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The book becomes a kind of journey into the middle part of a person's life: the book is an even greater series of vignettes than "Grand Days" reflecting Edith's lack of a personal storyline, if one can put it that way. She travels back to her home in Australia to visit family and friends (and look for work), but finds herself unable to reintigrate there. The book ends in San Francisco at the opening ceremony of the new United Nations--an organization that pointedly excluded, for political reasons, the involvement of former League of Nations employees.
My only criticism is that World War II is very much off-stage, perhaps reflecting the League's lack of involvement in it. Still, Moorhouse remains, is many ways, an experimental writer and the book's lapses and omissions must be read as intentional: in this light, it becomes a very profound study of a life temporarily without direction. A brilliant, heartbreaking book.
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The book also includes Agosin's fascinating introductory essay, "Anne Frank or the Landscape Uprooted" (both in Spanish and in English translation). In this essay Agosin draws connections between the Nazi Holocaust and the atrocities committed under certain Latin American dictatorships.
Agosin's poems are somber and lean. Her voice is at times angry, at times compassionate, at times even a little wistful. She explores Anne Frank's role as young woman, as martyr, as writer, and as iconic figure. This is an important volume for those interested in Latin American literature, Holocaust studies, 20th century poetry, or Jewish studies.
I love his writing ! Give yourself a real treat and get this book !