Mr Headrick, let's face it: since the advent of capitalism, people have always wanted to get rich. What we are talking about in the 18th and 19th centuries is not so much a technological imperialism or even the interaction between humans and their new discoveries, but rather the dominance of greed and the motivation to get rich. Indeed, Headrick touches upon this idea of "secondary imperialism" - by which countries accept inroads made in other countries by PRIVATE COMPANIES and PRIVATE INDIVIDUALS after the fact, but he seems to brush it off. He seems instead to place an emphasis on technology that is rather unwarranted. Technology never has and never will dictate what humans want to do. Rather, it simply determines what they can accomplish. Even today, people do not clone sheep because they CAN. They do it because they WANT to. Whether or not Mr. Headrick likes it or not, some people get off on taking advantage of, subjugating and even enslaving others. It is a sad fact of life.
Headrick also makes some ridiculous conclusions in his book that could be insulting to non-Europeans. He writes that the true legacy of imperialism was that "Europeans passed on to the peoples of Asia and AFrica their own fascination with machinery and innovation." Excuse me? Has Africa and Asia really had any CHOICE in the matter? Has even the private citizen in the United States had any choice? The imperialist has won out and has been able to dictate how to live life and this is the legacy of imperialsm. Furthermore, there as a lot of interest in technology even in Africa before the invasion of Europeans.
There are several other things in this book that annoyed me. Headrick gives a simplistic account of the development of the steamboat, emphasizing the role of Fulton while completly ignoring the contributions of Fitch, Rumsey and John Stevens Jr. And he states in his conclusion that, "Today, we are accustomed to important innovations being so complex ... that only the governments of major powers can defray their research and development costs."
Again, excuse me? If anything, the power of the government has DWINDLED. In the 1930s, no one would have ever dreamed of a company developing something like the atomic bomb, but today, with the accumulation of so much wealth in the hands of private individuals in the corporate world, such things are commonplace. Again, I am reminded of cloning. That was a HUGE achievement and no United Kingdom government was involved.
I realize I have been hard on Headrick, which is not to say I did not enjoy this book. As far as history goes, he generally gets his facts right and I found some of his interpretations interesting, although controversal. Anyone interested in imperialism would probably get something out of this book.
The technological changes associated with the transition from the First to the Second Industrial Revolution helped create this opportunity. Major innovations such as modern firearms, steamships, railroads, anti-malarial quinine and the telegraph made it much safer for Europeans to live and travel in the tropics, and also easier to attack the indigenous people there. The author gives special attention to developments in India, China and Africa.
Headrick's later works lack the sparkle of this groundbreaking text, but are still worthwhile in bringing the story closer to our own time. The more recent titles have rather more coverage of technology transfer---non-Western peoples' use of introduced technologies---in contrast to "Tools of Empire's" focus on the ways they were used against them. [Michael Adas, "Machines As the Measure of Men" is a stimulating look at Europeans' moral judgements about other societies based on their relative technological proficiency.]
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Authors Kaku and Axelrod have produced a book written in the style I enjoy the most--using the government's own primary source documents to impeach them.
They document the insanity of our fathers using their own words to pitch them upon their own pitards.
The volume contains quotes from hitherto secret NSC and Joint Chiefs of Staff documents outlining the insantiy, the ends of destruction to which cold war warriors could go to "win" a war with the Soviet Union, or anyone else who dared to stand in the way of American imperialism.
Fast forward to the "first strike" of Bush against Iraq. In reading this volume, one can easily find that cold war warriors of the past developed the "first strike" and that Bush and Company have taken advantage of them to establish a Pax Americana by force ofarms to make the Middle East safe for both Israel and American oil and multi-national corporate interests.
The authors trace the development of American foreign policy clearly demonstrating to the reader how "crisis" utilized the twin principles of cold war policy development--escalation dominance and first strike--to achieve the goals of American foreign policy--making the world safe for their brand of "freedom."
The book traces the evolution of how, in at least a dozen episodes, foreign policy planners used the threat of America's nuclear monopoly to achieve its ends. In contrast to the official party line spewed forth by the corporate media, a series of plans were developed all predicated on the insane notion of "winnig" a nuclear war.
"To Win A Nuclear War" is the kind of book to keep at your side when some lard ass flag waver talks about using nuclear weapons for any purpose. If we learn nothing else from history, we should learn that no war is really winnable. Americans are all too eager to inflict this sort of damage as long as it is NIMBY.
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The plot appears to be a tad more ambitious than it actually is. It's set in two main time zones with a lot of interacting going on between them, and that layer of complexity really doesn't have all that much impact on the plot. There didn't seem to be any real plot reason for having the action spread out over time rather than space, but it did make the story seem just a little bit more interesting. It's a case of style over substance, perhaps, but it works. The plot may not be especially complicated, but it is fairly clever in a few places. There are parts that are a predictable, yet I found one or two twists that genuinely surprised me. The modern-day Oxford setting is drawn realistically and goes a long way in helping add to the atmosphere. This contrasts well with the ghost story feeling of the passages set in the future.
The characters introduced here are competently drawn, but aren't particularly deep. They fulfill the functions that the plot requires of them, and aren't really fleshed out beyond that. Again, the characterization isn't anything that really hurts the book, and, indeed, there are a handful of moments that do stand out as being special. It's just that the vast majority of what we see is adequate, but not great.
Actually, my overall opinion of THE DIMENSION RIDERS was adequate, but not great. There is indeed a small smattering of interesting pieces, and the storyline itself it quite fun, even if it isn't terribly deep. The hints dropped here concerning the ongoing Alternative History story-arc are intriguing. You could probably skip this one and not worry about missing anything terribly exciting, but you'd be missing out on an enjoyable few hours.
The second of the Alternate Universe arc (the others being 'Blood Heat', 'The Left-Handed Hummingbird', 'Conundrum' and 'No Future'), this story follows on from the quite dark and bleak ending of 'Blood Heat' and, if anything, things get even bleaker!
The story is split into different parts, and the three members of the TARDIS crew all have their own story strands to pursue until they slowly draw together towards the end.
But for the very depressing atmosphere which pervades the novel, it might have been a good read! Not for those looking for a pleasant read.
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However, I did pick up several useful bits of info, and would recommend it as a rainy day read.
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o The worst problem is the cute, artsy English translations which in many cases make it impossible for the user (at least for me) to use the English prompt to produce the correct Spanish counterpart. I have to keep going back to determine whether the problem was my own mistake or a bad prompt. Often it is a bad prompt.
o This is made worse by the fact that the units to translate (the sentences) are often quite long AND THERE IS NO CONFIRMATION so that to check on the correctness of my response I have to keep going back.
o A lesser problem but still annoying is the woman who speaks the English prompts and tries to use this as an opportunity to practice her theater-drama skills. I find this very annoying.
These are problems that the publishers could have avoided if they had tried the course on a focus group. I suspect that they didn't do such testing. This is regrettable since the method of the course is valid (more valid than Berlitz's) and this could have been an excellent course.
P.S. My comments, by the way, apply to other publications of the Living Language "all the way" series.
The English translates the sense of the Spanish,
but it is very annoying because you have to figure out
the meaning of the Spanish from your current knowledge of Spanish, not from the English.
Let this be a warning for others who would create language tapes,
that people buy the tapes because they are learning the language.
Nevertheless, if you just want a review or want to hear some
Spanish spoken in real-life contexts, then this is for you.
However, hose of expect to do much of their learning while listening to the cassettes in their cars may well be disappointed:
o You will be frustrated doing the English-> Spanish translations because of miscues where the English differs gratuitously from the Spanish; that is, the translation is often so loose that you can never get the translation exactly right. An example is a prompt like 'Is there a car mechanic around?' where the Spanish would be 'Where can I find a car mechanic?'
o The prompts are too long considering the advanced vocabulary.
He talks about the motivation of European imperialism. He should have remembered to motivate the reader to care.