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This book gives a perspective on animation I have been searching for for a long time. Short of plunking down $10,000 to attend animation school, this book has helped me understand what is necessary to look for from an artistic angle when I am drawing. Over and over I have been told to draw more, but from what perspective, with what emphasis, to what end? All of that is covered in such an elementary way that I can't believe I never got it before now.
This book is worth all of the praise I have been hearing about it. It was also worth every ounce of energy I have used trying to find a copy to purchase. As for the negative comments I have heard about the reprint Hyperion version of this book, for me it simply doesn't matter. Can I see a difference in the plates? Sure I can. Is the information presented any less valuable or understandable? No. And that's the bottom line for me.
Amazing book. I can't believe it is out of print.
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This collecton presents Engelhart and Brunner's tales from the early seventies, reprinting the tail end of Doc's run in Marvel Premiere and the beginning issues of his second solo magazine. Englehart spins tales of the sorceror's most difficult times where he must make incredibly painful choices. You will read as the doctor must choose between killing his mentor or allowing evil to overtake the planet, travelling back in time and witnessing history with a being who will become God, and finally, realizing that all things come to an end and even he will not win every battle. Dr. Strange will die, only to be reborn more powerful than ever.
The dialog is as spectacular as the inspiring plot. The Doctor's lines show him as somewhat disconnected and aloof, without being ridiculous like the Roy Thomas days of the late sixties. This is as believable as comic fantasy gets.
Brunner's artwork is breathtaking. He gives us a solid view of reality and manages to incorporate the weird and fantastic seamlessly. It is truly a shame that these two are not working on the title today. Barring the Stern/Rogers/Austen run in the early eighties, this is the best since the original Stan Lee/Steve Ditko stories.
The early 1970s were a time of experimentation, both personal and artistic-in music, movies and even comics and nowhere does that experimentation bear more fruit than with these issues of Dr Strange. This slick, but affordable reprint is the perfect way to read these stories. Reprinted here are Marvel Premiere #s 9, 10, 12, 13, 14, and Dr Strange (2nd Series) #s 1, 2, 4, 5. The missing issues were reprints that had nothing to do with the story line (common in those days), and so this flows as one continuous tale. It was co-conceived and plotted by Frank Brunner and Steve Englehart (during long of sessions of "getting cosmic" and hashing ideas out). Brunner is the artist and Englehart is the writer. Both are masters in the comic field and at the top of their game. Brunner's art is absolutely stunning-on the slick pages of this full-color reprint his beautiful poetic imagery is even more sumptuous than on the faded pages of my originals. His art is smooth and flowing and yet eye-popping. Englehart's writing is top-notch. His Dr Strange has his own voice which may sound a bit stilted, but then, the "Master of the Mystic Arts" shouldn't sound any other way.
The story provides a lot to chew on, Dr Strange's mentor, the Ancient One dies (actually he becomes one with the universe) and passes the mantle of "Sorcerer Supreme" to Strange. Soon he finds himself pursuing a powerful magician backward through time. This particular time traveler has a curious scheme to go back in time absorbing all the magic until he himself is...God. Before it is all over Strange experiences death and takes a trip through his own personal Lewis Carroll-esque unreality before confronting mortality.
My only complaints with this compilation are that the wonder Brunner covers (nine in all) are crowded onto two pages. There is a one page introduction by comics historian Peter Sanderson, but little else to give this the deluxe treatment it deserves. Last, but not least, there is (GAH!) an ad page in the very back! Still, this is a slick, cheaply priced, convenient way to read some of the best comics of the 1970s-and I read it cover to cover and enjoyed every moment of it!
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At times the book has the tension of a good thriller, along the lines of Advise and Consent or The Manchurian Candidate. Certainly Atkinson presents to us a genuine cast of characters and a series of ups and downs, successes and failures, conflicts and confrontations one would find in a novel. There is the collapse of the Harry Byrd machine in Virginia, which in election after election had delivered the state solidly to the Democrats; there is the election of Virginia's first Republican governor since Reconstruction, Linwood Holton, a man decidedly not a conservative in a very conservative party in a very conservative state; there is Mills Godwin's agonizing decision to quit a lifetime of membership in the Democratic party and become a Republican in order to stop "wildman" Henry Howell's ascension to the VA governorship; there is Richard Nixon's wholesale attempt to convert scores of conservative Virginia Democrats to the GOP, an effort killed, of course, by Nixon's own Watergate; there is the promise of good things cut short by the tragic deaths of Democrat Sergeant Reynolds and Republicans Richard Obershain and John Dalton; there is John Warner's campaigning for the U.S. Senate with that Hollywood apogee of glamor, Elizabeth Taylor, by his side; there is the appearance of Chuck Robb, as though a white knight upon a steed, to rescue the Democrats from yet another ignominious defeat at the hands of the GOP, and on and on. Atkinson's spares no detail in this very lively account, which portends good news for his party, less good news for us remaining Southern Jeffersonian Democrats.
Atkinson's title is a prescient one. In politics, as in much else, Virginia IS dynamic and changing all the time. One would welcome a sequel from Atkinson, or at least an updated edition of this fine book, in light of the election of Republican majorities to the VA legislature in 1999 and the more recent election of Democrat Mark Warner to the governorship, which some observers attribute in part to internecine warfare in the GOP.
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Don't fail to read it!!