patient, and the loyal pal. Definitely an intriguing and interesting read.
Guillain-Barre is a disease that attacks the central nervous system, rendering the victim completely paralyzed. Although what Heller contracted was a mild form of the disorder, in an extreme case mentioned a patient was only able to move their eyes. Recovery is possible from this disease; if it's caught early enough, the patient can be hooked up to a respirator if need be and then slowly rehabilitated. NO LAUGHING MATTER is two stories. The first is that of Joseph Heller the patient who goes from being in (seemingly) perfect health to being utterly bedridden in a matter of days. The second part of the tale is told by Speed Vogel, a friend of Heller, who took care of virtually all of his financial, legal and personal obligations.
From reading some other reviews of the book, one might be under the impression that this is a light and fluffy feel-good story of friendship where one will be forced to read numerous passages on the deeper meanings of love and caring. People learning great life lessons by sacrificing much that they have purely in the name of camaraderie. Chicken soup for the soul and novocain for the brain. Fortunately, one couldn't be further from the truth. While the two authors obviously have a great fondness for each other, you won't find any obvious soliloquies on the healing power of friendship. What you will find are people who care a great deal, but aren't afraid to share a lot of good-natured abuse. While in sickness and on the road to recovery, this never feels false or sugarcoated. It's an honest account of what real friendships are made of.
Despite the title, much of the book is laugh out loud funny. Heller may have been bedridden but he didn't lose any of his trademark wit. Celebrity cameos of everyone from Dustin Hoffman to Mario Puzo to Mel Brooks help to liven up an already interesting narrative. Both authors have a warm and engaging style of writing that makes even the more incomprehensible medical jargon understandable. The jokes are great and serve also to counterpoint the feelings of desperation and of loneliness.
The book is extremely intriguing, though there are one or two sections that don't quite work. Heller was going through what appeared to be a fairly messy divorce and the legal proceedings got a little bit complicated. For a section, Heller even reproduces a few pages of the court transcripts in order to show his lawyer in the right. As justified as he may be in including these segments, they aren't nearly as interesting as the rest of the book and pale in comparison.
NO LAUGHING MATTER shows us illness from two viewpoints. From Vogel we see the outward appearance of the disease and its effect on Heller. From Heller we experience the sickness firsthand. It's a fascinating dual look at the nature of the affliction. Well worth a read.
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