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If your New Year's resolution is to learn more about italy, then one way to reach that goal is to pick up "Italy Today." Dr. Mario Mignone, a professor of Italian at the State University of New York at Stony Brook, has revised the book he uses in his popular course on Modern Italy that attracts over one hundred students each semester.
"Italy Today" takes us from the founding of Italy's democratic government in 1944 through today. Divided into sections on politics, economy, society and culture, "Italy Today" helps you understand what it means when the news says another Italian government has failed; Mignone explains just how Italy made the incredible leap from post-World War II poverty to its current status as the fifth largest producer of wealth in the world; he also explains why Italian films are art and why Italian television is not.
With a fine sketch of history as a backdrop, "Italy Today" charts the changes Italy has undergone over the past fifty years--more, says Mignone, than in previous centuries combined. Along the way he challenges mythic notions such as the natural inferiority of the South, the absolute dominance of the Catholic Church, and the amoral famialism set in place by other scholars. His arguments are always constructively critical and his prose is straight forward and jargon-free. Designed for the newcomer to Italian Culture, Mignone's book could also serve to refresh the memory of those who have some previous familiarity with Italian studies.
As Mignone writes," No other people over so long a history have shown a greater knack and adaptability than the Italians and in a manner that is full of paradoxes." While you might not resolve those paradoxes, you will certainly appreciate them more after reading "Italy Today."
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The tales are a window into the past, and Jack London, one of the greatest writers of his time, captured the essense of life in the frontier, on the sea, and in the hearts and minds of the people of the past. Although only a century past, this era is as far from our modern society as the hard days of Egil Skaligrimson(one of the first Icelendic Vikings in the new world) or Ponce DeLeon.
These sorts of stories should be read by everyone, espically students of history and literature. Bravery in the face of hardship is something which we all should understand even in our comparitivly easy and rich times. We should attempt to capture the essence of this bravery and courage and pass it on for the future.
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Fairly serious, text book, and perhaps best in the early years, including folk, ragtime, blues and African influences. Liberally sprinkled with great photos, some early ones include a 1895 photo of Buddy Bolten and a 1923 photo of King Oliver band with Louis Armstrong. This book is probably most geared for the musician, with transcriptions from Lester Young, Charlie Parker, and John Coltrane as well as many shorter musical passages through the text.
Although I'm sure everyone find some of their favorite musicians missing, Tirro offers many perspectives and tries to relate jazz to other cultural happenings, such as beat poets. His chapter on "Loose Ends" attempts to fill in some of his omissions. I would have liked to have seen more discussion on the role of evolving technology, for example without the more modern microphone a crooner like Frank Sinatra wouldn't have stood out. I found his chronology and discography very helpful in keeping the history and music in context. Readers would do well to have a copy of The Smithsonian Collection of Classic Jazz to listen along with the reading.
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