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Wrestling with Doubt explores three major thinkers who have tried to explin the relationship between faith and doubt: Cardinal Newman, Karl Barth and Paul Tillich. The discussion of these leads to the conclusion that the relation of doubt and faith is essentially a theological question-understood only by considering the nature of God. Evidence for this approach is found in the life story theologies of Harry Williams and Val Webb. Then Frank Rees offers his own account of the God of the Bible as "God the Conversationalist." This God is seen to ask real life questions about personal responsibility, social ethics, as well as religious questions.
The book suggests that the life of faith is a 'journey' of believing and doubting, protesting and exploring, and many other elements-not an intra-individual state but a shared adventure of the self, others and God.
The book is written in a way which provides scholars with many resources of interest, yet is clearly accessible to 'ordinary' souls who continue to wrestle with doubt. It doesn't give us an 'answer'but a possible way to live with our questions.
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In working on furnishings, he had a lot of help. Marion Mahoney often finished his designs for furniture and art glass, and saw them through implementation. George Niedecken was often called upon to execute conceptual designs of furniture. Artists helped with sculptures and murals. Artisans crafted many of the items that Mr. Wright sketched.
The furnishings were never meant to be considered separately from the buildings and rooms they were to reside in. Yet this volume can help you appreciate these details that are often tiny in photographs of entire rooms.
I have had the chance to visit many Wright homes and buildings, yet this book greatly expanded my understanding of his work.
This book is primarily focused on furniture, but has a number of important art glass and decorative arts examples.
Mr. Wright designed what have to be the most elegant, minimal chairs . . . and the ones that were probably the most painful to sit in. I had a hard time appreciating the design while thinking about how impractical they are. Well, every genius has limitations . . . and chairs were that for Mr. Wright.
My favorite furniture examples in the book were the print table from the Oak Park house, Robie winged sofa, Coonley desk, and the Johnson Wax desk. Of the art glass, I liked the Roberts window, the Luxfer prism glass, Thomas vestibule, Dana windows, and the Tree of Life window. In the decorative pieces, I enjoyed the pedestal and butterfly lamps, and the glass-faced "golden" mortar.
As you will see from the examples, each one loses a lot by being seen in isolation from the rest of the room. Ms. Maddex does a nice job of describing each item or ensemble in a half-page essay covering the 50 subjects here.
The photography is superb in the 67 illustrations, including 64 full color plates. That's quite important because you will not usually be allowed to photograph these objects, even if you do have the good fortune to see them in a Wright home or public building.
After you finish examining the items you like best, I suggest that you think about what qualities furnishings must have in order to improve the quality of your life. How well does your best furnishing do so now? How can you make that furnishing ease your way into natural living even better?
Relax . . . then, see, touch, and enjoy the beauty all around you!
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While on an outing to the dinosaur exhibit at the museum with two grandchildren, a human grandfather describes the "evolution" of the "frogasaurus" - a creature that descended from unknown dinosaurs on his father's side of the family and a long line of frogs on his mother's side. Frank is described as being an especially intelligent member of this species. Since this is the first book in a new series, most of the story is devoted to introducing Frank's rather large and extended family, and describing their hometown of Saurusville, which looks much like Bedrock from the old Flintstones cartoons. The simple storyline, brightly colored illustrations, and lovable characters make this an Ideal book for very young children, ages 3 - 8 years old.
Barbara Cummings Associate Coordinator Children's Literature and the Sewing Arts
Reviewers Consortium Wilsonville, Oregon
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Montclair NJ
Bill Jaker's fantastic compilation takes us behind the New York radio scene. It puts faces to the voices of the disk jockeys who woke us up each day. Those who sat next to us on the beach blanket at Coney Island on a warm summer afternoon, and to the ones who rocked us to sleep each night. They all come back to life once again thanks to Bill Jaker and his friends.
But that's not all. You'll learn all about the storied history of the #1 radio market in the world. All the great radio stations of the 50's and 60's, and about stations you never even heard of. If you ever turned on a radio in New York, waited patiently for the tubes to glow and wondered who are these guys who keep playing the music I love, this book is for you. Despite what others say, you can go back in time, and this book will take you there. Enjoy! I did.