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Once they are escorted from the building, they try to find Moto's car, but he had parked it on a carnaval route and it has been towed. They eventually track the car to where it has been towed, but it has been vandalized and is no longer drivable. The next several days proceed with such discordant incidents, including beed chasing, Moto being jailed after saving a girl's life, an underwear ball at a department store.
19 1/2 REVELATIONS mimics its carnvalistic background with a kalidoscope of odd incidents, happenstance, and revelations. As people continuously comment that these twin brothers look absolutely nothing alike, the reader becomes aware of their odd yet profound relationship. They seem to spend a lot of time losing each other, finding each other, and bailing one another out of trouble. Ultimately they become as finely defined as the detail within in the kalidoscope just before it shifts to form a new image. An unusual, yet compelling read, 19 1/2 REVELATIONS comes recommended.
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It takes this kind of story sometimes to bring the lessons of history out, in particular the impact of the confucian tradition on a civilisation. The book is peopled with exremely vivid characters, almost all striving to honor their family in the records that survive. To Westerners, the view into an alien and vanished worled is as fascinating as it is surprising. THere are sons who were honored as having true "filial piety" because every day for years they licked the pus out of their mother's wounded knee; the difficult father who ruined the family with gambling and sloth - a typical selfish "Asian man" - only to spur his son to greater effort; the local official who spent a huge part of the family fortune to build a splendid garden for the emperor to see as he passed their home once.
Nonetheless, this history gets a bit lugubrious with detail, particularly personal. SOme of it could only be of interest to members of the immediate family, in my view.
REcommended for those who want a quirky perspective on Chinese history.
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He makes a rather complex subject easy to understand and enjoyable. If only I had been fortunate enough to have more teachers in college that could make a subject come alive.
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On the good side, we get to know the intimate family life of Frank Herbert and specially his relationship with his wife Beverly and his sons.In this way we discover the man but we are far from discovering much of the writer. We hardly get any insights into many of his writings (the exception is of course Dune). I was eager to know about the origins of the Pandora Cycle, the Dune Sequels or many of the great short stories, but non of that is propoerly developed and sometimes it is only barely mentioned. We even get more details about Brian Herbert's own writings!, which seems to me a lack of sensibility on the author's part.
While not the best I would expect, "Dreamer of Dune" is certainly valuable for the most familiar aspects of Herbert which would have been unavailable otherwise. Nevertheless, we won't get the full picture of one of science fiction's grandest creators and I recommend to complement this title with other valuable sources to fully understand Herbert's achievement. Some recommendations are Frank Herbert by Timothy O'Reilly (found on the web at Tim O'Reilly's Web Page), The Maker of Dune, a collection of articles by Herbert himself on various topics and the academic works by William Touponce and Daniel Levack.
Brian Herbert (a successful author in his own right) shows us the powerful life of his legendary father, Frank Herbert, in Dreamer of Dune, the biography of Frank Herbert's life.
The story surrounds Frank Herbert from his humble beginnings in small town Washington, to his rise to the head of science fiction's most coveted awards (the Nebula and Hugo awards).
Brian Herbert takes us on an emotional rollercoaster ride as Frank and his family go from starving in Mexico, to eating caviar in Hawaii. Then we get let down again as Bev, Frank's love of his life, passes away.
Throughout the biography, Brian expertly weaves the life that would lead Frank Herbert to write his magnum opus: Dune. His newspaper days, working for senatorial candidates, ecological research and travels all helped shape the world of Dune that would emerge onto the literary world and shape the science fiction community for decades to come.
A well-written biography with some touching information on a man who may still remain and enigma to many fans. Enjoy.
Brian Herbert knows his audience, and jumps right in providing links between Frank's life and the Dune stories (and others) almost right off the bat. These little morsels are sprinkled throughout descriptions of Frank's growing up near Tacoma, WA and his later years. The complex layering of political, religious and scientific belief systems evident in the Dune chronicles is revealed as you spend time with Frank Herbert during some of his childhood adventures and experiences.
In places, you may feel like you are reading passages from The Adventures of Huckleberry Finn. Frank Herbert had a truly amazing childhood, and the telling of it can make you wish for simpler times.
I am not generally a big fan of biographies. However, this one (so far) is well written, and discusses one of the most important and least understood icons in all of literature, let alone science fiction. Furthermore, having read other works from Brian Herbert, I would say that Brian Herbert's emotion and devotion to his father comes through clearly without being syrupy or pedantic. This is arguably one of his best written works, if not the best.
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For a less expensive gift - this is the book.
For yourself, a Frank Lloyd Wright fan, or a lover of Fallingwater; invest in the cannon - it will blow you away!
Built in the midst of the Great Depression, 'Fallingwater' was one of the projects that resurrected Frank Lloyd Wright's faltering career. His own famous Wisconsin home, 'Taliesin', burned twice and was ultimately seized during bankruptcy and divorce proceedings. For the ten years prior to getting the nod to design Fallingwater, only five commissions of Wright's were built. However, during this time, Wright was not unproductive. He wrote his autobiography (which was later revised in 1943), began planning for Taliesin West, and eventually earned a cover of 'Time' magazine as Fallingwater was being built.
Wright was reactionary against the International Style, which took hold after 1932. Wright had been partly responsible for the new aesthetic, and was in fact influenced by its developments, but he recoiled at the idea, and wanted his work to have more spirit, more poetry, than the austere and functional/mechanical designs in vogue seemed to hold.
'Fallingwater, Wright's polemic response to modernism, arises from ideas and imagery that flowed in such profusion from his pen and pencil in the years around 1900.'
- Joseph Connors, Wright on Nature and the Machine
Fallingwater would, in fact, not seem out of place in the Bauhaus school of design, though Wright would probably not have appreciated the connection.
'It was an extraordinary moment with the full force of Wright's concept became apparent. Father enjoyed bold ideas and challenges, and my mother found sources of graceful livability in an unusual setting.'
- Edgar Kaufmann, Jr., Fallingwater
Edgar and Lillian Kaufmann commissioned the project that was destined to reinvigorate Wright's career. A wealthy Pittsburgh couple, they were noted for interest in artistic and imaginative endeavours. The Kaufmanns' son was an apprentice at Taliesin in 1934 when they visited and became inspired to hire Wright to design their new home in Mill Run, Pennsylvania. It was a perfect site for Wright's imagination.
'If Fallingwater is viewed as a perfect marriage of building and site, the leading partner is nature. Wright's habitat is an extension of the Appalachian terrain in which it rests so respectfully. Deep in the rugged forest, where dogwood, rhododendron, oak, maple, birch, and hickory flourish, Bear Run hurries to meet the Youghiogheny River in the valley below. The Kaufmanns, committed to conservation of the site, regarded the largest of Bear Run's rocky waterfualls as the heart of their property, a place to picnic and lie in the sun.'
The house is anchored by four giant boulders built over the waterfall, and the sense of steps, ledges, drops, and waterfall shapes are thoroughly pervasive throughout the house and guesthouse. Exposed stone layers are primary design and aesthetic values; rectilinear shapes are dominant with circular and curved elements as secondary components. Windows are everywhere, as nature is never excluded even in the deepest part of the house. Many rooms have terraces, which go in different directions around the property.
The house became an immediate showplace, one that has remained an architectural marvel of world renown. In 1963, Edgar Kaufmann Jr. donated the house and its grounds (over 1500 acres) as a privately-held public memorial to his parents and to Wright's genius. The son of the original owners, Kaufmann Jr. was destined to remain at Taliesin for only a short time, but as the primary go-between on development and construction of Fallingwater, he secured a permanent place for himself in American architectural history. Eventually he went on to a distinguished career of teaching and writing in the architectural field, including the larger, definitive study of Fallingwater (review coming shortly!). He was also on the design staff of the Museum of Modern Art.
Fallingwater receives over 100,000 visitors per year.
This book is a proud tribute to the house - a small format that nonetheless captures a great spirit. Every page has beautiful, full-colour photographs that illustrate the design and decoration of the house in its natural environment. There are also a few construction photos that show development stages. The book also includes several handy time-lines and bullet-point pages, including one of Wright's pre-Fallingwater history, and one highlighting the major aspects of the design considerations.
Of course, the best place to purchase this book is where I purchased it, at Fallingwater itself. The house is open to the public on weekends throughout the year, and also on Tuesdays and Fridays from April to November. It is about an hour-and-a-half drive from Pittsburgh, through generally gorgeous countryside.
Carla Lind, the author of this text, is also the author of 'The Wright Style' and 'Lost Wright'. She has worked to preserve Wright buildings for several decades, and worked in various foundations and organisations dedicated to maintaining Wright's designs and structures.
Carla Lind's concise but informative text is complemented by many glorious full-color photographs of Fallingwater. There are both exterior and interior shots that capture many of the home's memorable features: the rough stone walls, the cantilevered balconies, the bold use of glass, the remarkable asymmetrical fireplaces, and more. There are also some fascinating black-and-white historical photos.
Lind also includes a bibliography and a chronology. The text is further complemented by a series of sidebar quotes from Wright, Edgar Kaufmann Jr., and others.
I have visited Fallingwater. It is a stunning architectural achievement which, I think, no book could completely capture. But Carla Lind has done a good job of celebrating the spirit of this remarkable house.
Although this slim volume isn't packaged as a mystery, it's hard to write about it without it seeming mysterious, as much of the action is propelled by questions waiting to be answered: "Who are these fellows?", "Why do they behave so oddly?", "If they're brothers, why are they so very different?" There are answers and they are mysterious, but that's not all this book is about.
What is it about, you ask? Well, it's about identity. It's about the little vortex of oddness that goes by the name "New Orleans". It's about tourism, gentrification, petty theft and Mardi Gras. It's about accepting who you are, even if who you are isn't what you expected.
The book is described here as being in the spirit of "A Confederacy of Dunces", an assessment with which I agree, as both are fun and tragic comedic tales of fish out of water, trying to survive in a world that makes no sense.
"19 1/2 Revelations" opens with Moto arriving in New Orleans and applying for a job at the public library (all the while ruminating on sloths), pursued by his brother Abe. Both are in the city looking for the truth about "the clipping", a newspaper article concerning UFOs and a discarded baby. Hijinx ensue and the two are soon joined by Roberto, a local businessman who drives them around town.
Fox's writing is light and breezy, making this an easy read and suiting the tale beautifully. It's obvious he's a resident by the locations he chooses and by the fact that, as in "Funky Butt Blues", he uses his fiction to grouse about local eyesores, such as the casino and the SuperDome. The only thing I didn't like was the character Roberto, who seemed a little too "Deus ex Machina" for my tastes, always arriving just in time to feed the brothers, drive them around, fix their car, etc. But it's a small complaint and a forgivable one.