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There in the "lost land", all three meet Jongor, who proceeds to save them continuously. Jongor was born there, a product of parents who were in one of those overhead flights that crashed. Parents died, poor Jongor never finds his way out.
In general, you have dinosaurs, flying reptiles, ape men, mysterious technology, adventure and a happy ending.
A Tarzan and Allan Quatermain imitation but much less laborious than Burroughs, much less thoughtful than Haggard. I recommend this as it is an entertaining and easy read.
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Davey takes a different look at this case, examining the societal reactions rather than the case history. For the most part, he is using the Mahaffey-French cases to discuss the sociological impact that major events have on society as a whole. A great deal of the book discusses the Canadian publication ban on information pertinent to the trial, and there is even sections devoted to an Internet newsgroup, alt.fan.karla-homolka.
I enjoyed this book from a sociological point of view, but don't recommend it to people who are into the true-crime genre. If you're lucky enough to get your hands on a copy of it, the most interesting thing by far is the frequent black-outs found within the text.
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Both Poe (giving us an individual, personal context) and the state of the country at that time (giving us a global context) hold tremendous promise and energy (crystallized in the characters and relationship of Lenore and Danton), but they both also hold inevitable collapse that finally must be faced and "lived through" for any of that promise to have even a chance to survive and see a better day.
Interestingly enough, the story is also a poignant one for our own impending time of crisis as well. (At the time of this reading, America is on the verge of a second war with Iraq, and the world does indeed seem to be on the verge of a new era - with a frightening global climate that apparently will have to be fully faced and lived through in the years to come for our own promise to see a better day. And what of the natural and economic environment these days?)
I thought the above was a very impressive and interesting way to show a story of the poignancy of the human spirit - all the more so because Poe was a real man whom we can know to some extent through his work and the works about him and because the era was a real time that most Americans are deeply familiar with (and are still feeling the effects of).
I also liked the immersion into the literary style and flavor of Poe's time - I think that was successful and quite consistently handled throughout, a fine challenge in itself.
And I thought the story was well realized for the most part - especially Poe. From the first pages, an immediacy with the Poe character was quite well established.
However, I didn't feel the Lenore character was approached as well as she could have been. I thought all the elements were there of a compelling character at the heart of the story, a character that could hold the immense promise of the story's heart/soul. It's the approach, not the character, that I felt could have been better. Unlike our "in the flesh," direct introduction to Poe, our introduction to Lenore was much more removed from the character than I would have preferred. We were given all of the vital information about her and the overall climate of her world that we needed to know, but I would have preferred to learn this information through much more direct experience with her and her world, although we had more of that in the novel as it progressed into the present time. Then that information would have been more "vital" to me. Maybe it's just the approach to the introduction of Lenore that left me feeling more disconnected from this important character than I would have preferred. I got the idea and knew what she was supposed to mean for the story, but with a more experiential introduction to her, I might have connected with her better. And I wanted to, so I think that's good and speaks well for the character and her promise for the story.
Still, the *approach* used with Lenore notwithstanding (at least with our introduction to her), I felt that all of the elements were there for this wonderfully intriguing conceptual novel, some of those elements quite well realized. And I loved what the novel was going for regarding the human spirit and the context(s) it used to show an especially brave and poignant story of that spirit - on an individual as well as collective level.
If I could give the potential of this story a star rating, I'd give it 5+ stars. Only because I'd like to see some still further development of the story's potential, I give it less than that.
I'm looking forward to what Frank Lovelock may write in the future.