Frank Ching made most of the drawings in this sketchbook in or around O-okayama, a town southwest of downtown Tokyo, where the Tokyo Institute of Technology is located. The subject matter ranges from street scenes to traditional construction details, from temples and their sacred precincts to stimulating juxtapositions of old and new. He has successfully captured the sights, sounds and even smells of vibrant metropolis Tokyo, enabling the reader to feel the humid heat of the day or the cool rainy mist that fell as he drew. In addition, there are scenes sketched during the author's brief excursion to Kyoto and the mountain village of Takayama
All the drawings were executed in a pure contour-line technique with a fountain pen and black ink. There is a crispness and finality to an inkline that is both daunting and exciting. The process not only fostered the careful observation of details; it also required seeing how they fit into the larger framework and pattern of shapes, and noting which details could be omitted. The shape and extent of the white spaces are as important to a composition as what is delineated.
Francis D.K. Ching (1943- ) completed a month in the spring of 1990 as a visiting scholar at the Tokyo Institute of Technology which he spent producing this sketchbook.
Frank was a contemplative man and thought seriously and critically about many things, including music and fly fishing. This reviewer met him, quite by accident, at a critical time in my life and he became father, mentor, angling companion and friend, over 30 years.
This little tome is a collection of short stories that is the definitive work, in all the angling literature, of why people fish. The reader that does not come away with a better understanding or notion of the "why" of it all, has missed the point entirely.
Frank Mele lived modestly in a small house in Woodstock, NY. However, when one entered his home, there was no doubt he was in the lair of a giant.
Frank's style and way with the penned word is rarely approached and never surpassed in the world of fly fishing literature. He takes the reader into the past in search of the perfect "Blue Dun," he engages in almost anecdotal humor and, finally, pathos, shown as unrequited love in the final chapter, published posthumously.
This is not a "how to" book about fly fishing but, rather, a journey through a portion of a very complex and labyrinthine mind. Frank was one of a kind and he is missed terribly. I think of every day. Highly recommended.
A Snare in the Dark is the third in this series. Dan is preparing to snare partridges from a game preserve when he witnesses the murder of the gamekeeper. Fearing that the police suspect him, he goes into hiding while desperately trying to find out whom the gamekeeper was blackmailing and therefore who killed him. Following a false lead almost exposes him, and he goes to ground in a nursing home, where he finds a new lover and grave danger. As in the other books in the series, wonderful outdoors scenes (the fox cub hunt is a memorable sequence), interesting facts about poaching, and a twisty mystery -- and at the end of this one, a hint of a new relationship with the local police.
If you like M.C. Beaton's defiantly unambitious Hamish Macbeth, you may also enjoy Dan Mallett.