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Leib has gone beyond Carpenter, challenging the reader to consider, for example, the elimination of war, in a succinct statement that, in typical style, Leib packs with ideas: "If war is the illusion of community through racism, and if it is the illusion of love through male bonding, then war can only be eliminated by establishing the reality in the world of true community, true freedom, and true love. For Carpenter-as for Saint Paul-the greatest of these is love, which always has a transcendent dimension." Similarly, Leib challenges the reader in declaring that "our churches have failed consistently to think creatively about the ethics of love between men." He then juxtaposes two very different voices of our society to pose a searching question: "Louis Farrakhan and the Southern Baptist Convention (who seldom agree about anything) both denounced the Disney corporation as the enemy of family values because it provides benefits for the spouses of gay and lesbian employees. How can we get beyond such jeremiads, which only deepen confusion and perpetuate painful conflicts?"
Although Friendly Competitors, Fierce Companions: Men's Ways of Relating is focused on providing an excellent presentation and thoughtful commentary on the ideas of Edward Carpenter, it is ironically this very focus that finally limits the book. For Leib is at his best when he is mining his own experiences and ideas-for example, on Colin Powell, on middle class marriages, on Dennis Rodman, and the novels of D.H. Lawrence--but one senses that he holds back in order to be "true" to his subject. For example, in making a point about the transcendent power of love and its potential effect on human society by erasing the false distinctions of class and race, he adds a qualifier to this high ideal of love by adding the phrase "especially between men." In another section, entitled "The Drama of Love and Death," Leib declares: "Especially for men destined to love their fellow men most passionately, we really did die to our old selves through our first experience of desire-but only to be reborn into an entirely unanticipated and, ultimately, much larger and richer life." Why limit the transformative and enriching experience of human sexual desire and falling in love especially to men?
Leib is too good a thinker and writer to be limited in the expression of his ideas. Friendly Competitors, Fierce Companions is an excellent and focused analysis of Edward Carpenter's perspective, but we look forward to reading the author's next work, which will allow the unfettered emergence of an original and brilliant mind.
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"Funky Butt Blues" is just such a mystery, in which author F. G. Fox imagines a recording that may or may not have been set down by Father of Jazz, Buddy Bolden. Bolden has long been acknowledged as one of the first men to actually play a primitive form of the music we now know as jazz and such luminaries as Louis Armstrong and Jelly Roll Morton claim to have heard him play. Trouble is, no one knows for sure how he sounded, as no recordings exist.
Enter Max, independent librarian, freelance cataloguer, and guy with a knack for being in the wrong place at the wrong time. Hired to catalog an eccentric rich guy's rare books and records prior to selling them, Max discovers what may be the only known recording of Bolden's music, a song that may or may not be called "Funky Butt Blues". He also, regrettably, discovers why the last librarian is no longer working there; being murdered makes it hard to report for duty.
The result is a quirky, intelligent and occasionally hilarious run through New Orleans as seen by an insider. This is especially refreshing given the spate of mysteries that claim to be set in the Big Easy but which take no greater advantage of the locale than having the characters swing by the Cafe du Monde for sugary beignets.
Fox's insider status, the quality that makes this book fascinating and compelling, may also be what hinders it most as a mystery. He writes Max from the first person and makes him opinionated and curmudgeonly. We are offered rants on topics as varied as library science and the financial quagmire that is the Louisiana SuperDome. While a pleasure to read, they do tend to take the reader out of the story an into the rant, only to be plunked unceremoniously back into the action at odd times. The effect is unsettling.
Don't get me wrong; I thoroughly enjoyed this book and have, in fact, read it twice. I'd recommend it highly to anyone who appreciates jaunty, quirky mysteries and has the ability to overlook the home-made, self-published feel of many of the non-mainstream books being published through alternate means. "Funky Butt Blues" is a joy and well-worth the extra effort it may take. If you've had it up to here with slick mysteries with no heart, or with New Orleans mysteries that read like they were set in Ontario and the author just used his "Find & Replace" feature, "Funky Butt Blues" will delight.