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However I do have a few problems with this book. A few of the great songs from the Concept Album are not in this. The first major exclusion is the incredibly difficult sing, I Need to Know. The second is Transformation. The last problem is that some of the notes have been changed to make some of the songs easier. For example the last note of Alive! is no longer an incredible high "A" but an "E" Though the positives do indeed outweigh the negatives. There is a wide selection of songs (refer to song list) all equipped with great piano accompaniment.
Song List = Lost In the Darkness. Take Me as I Am. No One Knows Who I Am. Good and Evil. This Is The Moment. Alive! Sympathy, Tenderness. Someone Like You. Murder, Murder! Once Upon A Dream. In His Eyes. It's A Dangerous Game. A New Life. Confrontation
If only there could be a vocal score for this...
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The set-up is great. The plot believable and the action exciting. The only unfortunate element is that Baum felt he had to bring Oz into the story in order to sell copies of this book. It is apparent from reading it that he had conceived the story as a completely independent project, but threw a brief visit to Oz in at the end so that it could be mentioned in the title.
In fact, most of the action is already completed by the time Oz comes up. The islanders have been saved and returned home. The conquerers defeated. The only thing left to do is for the prince to rescue his parents, who had been placed in the custody of the Nome king. Both he and Rinkitink undergo a series of tests in the underground kingdom, which they pass successfully. At this point Baum could have (and probably wanted to) have them rescue the parents and go home heroes. End of story. Unfortunately, however, he needed to work Oz into the story, so after putting his heroes through all the trials and challenges, he deprives them of the ultimate victory. Instead, at the very last second, Dorothy and the Wizard stroll into the cavern and demand that the Nome king release the parents. The book would have been much better off if it were the the prince and King Rinkitink that, after enduring so much, secured their release. But then again, if that had happened, despite it being a much more fitting ending, "in Oz" could not have been added to the title. And in order to make the title complete, the group then goes back to the Emerald City for a banquet on their way home, which also adds nothing to the story.
In short, this is a very good book. It could have been a great book if Baum were allowed to write the story he wanted to write, but demands of the publishing company required that this become an Oz book. It is still a book worth reading, but at the end you are likely to become disappointed either because Oz was brought into the story when there was no need for it, or because this promises to be an Oz book, but there is not enough Oz for your tastes...
Rinkitink is the fat, lazy, and irresponsible king of the small kingdom of Rinkitink which lies on the shore of Baum's imaginary Nonestic Ocean. He is too lazy to walk any great distance and keeps a surly saddled goat named Bilbil near him always to provide him with transportation. His redeeming qualities are his jovial nature, his great love of life, and his ability to burst into spontaneous laughter or song. The story of the book mainly takes place on islands in the Nonestic Ocean and begins when Rinkitink, tired of the responsibilities of ruling, sneaks away without telling anyone where he is going. He visits Pingaree where Prince Inga is a quiet boy who spends much of his time reading books in a tree.
Pingaree is a rich kingdom and is attacked by marauders soon after Rinkitink arrives. They loot and sack the island taking all the islanders back to their own islands of Regos and Coregos as slaves. Prince Inga, Rinkitink, and Bilbil are overlooked and left stranded on Pingaree. How can a lazy overweight king, a shy boy, and a surly goat rescue the Pingareeans? This is the drama of Rinkitink in Oz.
The characters are among the best developed in any of Baum's work. The plot is tight and exciting. Danger and force are confronted with a charming grace that marks Baum's best works. Also, this is my favorite Oz book to read aloud. Rinkitink's joviality, laughter and songs are great for recitation.
The title of the book may be a bit misleading because Oz is not even mentioned until the last five chapters of this 24 chapter book. According to the Afterword by Peter Glassman, Rinkitink was originally written in 1905, 11 years before it was published. Other commitments and illness prevented Baum from writing a book in 1916. So he took the unpublished Rinkitink and reworked the ending to bring Dorothy and the Wizard, as well as a brief visit to Oz, into the plot. Although this sudden shift is the weakest part of the book, loyal Oz fans will not mind once Ozma throws one of her famous banquets for Rinkitink and Inga. This is also a good book for readers not familiar with the Oz series since it stands on its own more than most of the other books in the series.
The book starts with SAS terminology and logic, i.e., how SAS works its magic. It moves on to simple tasks such as reading in data, summarizing it, and displaying it. Then there are chapters on SAS programming elements (expressions, logic flows, etc.) as well as intermediate-advanced statements. The MERGE statement is explained very clearly.
Examples abound, although I feel that they are presented in a very confusing format -- often you can't tell if a block of text belongs to the main text or an example. The organization of the book is also a little confusing, esp. if you want to use it as a reference book (not recommended; stick with SAS manual set instead).
In short, this book provides an excellent ovewview of SAS. Read the chapters in sequence and you'll soon be on your way to happy SAS'ing!
Official SAS manuals are usually bulky, complicated, and difficult to understand, particularly if you have little/no experience with SAS. This book can take a complete beginner through data set creation and manipulation into substantially more complex and important procedures and functions. As this is an introduction to the SAS system, the more advanced functions in SAS, such as SAS STAT, are not covered in any detail. However, in order to understand how to actually use SAS and manipulate data so as to employ these higher level procedures, this book is excellent.
This is the absolute best introduction on how to use the SAS system I have seen, but it has lots of useful information for people with some basic SAS knowledge as well. It is presented in the style of a textbook,with each section concluding with problems (with answers provided) that the aspiring SAS programmer can solve.
If you are just starting to look into SAS, I cannot recommend this book highly enough. 'If I was able to do it, anyone can.'
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Instead: i wound up reading an autobiography disguised under the title "Is there anybody out there", a title which also disguises the fact that Drake spends more time and pages writting about the problems he encountered setting up SETI than SETI itself. Not to mention that he uses all 300 pages of his book to praise himself in a way that makes you yawn once you become familiar with the mechanism it is written. Indeed for a book that tackles an otherwise super interesting and controversial issue the book is boring. It's totally devoid of any humor and any attempts at such are further contributions to boredom. What's even more interesting is that for an author who clearly believes there is intelligent life out there he uses but a mere 2-3 pages to dismiss any accounts of aliens having already visited earth, recently or not so recently..2-3 pages to dismiss that? Hmmm, makes you wonder...In the end, after having (thankfully) been through with it i wound up thinking more about the motives behind Drake having written it than the book itself. Buy something else on the subject. Blindly.
Frank Drake is the person that the Drake Equation is named for. The Drake Equation a simple formula for calculating the change that other intelligence life in the Universe Exists. How you decide to plug numbers into the equation is where all the debate on this subject is conducted.
Great book. Get it if you can find it.
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Others have referred to the photographs as "bland." Well, I'd have to agree where the museums that own Wright windows are concerned; Wright intended to "bring the outside in," but museums for some reason insist on photographing his windows against a white background. Since I took most of the photographs in these books, let me tell you that I always photographed them with their backgrounds - the landscapes in the middle and long distance - integral to the windows themselves, as Wright intended.
The drawings are smaller than Wright made them because any 9x12 book is smaller than Wright's drawings. Since the book is in print after 20 years of research, the fact that its designer didn't meet the first reviewer's expectations or desires is beside the point. Until now there's been no definitive overview of Wright's stained glass. We should rejoice that this books exists ... and I do. Why do I rejoice? Beause I took most of the photos in the book (I'm the ALL of ALL/JLS in the credits) and I know how difficult it was to gain access to the [lived-in] homes of Wright homeowners, so I celebrate the fact that the author's been able to share this work with the world. It would otherwise be inaccessible.
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For instance: Beachey flew upside-down around the Washington Monument, buzzed the Capitol Building until Congress adjourned to see what was happening, and then landed on the White House lawn to meet Mrs. Teddy Roosevelt. It served his purpose perfectly as a lead in to his words to Congress "If I had had a bomb you'de be dead." He was an ardent supporter of aviation as a national defense tool and worked to prove it his whole life.
Mr. Marrero does not purport to offer a scholarly work, nor does he intend that this be a benchmark. Instead, we have a long-overdue refresher of what should never have been forgotten.
I enjoyed the book I borrowed sufficiently that I bought my own copy for my collection. And while I would not put it on the same literary level as, say, Hemmingway (hence only an 8), I would recommend it to anyone.
This exciting and fast-paced read is informative, educational, and even surprising. This is a peak into the past that will delight anyone, whether or not they have any interest in aviation.
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My biggest complaint is that we never got to find out who Hugh and Nina were in their past lives--though after what they went through, I can understand them not wanting to open that can of worms. This book will make you wonder if you have found your soul-mate, or if they are half a continent away.
Obvious flaws aside, the book did teach me a great deal about Rubens, and I think the story worked in a very peculiar and thought provoking way. Mr. Defore paints quite a landscape and sense of place, and has a distinctive perspective on happily ever after ....
Do not read this book if you want to read serious science giction or military science fiction. That is not what this book is about. It was written to tell a story that should not be taken seriuos and that leaves a smile on your face. And this is exactly what it does, and brilliantly so.
This time the aliens being outwitted are on the other side of an intergalactic war, and they have made the unfortunate mistake of capturing and imprisoning an earthling. But that was not their biggest mistake, the biggest mistake was teaching him their language. For once they learn to communicate their war is as good as lost.