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The author was exactly accurate about what time the rainbows appear from successive North Rim overlooks, for example, and we hiked between them with great results. Ignore the recommendations about filters if you like, but select from the location descriptions to maximize your trip photos of the famous (and semi-secret) views. Yes I brought home a lot of cliche images, but my friends and family don't know that and they're thrilled with the "classic" enlargements.
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THE BOOK IS INCREDIBLE!!!!!!!!!!!!!!!!!!!!!!
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I used this as a supplement to 'Engineering Circuit Analysis' by Hayt & Kemmerly.
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The book is conveniently divided into sections. After a prologue which does a good job of getting the reader to imagine Elizabethan England, we have a section on Elizabethan English life and then a section on Shakespearean theater. The Elizabethan history section provides a lot of general information spiced with intriguing details on everything from how children greeted their parents to the standards of beauty and the status of foreigners. The theater section starts in pre-Shakespeare English theater and ends in today's theater. In between is covered everything from who was in Shakespeare's audience (nearly everybody) and why (for one thing, it was the second cheapest form of entertainment available) to that student bugaboo, Shakespearean language. This section of the book no doubt benefits greatly from having its authors be connected with the theater.
A few people might object to the authors' use of imagination (for example, in showing how Shakespeare used and changed his sources, the authors invite us to imagine a Shakespeare who is leafing through a book for inspiration and dismayed by some of what he finds), but I can recall no instance of such imaginings not being clearly marked as such. Besides which, it would take a real stick-in-the-mud or a fiery anti-fantasist to be offended by the invitation to imagine Shakespeare joyfully tossing his quill in the air. Another possible objection, that it is not thorough enough, is silly, as the book is not intended to be exhaustive.
Shakespeare Alive is a worthwhile book, either for someone who wants a starting point for further study of Elizabethan life and literature or for one who just wants a taste of the background to Shakespeare's plays. As an introduction, I would recommend it even above Norrie Epstein's The Friendly Shakespeare. Shakespeare Alive has more information about the time period than The Friendly Shakespeare does (while the works can be enjoyed without historical knowledge, they'll be appreciated more with than without). Also, Shakespeare Alive has a more coherent whole than The Friendly Shakespeare, which is designed for dipping into rather than reading straight through. I believe the smoother reading and the difference in focus make Shakespeare Alive the better introduction for most people. Buy this book for yourself or for the student in the family.
Other reviewers exclaim how their high school students related to "Shakespeare Alive!'. I only wish I had encountered this little book during my school years. Hat's off to Papp and Kirkland for an excellent introduction to Shakespeare's England.
A prologue casts the reader into 16th century England as a young lad wrestling with a decision to leave his familiar rural setting in search of better opportunities. Daily rural life is a struggle, food is scare, a recession makes things worse, and you have little hope. London is far away and frightening, but you have no other choice. You begin your long trek on foot.
It is an uncertain world. England is in change, emerging from an inward looking isolation, to one in which the world's boundaries seem to expand with the return of each ship from the New World. The Renaissance moved from Italy to England at an almost imperceptible pace, but it did arrive, and nothing remains the same.
"Shakespeare Alive!" explores how the English theater emerged within this cauldron of change. In 1576 James Burbage builds the first structure dedicated to housing plays and calls it the "Theater", the first time this word was used to denote a building. Within just a few years Burbage has competition - the Curtain, the Swan, the Rose, the Fortune, and Shakespeare's Globe - and all were presenting daily comedies, tragedies, histories, and romances.
In an engaging, amusing style Papp and Kirkland provide a broad understanding of Shakespeare's world, his language, his sources, his creativity. I thoroughly enjoyed (and found most useful) their sections on Shakespeare's vocabulary, his creative use of rhetoric, and his near obsession with puns. "Shakespeare Alive!" is a uniquely fascinating book.
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I don't mind telling you that this actually put chills down my spine to think that whoever is in charge of these ships actually COULD do something like this. A very sobering thought, indeed. Thank heavens for Admiral Zenko and a life dedicated to preserving peace with the use of the underwater machines he helped to design. Zenko makes the startling discovery of what is about to happen, and without a second thought, hijacks his own submarine and head's out to sea. Another wrinkle is placed within this story when the USS Reno shows up to do their assigned 'spy mission' and tries to make sense of what is happening between two of the largest subs in the world and why they act like they are on opposing teams.
IF you are looking for a hair-raising techno-thriller-adventure, than 'Typhoon' should definitely be ON that list. Simply put, this is an exciting story well told by someone who definitely knows the in's & out's of submarine operations (or does a great job of simulating it).
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The idea of "One Dharma", as Goldstein presents it, is not entirely coherent.
For one, the suggestion that there is "One Dharma" emerging in the West is at odds with Goldstein's stated assumption that the different traditions of Dharma will continue to exist distinctly, even in the West. If that is so, then there are Many Dharmas. Historically there have been many cultures and many different kinds of people, and for that reason, the historical existence of Many Dharmas has been a good thing. The West is multicultural so one would expect and hope to see Many Dharmas flourishing here.
Nobody can argue convincingly that Buddhism will not evolve and adapt in the West. Likewise, it seems obvious that cross-fertilization of traditions is, to some extent, a sign of Buddhism's adaptability and relevance. However the idea that "One Dharma" is emerging and that "One Dharma" is a leitmotiv of "Western Buddhism" seems naively idealistic.
The idea of "One Vehicle" as taught in the Lotus Sutra is the most obvious doctrinal precedent for Mr. Goldstein's basic idea. In spite of the Lotus Sutra's apocalyptic message, many Dharmas continue to flourish down to the present era. So assuming the Lotus Sutra's principle of "One Vehicle" is coherent, and that Goldstein's "One Dharma" is a reiteration thereof, the real message here is not that there is--or will be-- just "One Dharma" in an historical or doctrinal sense, but rather, that all Buddha-Dharmas have, in the final analysis, a single savor and a single intention.
If this is Goldstein's point, I agree wholeheartedly. Even so, I wonder why he would suggest that "One Dharma" is a special feature of the "emerging Western Buddhism". How is Western Buddhism so special if all Buddha-Dharmas have always been been "One" -- that is to say, grounded in the same basic principles? In this sense, Western Buddhism is nothing special. It is the same old Dharma expressed in a new language, with a new set of metaphors and rationales. It is no more or less "One Dharma" than any previous era of Buddhism.
For these reasons I think the book's title and ostensible message of "One Dharma" emerging in the West are much ado about nothing. Granted, the different traditions are interacting with each other here and yes, it is generally a positive thing for Western Buddhists to supplement their main studies and practices with forays into other traditions and other ways of contemplating the teachings. But for reasons already stated, I think it would have been more honest to title the book "One Thread" -- since there certainly is a single thread of definitive truth running through the various teachings and traditions of Buddha-Dharma.
If "One Dharma" is supposed to be a special feature of the historical evolution of Buddhism in the West -- and not of the Dharma generally -- Goldstein has spoken a bit hastily. It is too soon to say that there is only "One Dharma" in Western Buddhism, unless that "One" is the same as the "One Vehicle" of Asian Buddhism. If "One Dharma" is not just a statement about the unique, holistic intent of all the Buddha's teachings, but an observation of what Western Buddhism is or should become, then some kind of personal ideology, or an assumption about what makes Western Buddhism "special", would seem to have reared its unruly head.
Each of the components of this book is difficult and important. Joseph Goldstein has valuable things to teach and suggest to the reader about the many questions raised in the book. But I found that the book had a certain lack of focus from trying to do too many things in too brief a compass.
Specifically, Mr. Goldstein's discussion of meditation practice and of Buddhist moraliity was very well put. It cannot be heard often enough, particularly for those readers new to Buddhism. But the discussion of meditation practice, for me, was not well integrated with the other themes of the book -- an attempt to show what various Buddhist teachings prevalent in the United States have in common and to show how Buddhism may develop in the United States.
The book opens with an eloquent discussion of the growing interest by many people of Buddhism in the United States. It discusses as well the three traditions which probably have received most attention in the West: Theravada, Zen, and Tibetan Buddhism, although Mr. Goldstein is fully aware that there are other traditions as well. With the transmission of the Dharma to the United States, Mr. Goldstein asks what these traditions have in common and how the Westerner is to learn to practice. He offers many stories from his own experience, beginning with his practice in Theravada Buddhism which gradually expanded to an interest in Zen and Tibetan Buddhism. There is an all-to-brief history of Buddhism and its divisions into the Theravada and Mahayana schools. For all the goood things Mr. Goldstein has to say about practice, I would have liked to have heard more about this given the theme of the book.
Mr. Goldstein stresses the pragmatic character of the Buddha's teaching with its encompassing purpose of ending suffering. He rightly emphasizes, I think, that this purpose is common to all Buddhist traditions and he suggests as well that practitioners can draw on one or the other of the traditions given their own spiritual needs and progress. In a brief compass, he also contrasts various traditions as being "top-down" on the one hand, emphasizing the pure, radiant character of the mind, or "bottom-up" on the other hand, as in the Theravada tradition, emphasizing the hold of the passions and the fetters and the need to work to purify the mind. Again, I would have liked a fuller treatment of these themes and perhaps less an emphasis on meditation technique. There are many books available which address the latter.
Mr Goldstein emphasizes, rightly, a famous verse from the Dhamamapada,(verse 183) a compilation of verses from the Theravada canon. The verse is
"Not to do any evil; to cultivate good, to purify one's mind -- this is the Teaching of the Buddhas."
This verse does indeed sum up the Buddha's teaching in all the schools. Much of Mr. Goldstein's book is a commentary on the verse. But I still was left with the feeling that a more detailed presentation was required to understand Buddhism in the United States.
As the book progresses with the treatments of nonclinging, selfnesses, and Nirvana, the differences in the various traditions becomes clear and the book assumes a better focus. There is a good attempt to show in the conclusion of the book how the various traditions of Buddhism are all paths leading to one goal -- the cessation of suffering through the attainment of wisdom. The United States offers the unique possibility of the realization of a "Dharma of Freedom.", Mr Goldstein tells us at the end of the book. It will not be tied to particular schoools or debates but rather will offer the hope of freedom from suffering and from clinging for those who choose to enter the path.
"One Dharma" is one of the few books that woould be better if it were longer. Too much is left out for the reader to see how the traditions of Buddhism, if only on the surface, differ from each other and how the transmission of Buddhism to the United States promises the opportunity of integrating teachings from the different schools.
We in America are in my opinion lucky there is a Joseph-this book is for beginners and adepts alike. And it is of really no significance what tradition or sector of Buddhism you yourself hail from, this book transmigrates those lines. I believe that you will enjoy this book.
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The book covers a broad spectrum of systems issues and is a good introduction for the aspiring systems analyst. Systems Analysis and Design would go well in a classroom setting as it does well to outline and explain the roles, environment, and tools of a systems analyst.
The book was written to help prepare the reader for the Master CIW Enterprise Developer certification exam (Database Specialist).
It is an excellent book! It is easy to read, got plenty of practical case studies, review questions, quality graphics, etc. The subject has been well researched and written in an easy to follow format.
I found the on-line sites useful and powerful. Plenty of referals, etc.
Excellent Book!!!