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This time, we are dealing with the fact that one of Benjamin's sisters is getting married. Everyone in the family is happy but him. This may sound like a slightly tedious premise as first, but Pennac does nothing that makes it typical, annoying or conventionnal.
To add to it all, the man that the Malaussène sister plans on marrying is the head of an "artistic prison", where convicts are free to paint, draw, or write in order to express themselves. This revolutionnary type of prison attracts much attention, and the story builds around a murder that takes place there. But this - again - is not a typical whodunnit book, believe me.
The characters are well-developped and, as I mentionned earlier, this book should be read AFTER the first four Malaussène books (which are also very witty and I guarantee will not disappoint you), so you can already know the way the characters think and relate to each other.
This book deserves five stars, and a much wider audience.
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The killer's motive (which is given away completely in the synopsis on the back cover) is a tad bit silly, I thought, and the tagline ("All baby-sitters must die.") got a slight snicker out of me. But, thankfully, this book doesn't repeat the same storyline as the first, since a lot of other juvenile suspense series do this, with the main character and killer doing the same things over and over, when you would think both would have learned something by about the second or third book.
It's not necessary to read both books to understand either one, since "Baby-sitter's Nightmare" and this book have separate plots, but if you like young adult thrillers, then I'd recommend reading both, though I prefer the first book over this one.
However, when the store he works at is the host of a bomb, then another, people start to point fingers, and this novel develops around this plot made of bombs and scapegoating.
This novel is worth everyone's full attention: the characters are very believable, and the way they relate to each other is nothing short of sublime. Also, Pennac's frequent use of sarcasm and bitter wit adds to the punch of the novel, where it comes to a point where, even though you want to know how it ends (just like every good police intrigue novel), you can't get enough of the dialogues and discussions.
Open this book and sit back, because this book is like no other whodunnit novel. (In fact, it's almost insulting to call it that.)