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Kofsky is most effective in the individual stories he tells in the separate articles in this book where as has already been pointed out he "names names." Kofsky unmasks a lot of people who have manufactured images that they were friends of the jazz musician like Blue Note Records.
One of his most interesting vignettes is his exposure of Vanderbuilt heir, self-praising liberal, and paternalist interferer with Jazz John Hammond. He exposes how Hammond's phoney story about Bessie Smith's death was part of the legend that helped net the already-wealthy Hammond scores of thousands of dollars, back when a dollar was a dollar, while Smith and her estate got zilch. Just the Bessie Smith story is worth the price of the book!
This book illuminates that ugly side to the jazz world. The first three chapters get things rolling in fits and starts without adequate evidence to demonstrate that the explotation of black musicians has been markedly different from that of other musicians. If this were the bulk of the work it would be interesting reading but would not do much more than preach to the choir.
The rest of the book builds on those chapters, deepens them, broadens them, and creates an inarguable portrait of exploitation that goes so far as to names names *and* provide well-researched explanations that refute, for example, the notion that race is what one should focus on when exploring the history of jazz.
The "black" and "white" of the title may appear to refer to genetics or race -- but the text makes it clear that these are cultural categories and are inextricably bound up within the history of jazz, what it has sounded like, what it sounds like now, and how it has been made.
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Preface 1. What is Abnormal? 2. What Causes Psychological Problems? 3. Depression and Extreme Moods 4. Problems with Stress and Adjustment 5. Anxiety Disorders 6. Psychosis 7. Physical Problems 8. Addictions and Impulse Control 9. Sexual Problems 10. Child and Adolescent Disorders 11. Personality Disorders 12. Healing and Preventing Problems Appendixes A: Personality Types in Marriage B: Medications Used in Therapy IndexEND
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You find out about what led to Casablanca's production, its inspiration, how the actors were chosen, the history occurring at the time that helped it along, the quarrels on set, the difficulties with budget and timing, the process for coming up with the ending of the movie. You learn about the director's accent and odd way of speaking that sometimes confused everyone. (When he asked for a "poodle" and such a dog was brought, he angrily tried to clarify that what he wanted was a "puddle". ) You learn about Bogart's standoffishness to Ingrid Bergman, and Peter Lorre's continual playing of practical jokes on the cast. There's a bio about each actor, and how the movie affected his or her career, and a listing of movies that were intended copies or spinoffs. This is a great book if you love Casablanca, its actors, or want to know about moviemaking of that era.
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Compact, but incisive book that is well written in an interesting fashion for those just now wishing to learn about all aspects of Castle life, weapons and warfare, but also a handy reference guide to writers working with that period.
Highly recommended WISE WRITERS AND READERS History Pick.
From the cover: "A guide to everything there is to know about exploring castles in England, Scotland and Wales." ...Believe it, this book has a glossary of hundreds of details about castles with black & white sketches for most entries.
If you are a castle enthusiast like I am, you will learn a great deal of castle architecture, history, daily life, etc. I keep it by my bed and browse thru it sometimes before I go to sleep.