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and analysis, of one of Frank Lloyd Wright's masterpieces
of architecture. Too often the words "artist" and
"genius" only dimly suggest the true nature of the
person or work being discussed; but this book with
its keen and accurate delineations about Robie,
the client and his desires, Wright, the architect/
artist/genius and his desires, and the work of art
itself -- the Robie House -- help one to fully
understand the harmonious combination of elements
which can come together in producing a masterpiece.
The author of this work is Donald Hoffmann, and
he has himself produced a work of magnificence
in this full presentation of the design and execution
of a "dream house." Hoffmann gives full and interesting
accounts of Robie and of Wright as their two psyches
come together to promote an "idealized" artwork which
pleases both client and architect.
The book also has wonderful footnotes filled
with insightful comments and quotes. Here is
an example of one:
Louis H. Sullivan at the end of his life wrote
quite beautifully that Wright was gifted with
"an apprehension of the material,so delicate as
to border on the mystic, and yet remain coordinate
with those facts we call real life." (p. 31)
The text itself is filled with suggestive and
provocative commentary:
Wright's ideal was the comprehensive and unified
work of art, the *Gesamtkunstwerk. German culture
fascinated him. He spoke of Bach and Beethoven
as the two greatest architects, and he confessed
his love for the old Germany of Goethe, Schiller,
even Nietzsche. (p. 14)
Wright stood almost alone in his intuition of
the prairie. * * * Everything about the site
suggested a long, low, stream-lined, ship-like
house: the prairie, the nearby lake, the new
sense of speed, * * * and the shape of the lot ,
three times as long as it was wide. (p. 17)
Radical and masculine, the Robie house would be
built in a part of Chicago characteristically
stern and urbane. (p. 13)
-------------
The book is filled with "160 carefully selected
illustrations" --which include architectural
drawings and many photos, both of the house,
of Robie and his family, of Wright, and of some
of Wright's other previous houses leading up to
the Robie House. Hoffmann also did excellent
research by gaining access to complete
taped transcripts by Robie, and interviews with
Robie's son, and others.
There is something very compelling and involving
to my sense perceptions about Wright's long, sleek,
tiered approach to architecture, as well as the
various designs of lamps and chairs and lights
which he included in the house. But on seeing the
photos of the dining room...and the rigid but
beautiful "Gothic" like chairs, as well as the
photos of the "stuff" that the Robie family
cluttered the Spartan rooms with in their
attempts to "customize" it to their living
desires...the house seems incredibly beautiful,
but not incredibly utilitarian: idealized, abstract,
geometric beauty and organic harmony with the
beauty and structure of Nature, but not necessarily
"organic" in its relation to people and "common
creature" comforts.
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The first part of this is probably of interest to only Frank Lloyd Wright's fans. But those photographs are something else.
Most people know only the exterior of Hollyhock House--cold, forbidding, monolithic; but are unfamiliar with its breathtakingly beautiful interior--in this book, displayed with some photos in vivid color. In my opinion, the interior of this building is the most beautiful of all Frank Lloyd Wright houses; a masterpiece of interior design in the Prairie Style. As an added bonus, there are some extremely rare photos of Residence B--long-demolished, it was a Frank Lloyd Wright masterpiece, probably unique in its use of mitred wood and corbeled posts. (I've never seen a house like it in my entire life).
The photos make this book a must-read, must-have part of your collection, suitable for display on a coffee table.
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H. Steven Robertson
Educator and Author of "Ranch Boy" and "Acorns of Love and Wisdom."
The numbers of a species approach the edge of extinction. Just as with Loggerhead Sea Turtles, American Bald Eagles, and Peregrine Falcons, the Right Whale has a better chance of survival because individuals not only cared about its well-being, but took action to assist.
Few people may know, until Frank's Whales lands in their lap, that Northeast Florida is a critical birthing ground for the Right Whale, the rarest large whale in the Atlantic Ocean. Frank Gromling's book explores this majestic creature's natural history and the protection programs that hope to safeguard this whale's numbers, beginning with the whalers who, in prior centuries, reduced populations to a critical level, and moving forward to modern times, when ship strikes pose a serious threat.
The author relates his own experiences as part of a volunteer group that records observations and data to assist government agencies in formulating plans for the Right Whale's protection.
This book is perfect for many purposes. For the environmentally conscious, it's a lovely example of those who do more than protest: they give their time to help on behalf of a cause they hold dear.
For any student doing a life sciences report or project, this book will also be an invaluable resource, because it offers original research from first hand accounts, something not readily available for many projects.
The book is also interesting to a casual reader, because Frank Gromling tells a good story in an unpretentious, direct manner that puts the reader on the observation deck with him.
A bonus in this book involves exceptional black and white photographs of these whales and other ocean species, and related charts and maps.
I would highly recommend this book to any reader.
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To date, the richest and most informative book on the Technique. Jones reviews the history of the Technique, summarizes Alexander's books, gives an account of his own experiences as student, trainee and teacher, and gives a short presentation of the contents of his 31 published experimental papers. Some beginners may find this book a little rich for their blood, but this is the one to take to that desert island; the superb bibliography alone is worth the price of the book. Required reading for serious students and teachers.
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Like other volumes in this series, this book combines a brief but informative text with a wealth of full-color photos. Lind also includes a bibliography, a chronology, black-and-white historical photos, and sidebar quotes from various sources.
The photos of the California houses capture many interior and exterior details. These marvelous homes reflect the spirit of the pre-Columbian civilizations of Mexico and Central America; in fact, they look like modern versions of ancient Mayan temples. It is amazing to look at the patterned concrete blocks, the innovative use of glass, and the other distinctive features of these homes.
Wright's California homes are majestic, yet inviting buildings that have a timeless beauty and grace to them. This little book is a wonderful tribute to these great homes.