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Writer Mark Millar had already decided Transfer of Power would be his last story arc, but after completing one issue, Artist Frank Quitely jumped ship to illustrate Marvel's New X-Men. (I consider Quitely's abrupt departure from the book that made him famous at best unprofessional. At worst, downright $h!tty...) This left DC/Wildstorm with a big problem: Since the artist they tapped to finish off the story, Art Adams, is notoriously slow, how could they keep the book coming out in a relatively timely fashion? Answer: Since The Authority are killed and replaced by an even MORE vicious team in the first chapter, Tom Peyer and Dustin Nguyen would create a 4-issue fill-in that would detail the new team's adventures. Adams STILL wasn't able to get his three issues done, so Gary Erskine needed to do the art chores on the final issue. And in the midst of all of this, September 11th made the suits at DC rethink their stance on publishing such a violent book....So this simple 4-issue story became an 8-issue mess that dragged on for almost two years, and also became the swan-song for The Authority. (After all the hubbub, DC is quietly getting ready to lauch a new version of The Authority, with an unknown creative team....yay.)
The story starts off strong, as a Government sanctioned Hillbilly/Billion Dollar Cyborg is sent to kill The Authority, and seemingly succeeds. The team is replaced with a bunch of brutal look-alikes, who waste no time in putting the entire Universe in deadly peril. Only The Midnighter (with little Jenny Quantum in tow) has any hope of putting things right. The DRASTIC differences in artistic styles really make the book seem schizophrenic; Nguyen's style just doesn't mesh with Quitely & Adams' cartoony artistry, and the realistic renderings of Gary Erskine aren't a good fit to follow two chapters of Art Adams. All of the artists involved are very talented, but read as a whole, the book has no artistic flow. Peyer's fill-in arc is okay, but nothing special. It could have easily been skipped entirely, and nothing would have been lost, story-wise. I did enjoy the hillbilly killer, Seth, but the final fate he suffers is taken whole cloth from Garth Ennis' excellent Preacher. I was hoping for something a little worse. I also enjoyed the realistic relationship between The Authority's Batman/Superman duo, The Midnighter & Apollo. Maybe one of the best romantic relationships in comics today.
While FAR from the best Authority tale (See Warren Ellis' issues for those), Transfer of Power has it's share of powerful moments, and is worth a look for fans of the team. I just wish they could have gotten a better send-off.....
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I am sure that others wrote better Wright biographies, and so I am inclined to recommend that the reader find one of those first. This book is probably better for a researcher looking to quote Wright.
He explains his architectural concepts somewhat generally, but those parts are engaging. He is warm towards his mentor, family, and friends, saving the book from being a complete rant.
A highly polished ego shines from the pages, not surprisingly. The writing really drags at times, to the point where I had to put the massive thing down for about a year before having the guts to pick it up again and finish it. Not totally unenjoyable, for it is, after all, the word of one of the most respected and admired architects in history.
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This book is not a great literary thing, but my great-grandfather was an fascinating person who had some very interesting experiences.
Nonnie (Laura) always had the funniest stories of different things that had happened to her over the years.
This book is the memoires of a musician who gave his whole life to music. If that is a course in your life that you are considering, this book will be great reading.