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Incidentally, I was moving when I wrote this review, and so I goofed. Of course there is an index! I don't know why I thought there wasn't one. So I apologize to the author and review readers for that considerable error.
The recipes I have attempted so far have been delicious and very doable (so far I've preferred to try the straightforward, home-style dishes from home cooks (many from grandmothers, others from fishermen) rather than the more elaborate ones from Marseille's restaurant chefs). I can see myself making the Parmesan and black olive biscuits all the time. The Provencal-style eggs in cocotte are terrific and also simple to prepare. My friends loved the basil potato chips and the Moroccan crepes. The soupe au chocolat -- that's right, chocolate soup -- is to die for!
Incidentally, I'm not sure what "Cloudia," my fellow customer reviewer, is talking about when she complains of no index. My copy of the book has a very detailed index where you would expect to find it, in the back (pages 259-272).
This book tells the story of Norman Gnormal, a boy whose parents have raised him as if he were a puppy. A kid who doesn't quite fit in with the average crowd, Norman finds a fairly supportive peer group in an after-school club for students who hapen to be werewolves. The club members go on a mission to help their faculty advisor, Mr. Talbot, with a dilemma invoving the magical relic of the book's title.
This book reminded me a little of the film "The Little Vampire," but is sillier (and hairier). The text opens with a spoofy werewolf Q&A, and incorporates some clever references to werewolf films and lore. Good fun!
You see, Mr. Talbot, half-man, half-wolf, and sponsor of the Watson Elementary School Werewolf Club needs the one thing that can keep you from turning into a werewolf: The Magic Pretzel. Unfortunately, it is under the care of Talbot's half brother, Lance Von Sweeny, who keeps it locked away. Enter Norman Gnormal, the only nonwerewolf in the club, who was raised as a dog by his quirky parents (who actually wanted a dog instead of a little boy). Norman uses his tracking skills and canine-like smell to help Talbot find the magic pretzel, but of course it ain't easy.
This is the first book in the series known as THE WEREWOLF CLUB and I hope the next book is just as wacky and wonderful as this one. The illustrations aid a great deal to the story and serve the writing style very nicely. Grab a bowl of pretzels (magic or otherwise) and enjoy.
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Highly recommended.
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Since the ratings of the individual CDs are so subjective, it would be easy to quibble with any number of them. I agree with the earlier reviewer who took issue with the ratings give the Bill Elliott CDs, and I could point out others. On the average, however, the ratings do not differ too greatly with what most knowledgeable listeners would arrive at. Even those listeners with large collections and hardened pre-conceived ideas (that seems to describe me pretty well) can learn quite a bit. Out of the wealth of material available by Duke Ellington, I don't think I would have zeroed in on the All Star Road Band albums without this book pointing the way. The system of identifying what to buy first and next is a great benefit to the beginner (either to the swing genre or to a particular artist). I also appreciate the recommendations as to what hard-to-find items to seek out, even if they are on vinyl. (No, my full set of the Bluebird Charlie Barnet LP twofers mentioned is not for sale at any price.) However, it is these ratings, while the key to the book, are also its downfall. Inevitably, and sooner rather than later, this volume will be outdated as new groups form, new recordings are issued, and more old material is newly released. Too bad the publishers can't follow the lead of law book publishers and issue pocket parts when needed. Instead, we'll just have to buy the new edition when it comes out.
I should mention the CD included with the book. It contains a good variety of current lesser-known acts and is nice to have in its own right, but of the seven tracks, three of the artists are not listed in the text at all while the track by a fourth is from a CD not listed. All of these flaws are really minor, and more likely to provoke serious discussions than criticisms. One thing this volume does lack is a general definition of "swing". We all know that it don't mean a thing if it ain't got it, but what is it? I guess in the words of Louis Armstrong (who said this about jazz), "Man, if you have to ask, you'll never know."
July is quite a let downer/cliff hanger. Can't get enough of it...can't even put it down! Always great! Can't wait to get August!
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I would also hightly suggest that you read Stolen Moments by Barbara Jeanne Fisher. ..What a beautiful story of unrequited love. . .for certain the love story of the nineties. I intended to give the book a quick read, but I got so caught up in the story that I couldn't put the book down. From the very beginning, I was fully caught up in the heart-wrenching account of Julie Hunter's battle with lupus and her growing love for Don Lipton. This love, in the face of Julie's impending death, makes for a story that covers the range of human emotions. The touches of humor are great, too, they add some nice contrast and lighten things a bit when emotions are running high. I've never read a book more deserving of being published. It has rare depth. Julie's story will remind your readers that life and love are precious and not to be taken for granted. It has had an impact on me, and for that I'm grateful.
Literary agent, Carolyn Hopwood Blick
"Stolen Moments " which is reminiscent of "Love Story" is written with so much sensitivity that it made me want to cry. Like"Love Story" it is about a dying woman who has found true love. It is the love story of the nineties."
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