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And now to have their stories continued by this talented RI writer, and to bring to it such an intimate look at our Civil War. "Not for nothing" did Ken Burns launch his career with this the most monumental dramaticly cataclism of American History.
We simply don't know enough about the Civil War, yet it was only a few generations ago, and Fernandes brings to our understanding of this war a flood of details in a humourous offhanded Tom and Huck way. With wry wit, this historical novel flows easily, might even be compared to "Little Big Man" in it's span and humor.
Tom and Huck remain true to Twains intended charectors. This builds on those charectors, in fact can be considered a charector building book as well as a fun, enlightening read...
I hope that someday this book can make it's way into high school history curriculum where High School juniors can both spend time with our old friends Tom and Huck, and learn about the War that tore this nation in two and piled up grevious losses. And I hope to see it in the laps of plenty of us baby boomers, it's funny, it's dramatic,and it's honest to the times and the literature of Twain!...Ka-doink, we got a winner!
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This Spark Notes provides detailed analysis of the characters of Paul Atreides, Jessica, and Baron Harkonnen. The Summary & Analysis section divides each of the novel's three books into multiple sections. Overall the emphasis is more on the analysis that the summary, which is as it should be in a study guide. Then there are important quotations that are explained, a list of key facts, study questions and essay topics, and a review & resources section, which includes quiz questions, a glossary of terms used in "Dune," and suggestions for further reading (i.e., all the "Dune" sequels). Consequently, this little blue book is of value to instructors as well as students.
The strength of the Spark Notes is that they indicate lines of analysis and insight into "Dune" without providing the complete arguments. In other words, students are going to be able to get some good ideas for papers but not the complete arguments. In other words, using Spark Notes can jump start their papers but will not given them anything they can turn in as a completed paper. The summary is rather bare boned given the complexity of the novel, so it will not serve as a substitute for reading it but will serve to set up the specific analysis sections. The approach to this books is formulaic (I think that this is a novel that has more than four quotations worth exploring), but the idea is to offer something that will benefit those who have read "Dune" without providing a lot of extra reading.
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This handsomely produced, definitive book is replete with reproductions of paintings, etchings, and lithographs of waterfowl and related works of Frank W. Benson, a pivotal artist of the American Impressionist movement. Benson's accurate depictions of birds have commanded high prices, and rightly so. This book will be an invaluable addition to the libraries of art collectors.
Faith Andrews Bedford gathered diverse and firsthand source material. She covers Benson's career by melding his primary interests: his family, his art, and the sporting life, not to mention his lifelong passion for birds. By interlacing her text with commentary from interviews with Benson's family, diaries, letters, photographs, and historical articles, she creates a lively, immediate flavor.
Chapter three, "A Sense of Place," begins by telling how the Benson family first visited North Haven island in Maine's Penobscot Bay in June 1901. They eventually bought Wooster Farm and summered there for about 40 years. I have a particular fondness for that island and was transported by the descriptions of their initial visits and their farm on Crabtree Point. To exemplify how neatly Bedford packs information, here is a quote from early in that chapter: "Benson's North Haven paintings of his family were praised by critics and collectors for capturing the `joyous gaiety' and `holiday mood' of life on the island. They sold almost as soon as they were seen by the public...Benson was not an indoor man by nature and far preferred the `life outside the studio.' Although his wife and daughters enjoyed the theater and music and for decades held the same two seats for the Boston Symphony Orchestra, he did not often accompany them. Nor did he enjoy the confines of church. He felt the place to worship God and respect His handiwork was through nature."
There is mention also of their tennis court at the farm, interest in golf, and of course the birds and fishing. Bedford adds other significant information about how the island affected Benson's art: "It was to become the site of many milestones, not only in his family life but in his art as well. Benson began his etching career on North Haven. Originally, this aspect of his work was merely a diversion, an experiment." This taste gives an inkling of the abundant information compiled. It is clearly presented and a good biographical resource.
Benson lived a long, fruitful life. Bedford, who has become a scholar capable of making such statements, says, "Benson was, perhaps, that rarest of humans, a happy man. Not that he ever rested on his laurels, not that he did not look constantly for challenges...He had reaped rewards and financial success from his art, had won fame and recognition in his own lifetime-something he realized few artists ever achieved...In Benson's own words, the secret to both tranquil enjoyment and success was in doing what you love."