Used price: $2.64
List price: $12.95 (that's 20% off!)
Used price: $5.88
Buy one from zShops for: $8.85
Used price: $5.55
Collectible price: $5.57
List price: $30.00 (that's 30% off!)
Used price: $18.65
Collectible price: $30.00
Buy one from zShops for: $19.71
Mr. Miller and his incredibly talented wife, colorist Lynn Varley, team again on "300" with spectacular results. "The Dark Knight Returns" was a career (and Comics) milestone, but Frank & Lynn really pour it on this time around. The pages are stunning. The story flows in the endearing Miller style, i.e. radical, flowing panels, super dramatic contrast flashes and brooding character moments. And, of course, furious violence.
"300" is a bravura story, boldly told by one of the great graphic masterminds. These are Comics as they should be. And Miller is further blessed to have as a wife one of the most deeply talented comics colorists of all-time. Excellence in storytelling. A timeless work.
When the "300" series was announced, I took notice, both out of anticipation and shock. I was amazed that he was turning his attentions to such a large project. The result was a beautiful piece of work, and it's made better in this oversize hardcover, due to the fact that the pages are presented in their intended format: wide-angle spreads, some as panoramic as a movie.
Telling the story of the battle of Thermopylae is a BIG task, but considering he only had 6 issues, Miller does a fantastic job. The story was a bit lacking in some spots, but overall, I was impressed. It's not a wholly fact-based account. He has taken the general story and added some made-up characters, events, etc., to make it flow.
The Art... after seeing Miller do stark black and white with little detail for so long, I was doubting if he'd be able to recapture the feel present in so many of his classic works. He does, even exceeding them in some cases. His art for this story has so much depth , and it's made more powerful by Lynn Varley's coloring.
A beautiful book overall. If you'd like to read another fictionalized account, check out "Gates of Fire" by Pressfield.
List price: $14.95 (that's 30% off!)
Used price: $6.50
Buy one from zShops for: $7.50
List price: $59.95 (that's 30% off!)
Used price: $23.58
Collectible price: $41.85
Buy one from zShops for: $24.96
Current investment practice, and later editions of this book concentrate on the one thing that Graham said was, if not impossible, very non-productive - estimating future earnings. This book concentrates on understanding proven value. Where one spends most of its time on the income statement, this book spends most of its time on the balance sheet. There is a world of difference, and the difference leads to a much different portfolio, and future.
There is, as the author points out repeatedly, a difference between investment and speculation. There is also a difference between helpful discussion and meaningful analysis. The original edition is full of meaning, written by a practitioner who also could teach. Later editions (especially the fifth) make me wonder how much of the master's works the new authors read before starting. It also makes me question how much influence Donaldson, Lufkin, & Jenrette and Autanet exercised in return for their grant to finance the book.
If you want a great book on investing read the original. It will give you much more insight and at least twice as much 'food for thought'.
As an answer I give an anecdote from Warren Buffett's life:
When stock investments started to become popular, the volume increased ten fold, and the modern techniques to make a profit were developed, Warren Buffet was extremely worried. He remembered what happened in 1929. He loathed the new trends in investment that tried to predict the future price of a stock. Therefore he had a meeting with all his fellow Graham students, he expressly forbid to bring anything newer than the 1934 edition of Security Analysis.
This happened decades ago, but history repeats. We all know what happened 3 years ago. We all know how "experts" thought that the market was booming, and how they let it crash. We all know how they made a profit on the money that private investors lost.
Nowadays when I go shopping for a book I always look at the date of pubblication, if it is between 1997 and 2000 I'm very wary. All those books about "new economy", "digital era", "e-commerce", "dot coms", etc. have to be taken with the maximum attention. Usually they contain a lot of inflated ideas that as we look at what happened after they were written we understand how much those "experts" really understand about stock investments.
If they were wrong then, why should they be righ now?
Trust me, but more importantly, trust Graham, trust Buffett, (those that have been consistently right for 50 years) this is the book to buy, "anything newer looks suspicious."
Used price: $2.52
Collectible price: $6.35
WAS mixes a historian's dedicated search for details with a fictional story that spans a century to create a sweeping novel of the American experience. Ryman focuses on the tragedy of his characters' lives to help us understand our collective need for a fairy land like OZ where love and kindness are the rule. Using carefully researched historical details Ryman builds a truly believable but sadly horrific story of a fictional Dorothy Gael of Kansas. Placing her in such accurate settings gives incredible power to her story and the stories of those her life inspires. Drawn into the vortex of her tragedy are a mixture of real and fictional characters including L. Frank Baum (the writer of the original Oz novels), the young Judy Garland, an actor with AIDS who is compelled to play the Scarecrow, and his psychotherapist who met the elderly Dorothy just before she dies. The story takes place in the 1870s, the 1920s, the 1950s, and the 1980s. Yet these disparate plots and eras are tied together wonderfully and all given a sense of reality based on the historic research that went into the book.
In a postscript called Reality Check at the end of the book the writer sorts out the historic from the fictional. Here he also talks a bit about the philosophy he has toward fantasy and realism, a theme that is constantly addressed throughout the novel. This is not about Oz, except as an ideal. The novel is about the tragedy of life, and it explores why the pain of our lives makes Oz so important to us all.
In parallel stories, Frances Gumm is transforming into Judy Garland, and the straitjackets that stardom in the early Golden Era has to offer --- diet pills, chest bindings, a strident stage mother.
And a gay man named Jonathan in the 1990s who has been obsessed with The Wizard of Oz since childhood searches for meaning in Kansas as he tracks the fate of the real Dorothy before AIDS claims him.
This is a captivating read that will stay with you long after you are finished. You will never look at "The Wizard of Oz" the same way again.
List price: $15.00 (that's 30% off!)
Used price: $6.00
Buy one from zShops for: $7.00
Not only is it poorly written, it suffers from the fact that its author seems to have had very little understanding of what he was doing when employed at Morgan Stanley - this is apparent from simply reading his own explanations of the transactions. Mind you, this is no more than you'd expect from a junior associate who'd been on the derivatives desk for a very short period of time - investment banking is a difficult business (if it wasn't, people wouldn't get paid so much to do it) and it takes years to fully understand what is going on, let alone to get any good at it. And that's something this author never allowed himself the time to do. If he had (and was any good), my guess is he'd still be doing the job, rather than writing the kiss and tell expose.
Still this silly book sells - but maybe the writing's on the wall: right now, some clunker ex-Enron employee is probably writing the successor in line to FIASCO, only about Enron. With any luck, though, at least this time it'll be written with some style.
In 1980, Frank Miller wrote (and drew) his first issue of Daredevil at the same time introducing fans to what would become the most popular Daredevil character ever, Elektra. He gave Matt Murdock, the comic worlds most swinging bachelor, a love interest fans actually cared about and at the same time made her his most mortal enemy. Then he did the unthinkable (especially in Marvel comics); he killed her.
Frank Miller's early run on Daredevil in the early 80's continues to be a monumental milestone in the comics medium to this day. Certainly, the writing is not as well crafted or refined as what we would find in his later acheivements (Batman: Year One, The Dark Knight Returns, or any Sin City series), but that is to be expected. This is his first work, and on top of that, the 70's had only just ended.
But one fact remains. No one has ever done Daredevil better. Not before. Not since.
I picked the book up because I do have an appreciation of the work Miller has done with The Dark Knight Returns, and Batman: Year One. This artwork is some of his earliest and I do have to say some of his best. While at this point he had not taken over the writing duties of the book the stories are very good. Some good storytelling both in words and pictures.
I recomend this book to any comic fan as Frank Miller's art is too fantastic to be ignored. Two follow up volumes are already planned to get the rest of Miller's Dare Devil work out, but you need to start with this book. Amazing crime art is Miller's niche in the comic world and this is has it all. A real sense of realism was brought to the world of Daredevil and Matt Murdock thanks to Miller.
List price: $16.00 (that's 20% off!)
Used price: $8.00
Buy one from zShops for: $10.01