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What seems to be a promising premise soon lures the reader into a constant state of frustration. Characters are barely fleshed out, as though merely reading their names is enough to fill the reader in on personality, motivation and back story. I found the narrative to be one-dimensional and quite frankly, confusing. Why is it necessary to even introduce the character of Billy Caldwell? Most of his participation in the story is to sit and read a manuscript about Alma and a poltergeist. Pages are wasted on him sitting, shaking his head over a part of the story and then diving back into the manuscript.
The manuscript he reads is a head scratcher as well. Alma is pregnant, marries a guy, has a baby, then flash forward thirteen years and her husband is abusive and a poltergeist kills him? What? Who or what is this poltergeist? One sentence describes Alma as being able to move things with her mind, but then the daughter is the poltergeist? And is Alma so close with her daughter that they have a secret language as briefly described or is Alma afraid of her daughter, whom she barely understands and tries to kill? And why does the malevolent being disappear 100 pages before the ending never to be heard from again?
Part of the problem is the mish-mash of already successful stories being thrown into a blender and poured on the page. The book uses the backdrop of backwoods Kentucky to have inane dialogue written out phonetically so the reader spends too much precious time reading it out loud to better understand it. Too much like Coal Miner's Daughter. The poltergeist, relegated to backburner for far too many pages, is reminiscent of a toned down, practically sleeping Poltergeist, from the movie of the same name. Alma's daughter is Carrie with shades of Firestarter. And when Alma decides Bonnie must die, she announces she must take her medicine like a good girl, just like The Shining.
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The plot involves Dr. Owen Orient getting mixed up with the CIA, the DEA, a houngan and some zombies, plus a whole gaggle of attractive women, initially because a submarine sinks due to undead malfeasance. Orient's spiritual powers help him stay alive long enough to probe deeper and deeper into a mess that seems to center on Montego Bay, where corpses are revivified, hexes are cast, and mental demons come calling at the behest of their evil master.
The ending packs the most excitement, and certainly explains much of what has been going on, but it's a shame that this unique book is drawn up in such a tame, forgettable style. Characterization, too, is slight.
Call it two-and-a-half stars.
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