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In personal glimpses such as this, OUR COUNTRY'S PRESIDENTS, by Frank Freidel, gives a new depth to figures everyone remembers. It reveals personalities and policies with carefully chosen detail and keen insight.
"His Accidency" John Tyler rose from his chair to warn the Cabinet he inherited from President Harrison, "I can never consent to being dictated to . . . . I, as President, shall be responsible for my administration." For the first time a Chief Executive had died in office. But "Tyler Too" insisted that the office lived, all its powers as complete as ever, unbrokwn and undying.
OUR COUNTRY'S PRESIDENTS shows how men too easily forgotten sustained the pattern of integrity that Washington had set with unfaltering courage.
This book presents the men America chose. Its 248 pages contain more than 280 illustrations, 173 of them in color. It appears as the first in the National Geographic Society's new series of Special Publications. Dr. Melville Bell Grosvenor, President and Editor, calls this series "as rich in interest and varied in scope as the Society's magazine itself."
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The columns are edited and annotated by Nancy Tystad Koupal, who does an outstanding job of placing the column in the appropriate time setting, explaining to the modern reader the differences that one hundred years have made on newspapers, political parties, mercantile exchange, and other aspects of frontier life. This is especially important in the context of the "Our Landlady" columns which were intended as editorials on the doings of city hall and the state legislature. The column also mentions, by name, actual townspeople in Aberdeen, and these people are described by both Koupal's annotations and in a separate index of important people and places of South Dakota in 1890.
For adult readers of Baum's children books, these columns are a rare insight into the mind of the author, dealing as they do with his strongest personal opinions. His advocacy of suffrage and the rights of women help explain the strong female characters in the Oz books (best seen in the strength of Glenda the Good's magic compared to the ineffectual humbuggery of the Wizard). One can also see his interest in the future, including fantasies of unlimited electrical power and methods of irrigating the plains, interests that were then displayed in the Oz books as different magical lands. Finally, you can also see him honing his talent for satire and humor, from broad-based visual pratfalls to punning wordplay, all things that would late prove useful in his career as a children's novelist.
Baum failed as a newspaper publisher and editor in 1891, just as he had failed years earlier as a shop keeper. But these failures proved useful when he finally found his calling as an author of whimsical children's novels, as he turned his experiences on the frontier into settings and characters for his books. Today, Baum's books are constantly in print and remain in the hearts of children of all ages. Koupal's rescue of Baum's earlier work is a blessing for those people interested in the real Wizard of Oz.
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Seeking out a hot dry climate in a search for a cure for her tuberculosis, Lucie traveled to Egypt in the 1860. And there, in a house built on top of one of the ancient temples of Luxor, she made her home. Unlike some colonial British who recreated a piece of England in foreign lands, Lucie embraced the culture and people of Egypt. And she was, in turn, embraced by the people she met. Noor a la Noor - Light of the Light - was the name bestowed upon her by the people whose lives she touched. Her letters home, with their vivid descriptions of the life she found were published to great acclaim. Lucie died in Egypt far from her family but surrounded by her Egyptian friends
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While looking for his new book I found to my amazement that "The Power" has been re-issued. However upon reading the book, I found dates and places changed. The changes were not significant. I just wished that he did not do it. Arthur Nordlund was in the Korean Campaign and that was before me. Now he was in the Gulf War and that was after me. Luckily, I know if I had met him, he would have been from the Vietnam War. I would have named this book "You've got to have Hart"
The basic idea behind the plot is that a university gets a Navy contract to identify the factors that result in survival in battle (or other harsh conditions). They develop a questionaire, the people on the committee take it anonymously to "test the test", and one of the test scores is off the charts, but no one will admit to it. And then people start dying...
This is a very 50's idea at its core. This was the heyday of tests like the 16PF, which purported to be able to uncover people that were thieves (for instance). The idea was that you could write a test that included a lot of questions whose significance you barely understood yourself, give it to a big group of people that had a different "levels" of whatever trait you were looking for (measured independently -- that is, they survived desperate circumstances through something other than complete luck), and you'd apply statistical methods to construct the scoring formula that would be able to magically identify and quantify that trait. This is a great idea for use in a sci-fi thriller, so never mind that it didn't work very well. The only problem with pushing the book into the 90's is that this plot device needs some gee-whizzing to be contemporary, and that didn't change in the update. So my advice is to set it mentally in the 50's so that it's okay for the hero to travel by train, and ignore the references to the Vietnam and Gulf wars (which are glancing, at most).
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