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You will not be disappointed with this book and I think you'll agree that the quality is excellent, with a solid binding and beautiful reproductions of all of his paintings in chronological order. There are also a great deal of photographs (and paintings) that I've never seen before, and I thought I was a huge fan of Salvador Dali.
"Dali, The Work The Man" is also a very well-made book, which may be printed on a slightly heavier grade paper, at the most. However, the Taschen book is far more detailed and also excellent quality. "Dali, The Work The Man" costs ten times as much and only has half the content.
I truly thought there must have been some mistake when I ordered it.I still question the price as being far too low, so I advise you to hurry up and get this before the publisher realizes their huge mistake. Perhaps we are dealing with a publisher who really isn't greedy at all--that's my impression here.
I couldn't be happier with my purchase of this book and highly recommend it.
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In "Seasons of My Heart" I share with you love letters written to one another during our dating years. I also share excerpts from our diaries when at times we poured our hearts out to the Lord questionsing the very direction our life was headed.
Christendom tends to put authors, artists, speakers and pastors on a higher plane than reality. They are just like you. They feel the joy in experiencing God's blessings but they also question His dealings, they go through seasons of gloom and dejection and find themselves crying out to the God of the universe only to hear silence echoing back.
"Seasons of My Heart" has been used as a devotional, a gift book, an art book and to my surprise, it has even been used as a reference for sermon material! I've been told it has touched lives and given others a new trust and reliance upon the Lord. If you've experienced spiritual burnout, despondency in not knowng God's will for your life or know what it feels to carry the heavy burdens of depression and despair then I think my book will bring hope and direction to your life in a special, personal way.
If you've enjoyed my husband's novels, "This Present Darkness", "Piercing the Darkness", "Tilly", "Prophet", "The Oath", or "The Visitation" or if you've enjoyed reading his children's books from "The Cooper Family Adventure Series" then I think you'll enjoy getting to know Frank Peretti on a more personal level.
The book has been divided into 40 short, two-page, easy-to-read stories from Frank and my life and each is beautfilly illustrated by my close friend Carrie Stewart Parks. Christians and fine art enthrusiasts alike have enjoyed the book. I call it my own "Cinderella Story." You'll find it to be a love story, a tale of passion, of heartache, of committment and hope.
If through this book I can be of any encouragement to you, then may the Lord Jesus use it! Blessings - Barbara J Peretti
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Set in Europe during the 1200s, Pietro is the son of a serf who lives for one purpose: to marry Iolanthe, a woman from a rich and powerful home. However, Pietro's class of uneducated, ignoble, and ill-mannered individuals makes this possibility bleak. Pietro, although not a knight or of noble blood, studied intensely as a child, setting his intellect far above those of his social class. The story follows Pietro's adventures, spanning from his birth to his early forties, his quest for knighthood, and the fair maiden Iolanthe. While this may seem like a gripping novel, brimming with passions that devour every human soul, despondently, it falls short of such grandeur.
Oftentimes, Yerby's extensive knowledge of history and continuous attempts to inform his reader, steal the main focus rather than enhance it. Through lengthy descriptions on attire, societies, geography, historical figures and battle strategy, comprising at least seventy percent of the novel, Yerby quickly looses the patience of his readers. The remainder of the novel displays a soap-opera of characters that are emotional disasters, acting upon their every whim. The ratio of soap-opera to history lesson is far to much for either a history junky, or conversely, a soap-opera aficionado to enjoy. Although small portions of this book were gripping enough to keep me wondering what was coming next, the majority left me yearning to close it. However, unlike the characters of this 1952 bestseller, I pushed my desire aside, perhaps, in spite of the characters who acted upon theirs or possibly, because my hope in Yerby was too great. So, if you find you are bored with quality literature, this novel will suit you well.
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Mr. Leo's writing team paints a vivid canvas of scenery and settings fully availing themselves of the splendors of the English language. These illustrative descriptions combined with fully engrossing characters draws the reader into the novel and makes one feel like a surrogate family member throughout the course of the book. Mr. Leo's complex characters and characterizations are imminently believable and show a depth of perception and understanding. Even the characters which one gets a sense that Mr. Leo's views with disfavor are, nonetheless, also shown in the occasional balanced positive light.
If there is to be any criticism, it would be that the book is too short. One would have liked to read further as to how Mr. Leo's personal history is reflected in his subsequent professional endeavors since arriving in the United States. Such a criticism is indeed a larger compliment as one reaches the last page of his book with sadness wishing for additional chapters; much like not to come to the end of a marvelous read.
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Shinano was the sister ship to the battleship Yamato (A Glorious Way to Die) and converted into a carrier, the size of one of our nuclear carriers today. The Japanese intended to confront the U.S. Navy with the tremendous firepower of the Shinano. Instead a lowly submarine sinks the Shinano on her maiden voyage.
Regardless of whether the submarine captain Enright or Ryan wrote the story, it is great adventure. Enright is certainly frank in his views, even about his own shortcomings. Both the Japanese and American sides are presented here and this makes it good reading. One understands the fog of battle, after reading about the pursuit of the carrier. A good quick read which is not fiction.
An ocean away, Captain Joseph F. Enright and his submarine Archer-fish, were leaving for the boat's fifth war patrol. Captain Enright had been haunted by the memory of failing to sink an enemy carrier earlier in the war while serving as commander of the submarine Dace. Feeling inadequate as a commander, he asked to be relieved of command. After serving at the American submarine base on Midway island as a relief crewman, he finally got his chance to command his own boat again, and he was determined to make sure that he didn't repeat his earlier mistakes this time around. Taking up his patrol station along the main Japanese island of Honshu, Archer-fish awaited action. This particular area of ocean had become known as the "hit parade", due to the large number of sinkings by American submarines. On Tuesday, November 28, 1944, Archer-fish sighted a large enemy vessel with four escorts. This proved to be Shinano. Unable to run at maximum speed due to only eight of her twelve boilers being lit, and also suffering from a problem with her propellers, Shinano was limited to a speed of approximately eighteen knots. What ensued over the next several hours could only be described as a classic game of cat and mouse. Enright and Archer-fish desperately tried to keep up with the Shinano while trying to anticipate any course changes she might make. Finally, at 0300 hours on Wednesday, November 29, 1944, the Archer-fish was ready to fire.
A spread of six torpedoes leapt from her torpedo tubes, each being fired at eight second intervals. Four explosions rocked the Japanese carrier while Archer-fish dove for the safety of the depths. The ship was mortally wounded. Her protective bladder had failed to stop the torpedoes, and, in the words of Enright, they cut through the bladder "like a sword through butter". Later that morning, the Shinano, with her bow raised high out of the water, slipped below the surface of the Pacific Ocean. Her maiden voyage had lasted all of seventeen hours.
This is a very exciting book. The format is excellent, with the chapters alternating between the action on the Archer-fish to the action on the Shinano. The first-hand account of the action by Captain Enright leaps off the pages and places the reader directly at the conning tower during the attack. Loaded with action and adventure, this book is a must for submarine readers.
"Stop-Time" tells the story of Frank Conroy's first eighteen years of life, a life marked by the ordinary rather than the lurid or unseemly. But the ordinariness of the life is elevated by the dreamlike, sensitive, asynchronous wonder of Conroy's writing. As Conroy relates in the first chapter of his narrative, in a passage that gives you a feeling for his writing style and for the narrative to follow: "My faith in the firmness of time slips away gradually. I begin to believe that chronological time is an illusion and that some other principle organizes existence. My memories flash like clips of film from unrelated movies."
"Stop-Time" is a stunning example of how great writing can elevate even the most ordinary of lives. The facts of Conroy's memoir are not remarkable. He grew up in relatively poor circumstances, his father died of cancer when he was 12 and lived most of his life apart from Conroy's mother, he spent his time primarily between New York and Florida, and he was a bright boy who performed miserably in school. But while the broad outlines of his life are seemingly unremarkable, Conroy possesses the great gift of the writer: he can focus on the mote of dust floating in the sunlight and take the reader into a world of dreams and memories that are startlingly real, a world that the reader can feel and identify from his or her own recollections of growing up.
Conroy can lie down in a kennel with his family's dogs and dream that he, too, is a dog running through a field. He can relate the fear of being left alone in a cold cabin in the middle of winter while his mother and her boyfriend work the third shift at a state mental institution. He can recall a trip to the carnival with his best friend and how he was cheated and more by a seedy carnie hawker. He can precisely detail learning all the tricks you can do with a yo-yo, and learn them well. And he can recall the tumescent longings of early adolescence, of sneaking and peeking with his cousin and, as he got older, of experiencing, too. It is all related with a feeling, with a literary sense, that would be called "perfect pitch" if it were music.
"Stop-Time" is a remarkably written memoir that not only should be read, but also studied, as a stunning example of how the literary imagination can give vibrant life to the mundane.
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This simple story of a loveless marriage whose seams truly start showing when the docile, country club wife, Mickey is kidnapped by Ordell and Luis is good, solid, 70's era Leonard. Mickey's marriage is many ways a mirror image of the married couple at the center of Leonard's previous "marital troubles cum crim" novel, "52 Pickup." Her husband is a brute who flies to the Bahamas to dally with his street savvy mistress, Melanie, a day before he serves Mickey a divorce summons.
The husband's refusal to pay ransom becomes the epiphany for the mouselike Mickey's transformation into the smart, independent woman--in some ways, she is the chrystalis for a whole series of strong female Leonard heroines who appear in later novels.
If the story sounds like the movie "Ruthless People," you can bet that the movie was probably based in part on this novel. In fact, in the vastly inferior sequel, "Rum Punch," the characters allude to the movie when recalling the events that happened in "The Switch." Frankly, the criminal trio is much more appealing here than they were in "Punch," when they became more violent, more hardened, and more cliched.
While not the best of his classic 70's novels, "The Switch" is definitely top-drawer Leonard, filled with the same sharp dialogue that has been his stock in trade for more than forty years. If you like "The Switch," I recommend you seek out "52 Pickup" and compare the ways Leonard explores the "criminal" aspects of infidelity.
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I looked at many different American History surveys and this is my favorite by far. On the other hand, if you already know the main outlines of American History, and want detailed analyses of particular periods, then this book will not be as helpful, as it is merely an overview and the bibliography is not very detailed or well annotated.
The worst fault by far is that the printing of the paintings is consistently too dark. Three examples: The blue colors of: "Myself at the age of Ten when I was a Grasshopper Child" (p.202) are much too dark. It is even worse with: "Ghost of Vermeer of Delft which can also be used as a Table" (p.222) Here the figure of Vermeer is in points indistinguishable from the backround and the sky is much too orange, instead of yellowish. The worst example is that of "The Last Supper" (p.488) where the apostles on the extreme left and right of the painting can barely be distinguished. There are many other examples of this. I made this comparison using several other books and exhibition catalogues, and have also seen the three paintings I mentioned as examples in person more than once.
A close examination also reveals that both paper and binding are not of high quality. I have a feeling this book will not stand the test of time. One way to tell a good Art Books when the paper is a higher weight. Judging from the paper, I have a feeling it will yellow in a few years. This is, incidentally, true for other Books that I own published by Taschen. Also, a book this heavy should really have a stronger binding.
Annoying also is that there is no alphabetic index of the paintings. Unless you know the year a painting was created, as they are in chronological order, there is no way to find it except by paging around.
Despite these complaints, I still like the Book because it includes paintings I have never seen before. If however, you want to see the paintings of Dali as they really look, get "Dali: The Work, the Man" instead. It suffers from none of the faults I have descibed, but is not as comprehensive. It's worth the extra money. In collecting Art Books I have found that higher quality Books stand the test of time.